[EXCLUSIVE] @IAMCHANTEMOORE : THE RISE OF THE PHOENIX

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I can’t begin to speak on how excited we are for the release of Chanté Moore’s new album, The Rise of the Phoenix. It’s one thing that she’s releasing a new project. Sure, there’s a certain level of anticipation that’s already there, yet, there’s something different about this project. This truly is a rising for Chanté. Her life has taken her in so many different directions. She’s had an amazing career, but like any other artists she’s experience some good and definitely some bad. This album represents her new beginning. She has truly risen to the top again, and the result is a beautiful project that the world can enjoy in it’s entirety. She also has a bonus coming in the form of a Christmas album that all release two weeks after The Rise of the Phoenix. It was an absolute blessing to connect with Chanté to talk about the new projects and what we can all expect. If you’ve heard the new singles ‘Real One” and “Something to Remember”, then you know she ain’t playing no games with this album. So enough talking on our end. Let’s jump right into the exclusive….

 

U.G. Digital Mag: Ms. Chanté Moore! How are you?

Chanté Moore: I’m great and you?

U.G. Digital Mag: I’m doing great. I have to thank you for doing everything you are to keep good R&B music alive. You are absolutely killing it right now. 

Chanté Moore: I’m trying so hard, so thank you [laughing].

U.G. Digital Mag: You make it look effortless. I was at Essence Fest, and you were so beautiful, professional, and I could see this beaming happiness on your face when you spoke about the project. Obviously, at that time, I hadn’t heard any of the songs yet, but I’ll tell you .. with Real One, I have absolutely driven that song into the ground with my wife and she thinks I’m crazy. I love the song, and love the video. With the pre-download, you also get “Something to Remember”, and you get the Intro. What went into putting this together, because it’s almost like a new artist who comes in and kills the game. 

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Chanté Moore: You know, I just feel renewed. I really do. The Rise of the Phoenix is purposeful. The title is very purposeful. I feel like I have been through a lot of ups and downs, some good stuff, negative and positive, and it all worked together for the good. I’m just trying to give it my best. I feel like it’s time to be authentic, as usual, but what I love is the new producers I work with on this album are people like Lil’ Ronnie. I’m sure you know who he is, with songs from Usher’s “Same Girl” with R. Kelly, and the new song with K. Michelle, and he’s been doing very well. I love that he understands the music. It’s like adding chemistry. It’s like adding one thing with another and it doesn’t cease to just be one. All the elements are still present, but it becomes something new. That’s what I think happened with the music. With the writers, Felly the Voice is amazing; I love singing his words and writing with him. The melodies he comes up with are so beautiful. A new guy, @Sickpen, @beats4thestars is lil’ Ronnie, and we had so much fun making this record. We had so much fun that we did a Christmas album as well. So that’s pretty exciting, and we had so much fun. It has been work, but good work. We had the best time. 

U.G. Digital Mag: I was going to ask about the Christmas album, and still will, but I have to say that the producers and writers you’re connecting with stand as a testament to the type of person you are as an artist. These people see how genuine you are, and they want to work with your caliber. It speaks volumes. It’s people like you, and I also credit Faith Evans because she is amazing, but going back to the songs, I always say if they have a good intro, they got me. I interviewed Faith as well, and every single interlude and intro she does to me should be a full song. 

Chanté Moore: She is so incredible. I love her so much. She’s so funny and talented. Every time she sings, it’s like dang, I want to do that. Ooh, that’s a nice run. Just the way she soulfully approaches every song, I love her too, so you got my praises on that.

U.G. Digital Mag: But it’s the same thing with you. With “Real One”, for someone like me who can not sing a lick, I can admit that I go to town in the car on that song. My wife and son are so sick of me right now, but I love it [laughing]. 

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Chanté Moore: It’s funny about “Real One”. It seems like a really easy song to sing, but that sucker is hard. When I sing live, and this song is new for me. We just wrote the album, finished it and mastered it. It comes out in two weeks, so these are new to me. Singing them live is a new experience for me. I sang “Real One”, and “Something to Remember” back to back; oh that’s never going to happen again [laughing]. That made me so tired. Then I did “Chante’s Got a Man” after that? I was worn out. It was form, but it wore me out. I was like, OK, enough. 

U.G. Digital Mag: Why was it important to bare your soul with this? I feel like you give us your life with this album?

Chanté Moore: Absolutely. That’s been something I have done from the beginning. The songs I sing come from the heart. When I do it for my own learning and growing experience, I also do it for others. So many times, people come up to me on the road, and after the show there are tears for both of us. They say things like “if it wasn’t for your music, I wouldn’t have made it through this breakup”, or “I wouldn’t have made it through losing my mother”, or “if I didn’t know you were alone like that, I wouldn’t have felt like I could deal with it too”. Everyone always makes this thing of who they think you are and that regular stuff doesn’t happen to you, but it happens to everybody. We all get our hearts broken. We’re all get let own sometimes. We let other people down. We’re not exempt and we have that human life experience, so that’s what I endeavor; for people to know they are not alone. I’m not alone either. I put on my music sometimes and sing it to myself. 

U.G. Digital Mag: The Christmas album. It’s amazing, but my biggest question is why it’s so close to this album?

Chanté Moore: Stuff kept happening over and over to push it back. We’ve been trying to release this project for like six months. My fans on Instagram and Twitter are like yelling at me like, Chante, really? If you push this back one more time, we are coming after you. It’s been for different reasons, and I don’t know exactly why because I really wanted it to be released February 17, 2017. It’s the 7th album release for me. 2/17 is my birthday. Then it was pushed back. I don’t know what happened, but I do know at the end of making this, and finishing up and adding new songs, we still wanted to keep working. We said let’s do a Christmas album. We had no idea it would happen so quickly. We said let’s just put it out. Radio just plays the radio stuff, and they don’t play a lot of R&B and the other genres. We’ll be in the middle of that, and then next year, we’ll add another, and another the following year. What’s beautiful is it keeps living on. We were excited about making more music, and it made sense to capture the holiday spirit because I love Christmas so much. 

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U.G. Digital Mag: I like the concept of adding a new song each year so you don’t get the same thing over and over. 

Chanté Moore: This CD is so unique that I can’t wait for the world to hear it. I play both all the time, and put them on shuffle. That’s how I know this is music I love and I’m happy about singing it because I’m playing it. Usually, I finish a record and want to take a break from myself. Listening is work, singing it is work, and performing it live is work and making sure people get it, and there’s so many aspects that can be tiring and draining. I find that these two CDS are my favorite listen right now. 

U.G. Digital Mag: Any last words or comments that you want to get out, and what can we look forward to in the next couple weeks?

Chanté Moore: I’m trying to do as much press as I can. I’m going on tour. I can’t give you the exact dates, and if I did, I’d be wrong [laughing]. Go to chantemoore.com, where we will put up the calendar. Please come see these LIVE. We’ll be performing the Christmas stuff as well as the new album. I’m having a great time. The band is amazing; I have a new band. The dancers are there when I have room on the stage. I’m giving my all like it’s my last.

 

VIDEOS: REAL ONE & SOMETHING TO REMEMBER...

DISCOVERY with CVSS HAMILTON [ @CvssOfficial ]

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Discovery has become quite a popular section here at U.G. Digital Magazine. One of the things we try to do is introduce you to hot new talent who blaze trails in the industry through their craft. This month and issue, we lead with Canadian hip-hop artist Cvss [pronounved Cass] Hamilton. Only a few projects in, he’s already building a strong name for himself through a mixtape and album that he’s released over the past year or so. Now, with a new album, and single in the forefront, he’s ready to take his brand to an even higher level. In our feature, we talk about his new single, “Bang”, with Karl Wolf, his new album to come, and the career he’s striving to build in this industry. 

 

Meet Cvss Hamilton!

 

U.G. Digital Mag: Your story is one of inspiration for a lot of people who follow. You’ve dealt with the triggers and blows of life in terms of being in trouble, and living the street life. What took you in a different direction?

 

Cvss Hmilton: I always had music, but the thing that pushed me to get away from the streets was the birth of my daughter. 

 

U.G. Digital Mag: That’s what up. That’s real to so many people when they want to have something better for their kids. 

 

Cvss Hmilton: Right. I’ve seen it so many times with friends of mine. They either get shot or are in prison, and then their kids don’t have a father. 

 

U.G. Digital Mag: Now realistically, this is a business that takes time when it comes to cultivating your craft and building a proper presence. Money usually doesn’t roll in immediately. Now having a daughter and obviously needing a steady flow of income, what motivated you to continue as you got started?

 

Cvss Hamilton: I was always more than an artist. I did a lot in the background, from design to doing my own mixtape covers. Once I established myself, I used my own name to get business. I was generating income through it all. 

 

U.G. Digital Mag: Let’s talk influences. Who were the artists who really inspired you to pursue this?

 

Cvss Hamilton: Growing up, definitely Pac, Biggie, Jay-Z, Eminem, Royce Da 5’9”, Ludacris, Jeezy, and Jadakiss. All those guys were big influences for me. Even recently, I have to give a shout out to Kevin Gates. He has really influenced me a lot. A lot of his songs, I relate to. If I had to decide to do a feature with someone, that’s who it would be. 

 

U.G. Digital Mag: Who were the people in your ear in real life, who influenced and inspired you to turn the page for a better life?

 

Cvss Hamilton: I would say people that I bumped into in the streets because for a while I wasn’t really putting out music. Once I started doing music, people would recognize me out in the streets. They would stop me and say “hey, you’re that guy, keep doing it”. Others weren’t always my biggest influence. They were into the streets too, and would say things more like don’t waste your time. I was really doing it for me, so I didn’t pay much attention to people’s negative opinions. 

 

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U.G. Digital Mag: You’re dropping “Bang”, your collaboration with Karl Wolf, in just a couple days. Talk to me about that single and the direction you went for?

 

Cvss Hmilton: So, I was invited to do the Canadian Urban Television Awards this year, and I was still fairly new. I had just dropped the album “Selfish Ways” and it was kinda popping. I was at the rehearsal, and Karl Wolf was doing some a capella work. I walked over and started beat-boxing, and we started talking. Kardinal Offishall was supposed to be with him, but couldn’t make it. He asked if I could freestyle for him when he performed, and while I thought about it, I didn’t really feel I was prepared for it. I did it anyway, and we established a connection. I hit him up with a beat and some ideas, and was hoping it would make for something a little different to help build a presence. I want to touch a different type of audience and show versatility. 

 

U.G. Digital Mag: The collaboration is definitely dope. How does it feel to be getting so much love and respect for your craft and the way you do things musically? You have to be in a good place with that, right?

 

Cvss Hmilton: It’s a good feeling. I’ve always been humble about it. I try to stay that way. I love progress in anything, be it music or anything else. I love good music. Anything with progress is wonderful. How can it be denied?

 

U.G. Digital Mag: What can we look for in a full length project for you?

 

Cvss Hmilton: I was introducing myself with “Selfish Ways”. This time around, I want to make people dance. I’m trying to focus on radio distribution, and things that can play in the club. I want more energy, and want to keep people moving. I want to show I have more style. 

 

U.G. Digital Mag: That’s dope. I love to see when artists are truly having a good time. Ultimately, it makes for better music. It’s all about escaping from the everyday madness of life that you may experience. People can appreciate that from you. It’ll be a dope turnout and people will surely see that versatility. 

 

Cvss Hmilton: I can’t wait. 

 

U.G. Digital Mag: Talk about your goals as an artist? How do you contribute something lasting to this industry that helps the next artist coming in?

 

Cvss Hmilton: That’s pretty much the plan. More artists should be that way. Once I have the power and can help, I want to build a team. It’s not about being the best. I just want to do what I love and be happy doing it. I want to have a good team, and want them to work the same way. Having the power to be that guy that everyone respects, and being humble to let others in is what I’m trying to do. 

 

U.G. Digital Mag: Where can everyone find you online?

 

Cvss Hmilton: They can find me at www.cvssmusic.com. You can find the social media links, mixtapes and albums there. My videos are there as well.

 

U.G. Digital Mag: Do you have any final comments?

 

Cvss Hmilton: I just want to give a shout out to everyone watching my progress. I really appreciate it. I’m going to keep doing what I’m doing. I’m loving it.

Soul Crooner @OfficiaALEX Releases Music Video To His Debut Powerful Single, "WORDLESS"

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 ALEX HARRIS a Soul/R&B vocalist and actor is no stranger to the entertainment scene. Having started his entertainment career at the tender age of 7 years old, he toured throughout the southeast region with his siblings. ALEX HARRIS has a growing following world-wide because of his #1 hit singles, "Hope for Us" and #1 hit "Love Line", Top 20 Billboard success, "Don’t Walk Away", with his brothers, A7, and his electrifying soulful and engaging performances. His polished lyrical styling and dynamic energy is a breath of fresh air with a very earthy twist that transcends multiple audiences everywhere he performs including 2 of the Presidential Inaugural Galas, Premier of Bermuda Gala, Premier of Ireland Gala and many other prestigious galas, schools, colleges, corporate events, and festivals world-wide.

 

ALEX HARRIS has not only headlined his own shows, but has graced stages with entertainers and actors, such as Al Green, Bobby Rush, Eric Benet, John LegendKirk Franklin, Lamman Rucker, Leon and many others.

 

Take a moment to check out Alex’s new single, Wordless, right here at UGDigital. 

Be sure to connect with Alex Harris on Social Media!

Website: www.AlexHarrisOfficial.com

Twitter: @OfficiaALEX

Instagram: @AlexHarrisOfficial

Facebook: /OfficialAlexHarrisMusic

Snapchat: @AlexHarrisOfficial

@PROJECTPATHCP ANNOUNCES NEW ALBUM ‘M.O.B.’...

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Originating from Memphis, TN, Project Pat began his career by making appearances on his brother Juicy J and DJ Paul’s early releases.  After serving several years in prison for robbery charges and disappearing from recording, he re-emerged in 1999 with the solo album, Ghetty Green, which was released on Juicy J’s Hypnotize Minds label. He then became an unofficial member of Juicy and Paul's newly established group Three 6 Mafia; and first gained mainstream attention when he provided the hook for the group's hit single "Sippin' on Some Syrup.”

Project Pat released his breakthrough second studio album Mista Don't Play: Everythangs Workin' (which went Platinum) and the projects singles "Chickenhead" and "Don't Save Her" gained heavy national radio airplay and became staples on BET & MTV. Shortly after the release of Mista Don't Play, Pat was charged with a parole violation and began a four-year prison sentence after illegal guns were discovered in his car during a traffic stop. 

 

After his release from prison in 2005, Pat released his highly-anticipated Crook by da Book: The Fed Story album and aided by the first single "Good Googly Moogly" featuring DJ Paul and Juicy J made an immediate impact on the Billboard charts by selling 40,000 copies in its first week. 

After Pat released Crook by da Book, he secured a release from Columbia Records and signed with E1 Music to release his fifth studio album Walkin' Bank Roll (which debuted at #45 on the Billboard 200) and his sixth studio album, Real Recognize Real was his first release for Asylum Records and it included his hit single “Keep It Hood” featuring OJ Da Juiceman and it debuted at #8 on Billboard’s Rap Chart.   

In 2015 Project Pat released Mista Don’t Play 2 in a joint deal with Wiz Khalifa’s Taylor Gang Entertainment, which featured appearances from Khalifa, Wale, Ty Dolla $ign, Juicy J, the late Doe B and production from Mike WiLL Made It. 

Over the last few years, Project Pat has stayed busy by contributing to high profile releases from Juicy J (Stay Trippy), Rick Ross (Hood Billionaire) and Wiz Khalifa (Blacc Hollywood).  

Now, Project Pat announces his ninth-solo album, M.O.B., which will be released on 9-8-17 by Cleopatra Records and via an exclusive premiere with XXL, Project Pat releases the album’s first single, “Money,” featuring Juicy J.

Listen to Project Pat f/ Juicy J “Money” (Produced by xtcbeats): https://soundcloud.com/macmediapromo/project-pat-ft-juicy-j-money-produced-by-xtcbeats-1

Checkout the XXL Premiere: http://www.xxlmag.com/rap-music/new-music/2017/09/juicy-j-project-pat-new-song-money/

Pre-order Project Pat’s M.O.B. album at iTunes and receive “Money” as an instant grat track: https://itunes.apple.com/us/album/m-o-b/id1276263233

Read Project Pat’s “Made In America” feature with Noisey: https://noisey.vice.com/en_us/article/6vw93r/project-pat-on-growing-up-in-the-projects-and-gettin-them-booties-movin

Tracklisting for Project Pat’s ‘M.O.B.’ Album:

1.)   “Pockets Hurtin’”

2.)   “Slangin’ Butta”

3.)   “Wit The Shii”

4.)   “Extortion Game”

5.)   “A Real One Will”

6.)   “We Dem Ones”

7.)   “Very Paranoid”

8.)   “M.O.B.”

9.)   “Ain’t No Passes”

10.)                     “Lit’ Em Up”

11.)                     “O’s” f/ Young Dolph

12.)                     “Money” f/ Juicy J

 

[NEWS] @REALDJPREMIER Brings A New Life To NPR’s ‘Tiny Desk’ By Rocking Their First Ever DJ Set

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Three-time Grammy winner DJ Premier, one of the definitive architects of New York hip-hop, brought a new type of life to NPR’s Tiny Desk: their first concert helmed by a DJ.

 

A packed house of head-nodding journalists grooved through their lunch hour to a nine-song medley of iconic Premier productions while decompressing from the unrelenting grind of the news cycle. The set list rested on the undeniable footprint of Preemo’s classics, but this was more than just another DJ mix. His touring outfit, The Badder Band, overlaid Premier’s blends with an undulating electric bass courtesy of Brady Watt, a steady accent on the one from drummer Lenny Reece and boisterous horns from Mark Williams and Jonathan Powell.

 

But it was Premier who remained front-and-center, commanding the crowd like a true party rocker. With throwbacks ranging from Gangstarr’s “Step into the Arena” to an amped rendition of Jeru The Damaja’s “Da Bitches,” embellished by The Badder’s jazzy horns, Preemo concluded the set with a “Moment of Truth,” featuring the exalted rhymes of his posthumous Gangstarr partner, Guru.

 

Tiny Desk concerts are short by design, so naturally the format could barely scratch the surface of Premier’s vault of street anthems, done for the likes of the Notorious B.I.G., JAY-Z, Nas, Kanye West, Big L, M.O.P., Mos Def, Group Home, Jeru the Damaja, AZ, Snoop Dogg, and many more. Even after a career spanning almost three decades, the man born Christopher Martin has managed to stay authentic to his analog grit and sample-chopping integrity, as if he were still an underdog.

Watch DJ Premier & The Badder Band’s NPR ‘Tiny Desk’ Performance: http://www.npr.org/event/music/543717146/dj-premier-the-badder-band-tiny-desk-concert

Check out the new single, “Free,” from DJ Premier’s New Artist Torii Wolf featuring Macklemore & DJ Premier.

Listen to Torii Wolf f/ Macklemore & DJ Premier “Free” (Produced by King Of Chill): 

https://soundcloud.com/dj_premier/torii-wolf-feat-macklemore-dj-premier-free-produced-by-king-of-chill 

[EXCLUSIVE] @JONCHAFFIN : THE HAVES AND THE HAVE NOTS

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If you’ve been following the last few weeks, you’ve seen the various features we’ve run here at UGD in support of The Haves and the Have Nots. This week, we catch up with Jon Chaffin, who plays one of the show’s most loved and hated characters, Warlock. Without going into heavy detail of his character, Jon Chaffin displays some of the best acting we’ve seen with his character, and it undoubtedly has taken the show to amazing heights. He’s got millions of fans tuning in each week to see what’s going to happen next on the show. The season is currently reaching it’s climax, and things are getting really heated right now. Jon sits down for a few moments to talk with us about the show, what’s to come, and also the many amazing things he has going on in his career outside of HAHN. 

 

 

U.G. Digital Mag: First off Mr Chaffin, this is a tremendous honor to connect with you because you are one of the best I’ve seen do this. I imagine you hear it a lot, and I know the type of person you are so you don’t feed off it, but I still imagine you get it a lot. Even with what you are doing with The Haves and the Have Nots, it’s inspiring to so many. Not even fronting, I watch the show and am a die hard fan. I have said for so long that I wanted to connect, not just about the show, but also your journey. Many want to do this, and get into entertainment, acting, or more, and they get discouraged. With all you’re doing, you show people they can do it, do what they love, and make a living. They can prosper financially and professionally. I haven’t seen anybody else deliver what you do with HAHN. We regular push this man, in terms of following your passion. I walked away from career to build this publication that offers an alternative, and something that’s culture bending, and just not the norm. We love to show the positivity in people like yourself. Thank you for that. I know it’s a mouth full. 

 

Jon Chaffin: Wow. I appreciate it and am really humbled by it. 

 

U.G. Digital Mag: It’s cool, too, because again, people easily get discouraged, and I’ve been there. This initially made no money. I had to maintain family and all else for something I love. Looking at you and so many others, you see first hand that when you put your heart and passion in, it works out. 

 

Jon Chaffin: Yes sir. I appreciate that so much. 

 

U.G. Digital Mag: My goal has been to connect with everybody from the show. It’s funny because I reached out to Crystal Fox, who plays Hanna, and we did that. Then I reached out to Presilah Nunez, who plays Erica. That’s running now. You’re will run here on the site and in the issue. On a side note, you worked with Markice Moore in a films that we’ll discuss later in our conversation, and he’s doing the cover. It’s so cool to see what’s going on with HAHN, and how big it has become. Getting into the show, how did War come about for you?

 

Jon Chaffin: It was an audition. My agent sent it to me. I did it the old-fashioned way. They liked it and brought me in for the callback. I had to go in to do it in Atlanta because I was in LA at the time. I’m still in LA. But I had to go to Atlanta for Tyler and the producers. I did my thing, and initially, I knew who this guy was. I grew up with people like him, and been around people like him. I was able to find the connection and bring it to life. Through the process, I was able to dive deeper into the psyche and personality. It was all done the old-fashioned way. I gave them my take and they liked it. As they say, the rest is history. 

 

U.G. Digital Mag: Someone like myself, I have watched since day one. I DVR’d because I worked so much. Now I take an iPad to work with me to make sure I catch it. I binge watch at times just out of love for the show.  What’s cool is it unites people with families. I watch with my mother, my wife loves it, my son loves it and begs me to DVR it. It’s funny because we watched last night, and I work a night shift gig. We watched, and as it went off, he was saying he wished another episode was coming on. Did you expect this type of success with it, especially reaching all age groups like it does? People either love or hate War. 

 

 

 

Jon Chaffin: Yea. I had no idea. Initially it was one episode. Candace had come to him because she had gotten all her belongings taken. It wasn’t written that I would have a long shelf life. When I did it, Tyler really liked it, and he said he would write more for the character. You just never know, which is why you have to focus on the work and not so much the outcome. I didn’t go in with the idea that I would love for it to be a regular character. I just did my things, and that opened up the opportunity for more. I was totally surprised by what this role had become because like I said, it wasn’t written for that. I had no idea it would go this far, or fans would gravitate to it the way they have. It’s been an awesome ride. They either love me, or hate me. They love to hate me, hate to love me. It’s what we hope for as actors, is that the audience gravitate to the character and the work. We want to move them in some fashion, and the fact that I did that means job well done. They love the character and it’s been a blessing. 

 

U.G. Digital Mag: It’s cool because a lot of characters in many of Tyler’s shows are that way. Presilah Nunez said the same thing. She was only there for three episodes, and it grew. Crystal Fox was to be there long term obviously, but it’s great to see the smaller roles growing the way they do. I never imagined it would get this big, even though i saw big things. On Facebook, there’s a ton of groups, and I usually do some promotion there. People are like die hard fans. They have groups and everything with thousands of members. They LIVE chat each week, and they go in hard. I know Angela chats live sometimes. She actually did the cover of our first issue. Do you find time, even with how incredibly busy you are, to get on Facebook and chat?

 

Jon Chaffin: Oh yea. I get on, and try to respond as often as I can. i try not to live my life on social media, though. We’ve become a society that’s glued to our phones. I post and reply, but not all day and everyday. Sometimes, I LIVE tweet if I can catch the show. I am active in responding, and try to thank the fans. Without them, the show would not be what it is. We need the fans to love what we do so we can continue. I’m grateful for social media because it gives us the opportunity to connect directly with the fans. The comments, and gifs, have me cracking up. It’s hilarious, but it goes to show, like you said, how invested people are in these shows and characters. I go back to say it was unexpected that it would become this beloved character. I’m grateful. I try to reach out and thank them, or retweet. I can’t reply to everybody, but I try to like comments and let them know I see it and appreciate it. 

 

courtesy of OWN

courtesy of OWN

U.G. Digital Mag: Keeping it real man, I know you can’t give nothing away, but I’d be crazy not to ask for a tidbit of intel?

 

Jon Chaffin: [Laughing] You just gotta watch. Let’s just say the journey comes to full circle. Hopefully, the audience will enjoy the next episode. it will definitely put some people on the edge of their seats. 

 

U.G. Digital Mag: I say again that you guys reach all generations. I also work with someone who’s in their seventies, and she asked me last night about the show. It’s cool that you can bring people together this way. It’s amazing what we can do through entertainment. 

 

Jon Chaffin: Yea man. It’s a blessing to affect people that way. That’s the beauty of what we do as artists, whether acting, writing, or doing poetry. Our job is to reflect the times in which we live. When we can reach and connect with people, that’s it. It’s good when people are affected in a positive way. 

 

U.G. Digital Mag: So this is where I start to transition into some of your other work. I love how supportive the entire cast is of each other. No matter what it is, everyone supports. You did King Hedley II and you also did 96 Minutes, which paired you with Evan Ross, David Oyelowo, Markice Moore, and Hosea Chanchez. You did really good with the character, which was also somewhat villainous. In 96 minutes, what was it like bringing the role of JJ to life?

 

Jon Chaffin: That was an awesome experience to work with Aimee Lagos, who wrote and directed, David Oyelowo who is amazing at what he does, Evan Ross, and Markice Moore. It was really great. I knew people like that character, but it was also a learning experience. This was earlier in my career. It was a good learning curve to be on set with those veterans. I tried to learn as much as I could, and bring honesty and truth to the role. You never know how it will come out or how people will gravitate to it. You hope for good. I’ve played a variety of roles. To me, I don’t get caught up in the role. Each person has a story to tell. We are all humans and capable of the same thing. Each character deserves the same respect. I don’t get caught up in the idea of being type-cast. I make it a point not to play each role the same way because they’re all different.

 

U.G. Digital Mag: The phrase you said, “I Love what I do”; that’s where we all want to get. That resonated really good in King Hedley II. I haven’t seen it yet because I’m in Ohio, but I’ve seen the promo. I’ve seen your postings on social media, and I see the postings from others. It appears to have done extremely well for you. 

 

Jon Chaffin: Yea. King Hedley II is one of August Wilson’s plays. It’s set in 1985 in his ten-play cycle in Pittsburgh in the Hill district, about King, who is returning home from a 7-year prison stint, and he’s trying to reingratiate himself into society, his wife is pregnant, and he’s trying to start a business to make money to get going in life. I play Mister, his best friend, side kick, and sometimes business partner. It was a great opportunity to get on stage and do this play, and say those words. Michele Shay who is an August Wilson-ian; she originates the role of Louise in Seven Guitars. She and Viola Davis did it on Broadway. She’s done a number of August Wilson’s plays, and she directed this production. Like you saw on Instagram, we had a great turn-out. A lot of my cast members came out, and a lot of celebrities came out. It’s a timely piece. It’s set in ’85, but the challenges they were dealing with are prevalent today in what we deal with in society. To be able to go on stage and do theatre; there’s something in that. There’s an energy you don’t get with a television show or movie. In theatre, the audience is right there and in the moment. They laugh at things you didn’t expect them to laugh at, and then they don’t laugh when you thought they would. It’s like, you have to be totally focused and in a zone with theatre. It’s a great workout, and I always wanted to do something by August Wilson. When the opportunity came, I jumped in with both feet. I plan to do more. I hope to do another play if not this year, definitely next year. We did this out here in LA, which is not known for theatre, although they’ve done some great theatre, and it was great to get the response we got.

 

U.G. Digital Mag: What’s the biggest lesson in your journey?

 

Jon Chaffin: Not to expect anything. Roll with the punches. Don’t expect anyone to give you anything, and don’t expect a return on your investment. We want what we want right then, but a career takes time to develop. I’ve learned to be patient. I’ve learned to work hard, and believe in myself. In acting, moreso than any other career or vocation, you use yourself, and need to know who you are as a person. The more you know, and the more comfortable you are, the more you can look at your flaws and embrace the imperfections, and the more you can give to the character and story. That’s what makes a great actor. They’re able to give freely of themselves, and unblock the extra. I’ve just learned to be a professional but not expect anything and work hard. 

 

U.G. Digital Mag: What have you taken away from the level of success black actors are beginning to see? You have people like Gabrielle Union, and you have Sanaa Lathan who was doing Shots Fired which was shockingly canceled… I thought it was so dope … but even outside of that, people like Tyler Perry are doing so amazing, and bringing opportunities to the table. I know when you came into this, the opportunities were fewer, and farther between. There’s been so much growth. 

 

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Jon Chaffin: Everything happens in waves. If you really think about it, in the nineties and earlier 2000s, we has a lot of shows, but we also were building the networks up. The CW was there, then they canceled Girlfriends, Fox had Martin and Living Single, NBC had The Fresh Prince of Bel Air. We had a lot of shows and then they died off. But now, especially with social media, people can express what they want to see, and everybody has the ability to voice their opinions as far as what they want. The conversation is being blown open. It’s a great time because there’s so much content, and so many avenues to get it out. It’s not just the major networks anymore. Sign up for cable and you get hundreds of channels. Then the streaming services. Netflix and Hulu. All these avenues, and everyone vies for attention. People are watching television on phones and laptops now. It’s a great time for artists of color to get opportunities, and create their own opportunities. Shots Fired, I thought it was great as well, but you also realize it’s a business. Shows will come and go. Sanaa Lathan will be on something else when you look up because she’s amazing. Its hard to get a show to a second season, third, and fourth. I can’t even go through all the shows that are out. People ask me if I’ve seen Game of Thrones, and I haven’t. I’m like, it’s seven seasons in. Ain’t no point of even jumping in now. I would literally have to spend my whole week or two glued to the television. I just don’t have that time. That goes to show how much is out there. You try to find what you like and ride with them. You miss a week or two and get left behind. The way the shows are done now is changing. They don’t do 23 episodes in a season. Now they do 10 or 13. They air the first 10 in the spring, and then you don’t see it again until the fall. I was just talking with my fiancé about when How to Get Away with Murder is coming back on. I feel like I haven’t seen it in forever. It’s so many other things you’re watching. It’s good and bad. Right now it’s a great time for actors, writers, and producers. There’s such a need for content, and so many more avenues to get it out. 

 

U.G. Digital Mag: You’re right, though. I’m the exact same way in the fact that I work so much that I miss a lot of TV. My wife and I just started streaming, and we’re doing Roku now. 

 

Jon Chaffin: Right. That’s where the industry is going. People were hanging on for sports, but you look at Netflix, Hulu, and Amazon, and soon the services will be as much as cable because you’ll have 5 or 6 subscriptions. 

 

U.G. Digital Mag: Right. I just binge watched Survivor’s Remorse, and saw how amazing it was. You’re definitely right about the content out there. What are you most thankful for?

 

Jon Chaffin: Just being able to do what I love. Having the opportunity to pursue my dreams. I’m thankful for life and good health. We take for granted the little things. I‘m grateful I’ve been gifted this talent to entertain, and the opportunity to pursue it, perfect it, and work at it. We spoke earlier about you leaving your job to do what you love. I’m a firm believer of not living your life with what ifs. As you have children, and I don’t but hope to some day, you want to push them to pursue their goals some day. It would be hard if I didn’t do it for myself. I want to lead by example. Go after what you truly desire in your heart because tomorrow is not promised. We’re all going to die at some point, so when you realize that, you come to realize nothing is as serious as we make it. Live a life that it pleasing to yourself that you can enjoy. Try not to hurt anybody in the process. 

 

U.G. Digital Mag: Everyone has watched your journey. We saw that you went to school and put yourself in a place to be noticed. What advice do you offer to those out there who dream of this type of life, or any profession?

 

Jon Chaffin: I would say learn as much about the path that you are about to take. Understand that it doesn’t happen overnight. It takes time. Have a talk with yourself about the reasons for wanting to do it. I get asked a lot about how someone should start, and when you tell them, they have a look like “I actually have to do work?”. What are you doing it for? Do you want to be seen and famous, or is there something you have to get out, or stories you have to tell? That’s why I ask people. If this is something you want to do, you have to believe it is possible. You can’t get discouraged by the naysayers. Fulfill the promise to yourself. Push yourself and strive to go that extra mile. What people don’t understand is it’s not hard. It’s just hard to believe. That’s the hardest part. Once you conquer that part, the rest is about putting in the work and letting the chips fall where they may. You have people who pursue for years and it’s like there’s nothing; then you have people who step off the boat and jump and they blow up. I can’t say it will take ten years, or ten days. Every path is different. I say to stay encouraged. Learn the business and craft. Study it. You’ll have to study it for the rest of your life. You’ll never have it all. We grow, evolve, experience life and change, and you have to incorporate it into your work. You have to believe in yourself. That’s what I believe is the formula. If you need to listen to motivational speakers to keep you motivated, do it. I’d be lying if I said I didn’t second guess sometimes, or wonder if something was going to work. I also ask myself if there would be anything else that would make me more happy, and luckily that answer has been no. That’s how I know I’m on the right path, but if there’s something else you can do to make you happy, I say go and do that. This is a tough business and it’s not for the faint at heart. 

 

U.G. Digital Mag: I thank you for so many things, especially the encouragement that I and so many others get. Again, we watched you work from the bottom up. I take it back to the show as well. I love the show and character. I’m counting down til next Tuesday. It’s dope and I love what you guys do. I appreciate your time. It’s cool to connect with people you admire. 

 

Jon Chaffin: I appreciate you man. Thank you so much. The words gave me life today and I needed that.

[Exclusive] @ActorSirBrodie: Survivor’s Remorse

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​We’re thrilled to bring you get another great exclusive right here at UGD! This time, we’ve connected with Sir Brodie, who has become one of the more prominent faces on the Starz hit series Survivor’s Remorse. In just five years, Brodie has built a significant name for himself, having made appearances in a number of popular shows. It’s with Survivor’s Remorse that he’s beginning to make his biggest impact, as the world is beginning to see how amazing an actor he truly is. Take a read below as we chat about the show and all else he’s got popping off these days.

Survivor’s Remorse premieres its fourth season tonight!

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U.G. Digital Mag: In coming together for Survivor’s Remorse, I’m embarrassed to say I really just caught all three seasons of the show man. It’s really good work. I know you come along in season three, but it’s really good. Talk about your character?

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Sir Brodie: My character is one of Julius’ friends. He was the uncle to Cam. Julius was Mike Epps’ character, and I was one of his friends from Boston. I came in during the funeral, as you know his character was killed in an accident at the close of Season two. Pookie is more the level-headed friend. He’s the one that all the rest of the boys trust. When you see him in season three, he’s more concerned about sending off their friend with respect and dignity. Another friend in the scene by the name Cakebread is more the “fuck-up”. He’s the comic relief [laughing]. At the end of the season, you see M-Chuck coming to Pookie to find out who her father was.

U.G. Digital Mag: Right. She had been asking for a while. So many viewers have ideas, and of course, you’re seen throughout the new season. You’ve got to give us some intel about the show man [laughing]. What can we expect for the new season?

Sir Brodie: Man, I think you’ll expect a lot more comedy. Tichina is hilarious. The cast is hilarious.

U.G. Digital Mag: It’s funny that she [Tichina] hasn’t been in a role like this before. She has such longevity and we’ve seen her in so much, but this is perfect because she’s taken it and run with it.

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Sir Brodie: I know. With Survivor’s Remorse, the writing staff actually gives the lead characters a lot of room and opportunity to come in the writer’s room and discuss their characters. They have a lot to do with how it all unfolds. They allowed me this past fall to come into the writer’s room and discuss Pookie’s character.

U.G. Digital Mag: That’s amazing because it doesn’t solidify anything in stone necessarily, but it gives the idea that you’ll be there for some time.

Sir Brodie: Man, we’re praying for that [laughing].

U.G. Digital Mag: I know man. I say let’s put it out there. It’s really good, but even outside of the show, you’ve done really good work. I see you’re also a part of an upcoming episode of The Haves and the Have Nots, which is one of my favorite shows. Actually, we just connected with Jon Chaffin this morning, who plays Warlock on the show. Talk a little about your spot there?

Sir Brodie: My role is that of a police officer. We actually shot that, man, it’s probably been a year or more ago. I can barely remember what was going on. I know we were investigating something in the hotel. I don’t even want to give that away [laughing]. Somebody’s been killed.

U.G. Digital Mag: They’re going to kill me man, because I’ve been digging for info. I’ve connected with a few people from the show over the past few weeks.

Sir Brodie: Yea, but I know we’re investigating. Honestly, I never know who it is based on the script I had, so I don’t know. I’m playing a police officer, basically when the cop shows up on the scene. It’s a small role, but a major blessing to do it with Tyler Perry. All of us actors in the game, especially here in Atlanta, are dying to work for Tyler Perry.

U.G. Digital Mag: Man, the actors here in Cleveland want to work with Tyler, so I know it’s a huge blessing [laughing]. I think it’s amazing for you. What I think is that it speaks volumes to you as an actor because you’re getting these parts in prominent productions. Blue Bloods, MacGyver, and more. Sleepy Hollow. I think it’s great, and the opportunities are flooding in for black actors in general. As I watched these three seasons, I started pinpointing who I wanted to connect with, and you were right at the top of the list. I thought it would be great to hear the experiences you’ve had with the show, and how it’s helping your career. I look from the outside obviously, and feel like it’s doing tremendous things for you. The growth is exponential. The show is huge.

Sir Brodie: It’s the biggest booking of my career. The experience of those great actors, and being around them is great. RonReaco is amazing. I couldn’t believe he didn’t get any awards last year. Starz is a subscription channel, so a lot of people don’t get to see it like they can see Empire on network television. But once they see it, they continue to watch. We don’t lose fans. I enjoy the show because it’s real. They keep it on the real and hold no punches. It’s funny and dramatic. You have all the elements.

U.G. Digital Mag: I can tell they give you free reign and allow you to develop the character into something believable. This is stuff that is really happening.

Sir Brodie: Yea, but you’ll like Pookie. He’s the OG from the neighborhood.

U.G. Digital Mag: It was weird when you first came in because I thought from that point, you’d be there the entire season. Of course, you came back eight episodes later for the “Father’s Day” episode. But this is real stuff. When RonReaco came in contact with his dad, people live that everyday. What are some of the other things going on that are coming up?

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Sir Brodie: We have an independent movie in Atlanta, The Products of the American Ghetto, and it’s based on a book written by Tierre Ford. It talks about the Atlanta landscape when crack cocaine came on the scene, and the drug war between the Atlanta dealers and Miami dealers. It touches on the Miami police when they implemented the red dogs, which was a task force designed to clean the streets of drugs. They were given free reign in Atlanta.

U.G. Digital Mag: There’s a lot of powerful people in here, like Robin Givens, and Darrin Dewitt Henson.

Sir Brodie: Right, there’s a lot of good names here. They’re actually premiering it here in Atlanta on the 23rd of this month. Next Wednesday. That movie will do well in our community here. I play an OG character in that movie as well. I seem to get them roles, and I channel my father. That’s coming. I just finished shooting an untitled project. It’s an Al Pacino film based on Joe Paterno. That’s all I can really say on it.

U.G. Digital Mag: That’s cool man. I saw that project coming, as well as The Products of The American Ghetto, and saw the caliber of people involved. I imagine it will do well.

Sir Brodie: Then we’re just out here grinding, and auditioning. It’s a lot of projects shooting here in Atlanta now, so the actors here have a chance to be involved in a lot more. Before, we would all go to LA, but now you don’t have to leave. if you want to be a working actor, you can do it here in Atlanta.

U.G. Digital Mag: You’re right. Honestly, I’m seeing that in a lot more cities now. You can do what you want there, and it’s amazing how much Atlanta has grown. It’s ironic because I’ve considered relocating there. It’s amazing how many more opportunities are there. A lot of that is because people there are doing so much, including Tyler Perry, to make those opportunities available.

Sir Brodie: Definitely.

U.G. Digital Mag: What things are you looking forward to doing in the future?

Sir Brodie: Eventually, I want to do some of my own projects. When you create your own, you have a lot more creative control. I have that desire. I started acting five years ago, and it’s been a learning process. It’s definitely been a fast learning process. Most people say it takes ten to fifteen years to really make it, so I’m still in my grinding mode, and feeling the business of acting out. Hopefully, I can do a few projects on my own. I have a few ideas. I guess if I can put a wish out there, I want to play in a remake of Shaft and actually be Shaft.

U.G. Digital Mag: I can see that happening, and it would be a good thing. I say put it on the table and it will come.

Sir Brodie: Absolutely.

U.G. Digital Mag: Obviously, many people look to get into this amazing field of acting. What advice do you offer? I ask that because things are moving great for you. It often does take fifteen years or more. Things are really happening for you at a rapid rate, and it’s great. Surely, you’re working hard, but you’re following your dreams. What advice do you offer?

Sir Brodie: It’s the same advice I give for anyone looking to do something with their life. You first have to desire it and have it in your heart, and be willing to put in the effort it takes to see that come to pass, coupled with a lot of prayer. Whatever you want to do, you have to learn it. I had to learn the craft of acting. I took an acting class every week for three years because I wanted to do this. I said it when I started, that some people have natural talent. That’s good, but It takes more than that though. You have to make the commitment to train and educate yourself. Be willing to work for free and understand that. I was in projects for three years and wasn’t getting paid. It was free stuff, but I got that advice from Greg Allen Williams. I was a background performer on Necessary Roughness, and he told me that if I wanted to do it, don’t worry about the pay. Don’t worry about if the project is great or not great. You need to learn every aspect of it so you can recognize a good project, a good director, and a good DP, so you have to do it all. Young directors and filmmakers are the future, and many of them don’t have money to pay you to work with them. You have to establish those relationships. I went to class and started networking. People were calling because they knew I would say yes [laughing]. You have to work hard and network. Whatever role you book is for you. We’re not really competing because what’s for you is for you. You have to be out there though.

U.G. Digital Mag: I love the fact you said work for free. That’s goes for any profession. I take that back to my own personal experiences in Journalism. In the beginning, I was willing to do it for free. My thing was I have a job, and I have money coming in, so I can do this for free, and I wasn’t scared to say it. The experience and knowledge trumps. If that means I need to intern or work for free, I’ll do it. Many times, that’s your only way in. Especially with Journalism, you need two to three years of experience for the entry level stuff. It resonates for sure. I tell people that, and many frown, but it’s essential.

Sir Brodie: If you have a passion for it you’ll make it. I can act all day long. I love to do it. The grind and struggle works at building you and building your character. When the success comes, then you won’t squander it. I enjoy the present moment. Tomorrow is not promised. Enjoy the moment now and hope for tomorrow.

U.G. Digital Mag: I love it. Where can people keep up with you online?

Sir Brodie: All my info is @actorsirbrodie, on Facebook, Snapchat, Twitter…

U.G. Digital Mag: I can’t even lie man, I don’t know how you do the Snapchat thing, I can’t keep up with that one..

Sir Brodie: Yea, you do so many things. I film on one, and then have to figure out how to get it to the other one. Its a part of the business now. Production looks at it though. They want to know your social media following.

U.G. Digital Mag: Right. Again man, thank you so much for today. It’s surely an honor.

Sir Brodie: Thank you!

[NEWS] @IAmChanteMoore Releases New Video for “Something to Remember”, “The Rise of the Phoenix” on the way....

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​You’ve heard the debut single, Real One, from Chanté Moore’s upcoming album; now its time to peep the video for the latest masterpiece to come from “The Rise of the Phoenix”, titled “Something to Remember”!

"Something to Remember" was written by Chante' Moore and Felly The Voice and produced by Lil Ronnie for Beats 4 The Stars. "Being on the road as much as I am, staying connected to the one you love is vitally important. In those times when saying "I love you" is not enough... you've got to give them something to remember you by," says Chante'.

The music video was creatively directed by the one and only Frank Gatson Jr. "My goal with Chante' was to create a stripped down visual that concentrated on real black love as being very simple.... "Something to Remember," adds Frank.

Check the video out below, right here at UGDigital Online!

about Chanté​

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CHANTE' MOORE has been dominating the R&B charts for decades and this time is no different. She is currently enjoying the success of the smash mid-tempo love anthem, "Real One", presently charting as the #10 Top R&B song in the country. The world will experience the first collection from the master songstress in nearly four years!

Moore's most personal album yet, "The Rise of the Phoenix" is rich with emotion and personal revelations about Chanté's life and feelings. Infectious dance tracks, sensual ballads and anthems of heart-and-soul capture Moore's impressive vocal dexterity, songwriting skills and production ingenuity to thrill her legion of avid fans and quench the soul music lovers longing for real R&B."This album reflects where I am now in my life. I am perfecting myself. I continue to learn how to burn away the old mindset, the negativity that weighed me down so I can become the best me. I am the Phoenix rising and I'm living my life again!"

CHANTE' MOOREis currently on a national promotional tour in support of the single and upcoming album; cities include:Cincinnati, Birmingham, Atlanta, Orlando, Miami, Kansas City, Philadelphia, Oakland, Los Angeles, New York andNew Orleans, just to name a few.

[EXCLUSIVE] MAMOUDOU ATHIE: PATTI CAKE$

The new film, Patti Cake$, which stars Mamoudou Athie is one of those films that could easily become the next blockbuster. Already being heralded as a classic, the film follows the story of aspiring rapper Patricia Dombrowski, also known as Patti Cake$ & Killa P, who is striving to become that next great inspiration in hip-hop. Immediately, the film touches on and conquers the idea and premise of someone defeating the odds to live and follow their passion in life. We’ve had the opportunity to screen the film, and it’s such an amazing story that will inspire a world of aspiring entertainers and beyond. 

 

We were blessed with the opportunity of speaking with Mamoudou Athie about the film, and his role in the film, which drops tomorrow!

 

 

U.G. Digital Mag: I really treasure today’s conversation so much. I’ve been able to hear so many positive things in reference to this new film, and of course, being able to screen it for myself was the icing on the cake. So many people are talking about it. Talk about doing this film. 

 

Mamoudou Athie: I’m really fortunate. I initially got the script, and I hadn’t read the entire thing because at first, I was like “this guy isn’t for me. I wasn’t sure it would work out because off the jump, I just didn’t know about this dude. Long story short, one of my best friends who I went to school with, we did ‘The Get Down” together, and his name is Yahya Abdul-Mateen II, and he’s a fantastic actor. This role had been in my mind ever since I read the entire script, and the casting director, Jessica Kelly, was very vocal, thinking I should go in for this. I just didn’t think I was the guy. Once I finally read the script I thought it was fantastic. By this point, I thought it was cast already. My buddy Yahya met Jeremy and he called me, saying the role wasn’t for him because he thought he was too old for it, but he thought it would be good for me. I auditioned a couple of times, and was just like Geremy Jasper was a fucking beast. I had to work with him. That’s kinda how we started. Geremy has been nothing but amazing and supportive ever since. 

 

U.G. Digital Mag: There have been rave reviews so far, even looking at The New York Times, and hearing from the many people who have seen it already. What I enjoyed the most is there are so many stereotypes in hip-hop, and when you look at the film, it’s easy for people to look and instantly judge, but it really is an amazing movie. I love the entire story that resonates, with the idea of this legend in the making with Danielle Macdonald, and I think the film is really good. 

 

Mamoudou Athie: She’s amazing in it. Geremy wrote a beautiful nuance with really diverse characters, and everyone is so relatable, from Danielle and Bridget, to Cathy, Sid, and more. It was a joy to be on set everyday. 

 

U.G. Digital Mag: There’s some really powerful people here. 

 

Mamoudou Athie: It’s really a special group. I feel like I’m repeating myself, but it’s so true. I’ve been very fortunate to work with people that I have wanted to work with. I genuinely get along with all of the cast, and these guys, we hang out when we’re in the same city. It’s like a really tight-knit family, and I know it seems so corny to say, but it’s true. 

 

U.G. Digital Mag: When you think back at seeing the script, and not thinking it was for you, what was steering you away? Why did you feel it wasn’t for you?

 

Mamoudou Athie: I grew up in a very religious background, and I looked at it like it was the anti-christ [laughing]. That was honestly my whole thing. I felt uncomfortable with it. But when I finally met Geremy, and I also had been silently obsessing over it, I said I’d see what it actually what it was. It wasn’t what it appeared to be on the surface. There was way more nuance, and a lot more going on than I anticipated and gave credit for. I pinch myself everyday because I almost passed this amazing opportunity up, and it’s kinda crazy.

 

U.G. Digital Mag: Knowing your experience, and having completing the film, what are your thoughts now in how you feel it will do?

 

Mamoudou Athie: Everyone I’ve met who have seen it felt it was good. What else are they going to say, like, we hate you? [laughing]

 

U.G. Digital Mag: It’s funny though because when people meet you, they often will say that out of courtesy, but I think with this, it’s truly real and genuine. 

 

Mamoudou Athie: Exactly. I can tell. People are very offusive in their love for it. In this unfortunately bleak time in history, this movie is hopeful in a way that is really welcoming. It’s a welcome change from some of the other stuff going on. It’s a beautiful movie about these flawed and interesting people pursing their dreams. It’s very relatable, and very much for and about the underdog. 

 

U.G. Digital Mag: I agree with that. I love the whole premise of these people pursuing their dreams. It’s amazing again just connecting with you. Here at UGD, we’re all about pushing the ability to live your passion and live your life. It fits our magazine perfectly, and there’s so much for people to gain. 

 

Mamoudou Athie: That would be really special. 

 

U.G. Digital Mag: I think the film puts you in a good place because of roles you’ve done before. You played Grandmaster Flash, and I thought that was amazing. What was your thought in having that opportunity, and then transitioning to this?

 

Mamoudou Athie: Flash was the first role I played for myself. That one was the stretch. When I auditioned for the part, it only said master DJ. It didn’t have a name attached to the character. I went in and did my thing, and then I eventually got it, and when to meet Baz. When I walked in, everyone was talking about Flash. People were asking if I studied Flash because I had his mannerisms down. I still didn’t know who they were talking about until they said Grandmaster Flash. I immediately lost my mind, and there was an immediate sense of intense fear and dread. 

 

U.G. Digital Mag: But it’s cool. Your portrayal showed that the culture is within you, and it’s authentic. 

 

Mamoudou Athie: Here’s what I really loved. A lot of times, you see hip-hop themed stories and movies, and all this gangster stuff, but hip-hop started in a really positive place. Kurtis Blow came on set and was teaching people how to rap, and Flash came on and taught me how to spin. They told these stories about how these block parties went and they sound amazing. The thing that numbs me out is a lot of these stories don’t show that. Hip-hop is being commercialized right now. A lot of people are taking it back like Chance, Kendrick, and Jay-Z. A lot of people are doing a different kind fo things these days.

 

U.G. Digital Mag: I get what you’re saying. Life imitates art, so I love to see things like The Get Down, and Patti Cake$. We can see where it began. The more we have films like these, the better things get and the more change we’ll see. I see change already. 

 

Mamoudou Athie: Exactly. He’s doing some really great stuff, supporting the community. That’s what it’s about, and it’s real exciting. 

 

U.G. Digital Mag: Exactly. It’s all really amazing. What are some other things we can look out for from you? I know there’s a handful of projects you’ve been working on. 

 

Mamoudou Athie: The one I’m most excited about coming out after this is is “Unicorn Store”. It’s very similar in which I love the people I worked with. I learned so much between the director and the lead. Pretty much everything I had was with her. I was able to learn how she does it. There’s one moment in the movie that I can’t necessarily say much about, but I needed to be very confused. The way she set up the shots, I had no idea what she was talking about. She’s really a beast, and I loved making that movie. 

 

U.G. Digital Mag: I’m also looking forward to Underwater. 

 

Mamoudou Athie: Right. I got to work with another one of my heroes, Vincent Cassel. He was one of the funniest people to be on set with. Unbelievably hilarious. I’ve never laughed so much before take. 

 

U.G. Digital Mag: In all realness, you have to be living the life, doing what you love, laughing, and having a good time. You can’t ask for anything better.

 

Mamoudou Athie: Thank you, and that’s the big thing. He was saying that he’s been doing this too long not to have a good time, so he’s going to have fun. I love that mindset. I learned a lot. 

 

U.G. Digital Mag: It’s all amazing. There’s so many people who learn from you as well, and I appreciate you for this opportunity. For those who like to keep up with you, how can they stay connected?

 

Mamoudou Athie: Oh wow, I don’t really keep up with social media, but I’m around in New York. 

 

U.G. Digital Mag: I promise man, we’re watching these movies, and I enjoyed being able to screen Patti Cake$. I’m looking forward to your upcoming movies as well, especially Underwater and Watch Room. 

 

Mamoudou Athie: Oh wow. 

 

U.G. Digital Mag: I think you’re an amazing actor. There’s so many people out there doing this, and sometimes it’s hard to see who’s really in this for the love, and how genuine someone really is. We can see that in you, and it’s appreciate. 

 

Mamoudou Athie: That means so much. Thank you so much. 

 

[NEWS] @SHONDARHIMES AND @SHONDALANDTV HEAD OVER TO NETFLIX....

Hollywood, CA - August 13, 2017 -- Prolific writer, producer and television hitmaker Shonda Rhimes is bringing her Shondaland production company to Netflix under a multi-year deal to produce new series and other projects. Longtime producing partner, Betsy Beers makes the move to Netflix as well.

The move further unites Rhimes with Netflix. While Shondaland’s award-winning series such as Grey’s AnatomyScandal and How to Get Away with Murder air in the U.S. on ABC -- and will continue to -- How to Get Away with Murder streams everywhere else in the world on Netflix, with Grey’s Anatomy and Scandal available on Netflix in many regions as well.

“Shonda Rhimes is one of the greatest storytellers in the history of television,” said Ted Sarandos, Chief Content Officer, Netflix. “Her work is gripping, inventive, pulse-pounding, heart-stopping, taboo-breaking television at its best. I’ve gotten the chance to know Shonda and she’s a true Netflixer at heart -- she loves TV and films, she cares passionately about her work, and she delivers for her audience. We’re so excited to welcome her to Netflix.”

"Shondaland’s move to Netflix is the result of a shared plan Ted Sarandos and I built based on my vision for myself as a storyteller and for the evolution of my company,” said Rhimes. “Ted provides a clear, fearless space for creators at Netflix. He understood what I was looking for -- the opportunity to build a vibrant new storytelling home for writers with the unique creative freedom and instantaneous global reach provided by Netflix’s singular sense of innovation. The future of Shondaland at Netflix has limitless possibilities.

Our current shows will continue to thrive on ABC and Shondaland will be there every step of the way. I could not have asked for a better home to begin my career. I continue to be grateful to work with so many talented people – especially our studio gladiator Patrick Moran and our most powerful and brilliant champion Channing Dungey.

Starting today, we are thrilled to begin creating new Shondaland stories with Netflix. Everyone at Shondaland is honored to expand both our audience and our creative identity with Ted and the entire team at Netflix."

Said Beers, "I am a huge fan of the talented team and amazing programming at Netflix. The ability to create content for our new partners is an exciting challenge. I am grateful to everyone at ABC for their continued support and I look forward to beginning this next chapter at Netflix.”

R&B SONGSTRESS @IAmChanteMoore REVEALS THE COVER TO 7th STUDIO ALBUM, "THE RISE OF THE PHOENIX"

Below, you'll find the cover artwork and album tracklisting from the upcoming 7th studio album, "The Rise Of The Phoenix" from R&B Songstress CHANTE' MOORE.  The anticipated album will be available worldwide on September 15th, 2017 and pre-orders will be available on Friday, August 11th. itmss://itunes.apple.com/album/id1267111727?ls=1&app=itunes&ign-mscache=1

 

"The Phoenix is a powerful mythological symbol of renewal," she says. "It lives a long life, burns to ashes, but reemerges more beautiful and more powerful than ever. I relate to that."

 

CHANTE' MOORE has been dominating the R&B charts for decades and this time is no different.  She is currently enjoying the success of the smash mid-tempo love anthem, "Real One", presently charting as the #10 Top R&B song in the country. 

 

Check out the video for "Real One" here:

 

 

The world will experience the first collection from the master songstress in nearly four years!

 

Moore's most personal album yet, "The Rise of the Phoenix" is rich with emotion and personal revelations about Chanté's life and feelings. Infectious dance tracks, sensual ballads and anthems of heart-and-soul capture Moore's impressive vocal dexterity, songwriting skills and production ingenuity to thrill her legion of avid fans and quench the soul music lovers longing for real R&B.

 

"This album reflects where I am now in my life. I am perfecting myself. I continue to learn how to burn away the old mindset, the negativity that weighed me down so I can become the best me. I am the Phoenix rising and I'm living my life again!"

 

CHANTE' MOORE is currently on a national promotional tour in support of the single and upcoming album; cities include: Cincinnati, Birmingham, Atlanta, Orlando, Miami, Kansas City, Philadelphia, Oakland, Los Angeles, New York and New Orleans, just to name a few. 

 

"THE RISE OF THE PHOENIX" TRACKLISTING:

Standard Album

  1. Welcome to the Journey -Interlude 
  2. Chasin
  3. On His Mind 
  4. I’d be a Fool
  5. Pray
  6. Real One
  7. SuperLover
  8. The Journey -Interlude 
  9. Saving Grace
  10. Breath
  11. I Know
  12. OffaU
  13. Something to Remember 
  14. We Up
  15. Pressure 

  16. Back to Life

  17. Thank you for the Journey - Interlude 

 

[FEATURE] JOURNEY INTO THE MIND OF ERICA ON 'THE HAVES AND THE HAVE NOTS" WITH PRESILAH NUNEZ [ @PRESILAH ]...

Presilah Nunez, PHOTO CREDIT: Dana Patrick

Presilah Nunez, PHOTO CREDIT: Dana Patrick

We recently had the pleasure of featuring cast members from Tyler Perry’s The Haves and The Have Nots here at U.G. Digital. The current season is heating up, and in support of the show, we’ve taken some time to catch up with some of the cast to look at their roles in the show, in addition to some of the other things they have going on. 

 

This week, we feature Presilah Nunez, who plays the role of Erica on OWN’s most popular scripted series to date. For the past few seasons, Erica was thought to be besties with Candace, played by Tika Sumpter, but in recent episodes, it was ultimately revealed that she’s not only against Candace, but a part of the big plot with recently-turned nemesis; Warwick, to take her for everything she has. The storyline has indeed gotten much-heated, and Erica sits down to chat with us about the show. 

 

 

U.G. Digital Mag: Thank you ever so much for the opportunity to speak today. It’s one thing to interview a megastar like yourself, but it’s a completely different thing to connect with someone you admire, and watch every week on a television show. You’re amazing at what you do, and you play your roles so wonderfully. Thank you for not only entertaining us, but inspiring us. UGD is all about entertainment of course, but my side-mission in this is showing our youth, and even adults, that you can do what you love, and have a blast, all while making a decent living. 

 

Presilah Nunez: Thank you so much…that means a lot!

 

U.G. Digital Mag: What’s been your experience doing this show?

 

Presilah Nunez: Straight off the bat, my experience was one of those Tyler Perry stories in the sense that the character was supposed to be that one interaction with Benny where she sold him the car…

 

U.G. Digital Mag: Wow, that was my next question…

 

Presilah Nunez: Yep. That was all they had written. Contractually, it was supposed to be three episodes, but two out of those three were phone conversations. For die-hard Haves fans, they’ll remember that Erica called Benny twice, and on one instance, Mitch is in the episode, and Benny is like “yo, this is that girl that sold me the car for $500”, so that was one episode, and you see Erica do the whole interaction. So it was supposed to be three episodes, and we’re doing our thing. Tyler Lepley and I are doing our thing, and we really hit it off. Tyler Perry came up to me and asked how long I had been acting, and I don’t know … he’s just a visionary. He just saw something, and from there he pulled me aside and said “I’ll see you soon”. I’m like Ok, I didn’t really know what that meant. You know, you’re in L.A., and a lot of people say stuff like that. They’re like I have a part for you, or whatever, and you never hear anything. That’s not to say I didn’t believe him; it’s just one of those things you chalk up as a grain of salt. Nine months later, I’m sitting in an acting class and I get a text message from this Atlanta number. I had also missed a couple calls. It was Mr. Perry, calling to say he was bringing me back, and how he had all these ideas for Erica. So we spoke, and I was freaking out [laughing]. You have to understand, I grew up watching Tyler Perry. My mom had The Diary of a Mad Black Woman on DVD, and she had two copies. She would keep one, and lend the other out to her girlfriends. I was like 15 at the time, and now I’m talking to Tyler Perry on my cellphone and it’s like an out of body experience. He just kinda went through the character. He’s always evolving characters and has ideas. He wanted her to go a certain way and said we would see what happens. He said my agent would have it on their desk the next day, and that’s how Erica came to be. 

 

U.G. Digital Mag: That’s so amazing, and you speak of it being an out of body experience. Do you ever get to that point where it kinda becomes a regular thing and the excitement of getting the new part fades? Like, I’ve been in Journalism for 15 years, but anytime I connect with someone, I’m super excited about it. Are you just as excited with each new thing?

 

Presilah Nunez: I feel like I’m always just as excited. I feel like if you’re not that way about what you’re doing, why are you doing it, especially in this profession. What people don’t see is there is a lot more rejection. There’s a lot more no’s than there are yes. I have a lot of younger cousins who didn’t see me grow up because I’ve been acting since I was nine years old. All of my family that’s older knows I’ve been doing this since I was a little kid, but I have a lot of younger cousins who see me on TV and I have to remind them, you don’t remember coming to my shows? I have to break it down to them. I keep a spreadsheet of all the auditions I go out on and the opportunities I get. One side is the yes column, and the others is the no column. It allows you to never be complacent in this industry because you’re always fighting. Even the people who are on the covers of magazines right now, they’re fighting to maintain it. It allows you to remain humble. 

 

U.G. Digital Mag: I love the fact that you do a spreadsheet because it lets you see not only who said yes and no, but you see your success and all you can do and accomplish. Look at what people said yes to. I love what you’re doing, and especially what Tyler is doing, because it creates so many more opportunities for minorities. I absolutely love it, and we haven’t seen it before with a show like this to do the numbers it does. People are clamoring for what is to come. How do you deal with the crazy success of the show, and the way people have really taken to you even more as an actress because of your involvement?

 

Presilah Nunez: What’s great is the show was already the number one show on OWN and cable on Tuesday nights. It’s easy to come onto a show when it’s already successful, but what’s been great is to be a part of it as it maintains that success. I think that the audience is able to see that Tyler added a few more cues to it when he added Erica and Officer Justin. It was great because we came onto this show and met everyone. I always tell this story because Tika Sumpter and I had never met. So we met and it was my first day on set, and we had to shoot this scene where I’m up in her room, and we’re talking about the whole house thing, the money she owes and the mortgage. I’m freaking out because I said War is really dangerous and he killed my sister, and all that stuff. I remember going onto set and we shake hands. Tika’s like “nice to meet you, I guess we’re playing best friends now”. I’m like yea, apparently we’re girls, and that was it. That was our first scene. What’s funny is the tweeting that came about when that scene first aired, and everyone was saying that we were definitely girls and you could see the chemistry. If only they had known we had just met. I say all that to say Tyler has an eye for talent and personalities. It’s almost like he does background checks because we mesh so well off camera. It really helped translate on camera, and it’s a big part of the success of the show. There’s a lot of chemistry so it’s been great. Renee, who plays Katherine, she is amazing, and hysterical. In the make up room, she’s always singing. There’s all these people my character never gets to interact with; Crystal Fox, who plays Hannah, she was hosting Barbecues every weekend. A couple of months ago, when we shot in Atlanta, we would hang out at her house. That’s what has allowed the success to permeate. 

 

U.G. Digital Mag: I’m glad you mentioned Crystal Fox because we ran a feature with her last week. I absolutely love the show and we’re working to feature everyone. Angela has done the cover for us, and we’ve also featured Ro Brooks. I think it’s great what everyone has been able to do. I also believe Tyler is a visionary. I’ve been in management before, and even in that, you have to be able to find people who not only can do that job, but people who also can work well with the people you already have. No one would have ever said that you and Tika had just met. It’s a testament to your talent and also hers. It’s huge and speaks to the credibility of you as an actress. 

 

Presilah Nunez: Thank you so much. 

 

U.G. Digital Mag: Now getting right to the meat and potatoes, Erica is my type of character. She can turn the drama on and off at the snap of a finger. She can be a mess all the way, and then be an angel the next minute. Nothing would have ever said to me that she would turn against Candace and work with War. Where did that come into the role at? 

 

Presilah Nunez: Look, you and me both. I had no idea. When you’re in TV, it’s different. I grew up in theater. Even my first couple years as a professional actress, it was all theater. What’s different about that is you get a script, and you know the beginning, middle, and end. Your job as an actor is to find the moments of excitement. Now that you know the whole story you have to make sure you don’t play the end too soon. If you know you’re going to die in the end, you have to make sure the audience doesn’t know that because you want that element of surprise. When you work in TV, the writers kinda help you in a sense because you never know what they’re going to write for the next episode. All you can play is what is in front of you. I remember getting that script for the episode, at the end of last season where Erica and David are in bed and War walks in, and I screamed, like me, myself, Presilah, reading it by myself in my hotel room. I’m like what!!, I remember saying to Tyler “you’re kidding me, like, me and War”? He was like, “it’ll be fun”. I thought it was interesting. Now, I have to play that in my mind. It’s like, you get added a few more colors. Now I have to play with this. I love reading the tweets because some of you are very insightful. You guys can see things and I never notice it. Some can see that Erica is a little shady. 

 

U.G. Digital Mag: That was my thing…

 

Presilah Nunez: Yea, then you’re one of those people who are really smart. I didn’t even know what was happening with War. That wasn’t until the next year that we filmed that. As an actor, there was no way I could play that at the moment because I had no idea where it was going. I just thought Erica was helping Candace get money. As far as her turning against Candace, I start to realize it and analyze it all as it is given to me. That’s when I start to piece it all together and realize that oh, she’s a lot more conniving than I thought. It’s a lot more fun to play. Angela and I have so much fun. Angela is a sweetheart. 

 

U.G. Digital Mag: It’s so weird that her character is so out there. When she visited the girl in the hospital and was slapping her around, I was floored. It’s crazy how she can play that so good, and meeting her in person, she’s the total opposite. Nothing like the character. 

 

Presilah Nunez: Right. Nothing like it. So Erica came in a little slow, and what’s airing right now is when I began to realize there’s a lot more to it. Even as her relationship develops with David, there’s still a lot about her that Tyler hasn’t told anyone about. It’s like, where does she really come from, and what is her story. Why is she like this. These are all things that sometimes, you get told in the back story. When you don’t, it’s kinda freeing because you can make it up. It’s like you meeting Angela. Every time I shoot, I feel like I’m meeting Erica and learning more. I’m doing what’s written, but it’s so out of this world. 

 

U.G. Digital Mag: It’s strange because when you look at the past episodes, I’ll catch things, like when Erica and Candace were together and Erica spoke about what happened to her sister with War. Then to see them together, I was like, how could they be working together? It’s crazy to see it unfold. How is it for you, considering you shot all this a year ago. How difficult is it to sit on it without telling anything?

 

Presilah Nunez: It’s hard because you’re excited. People ask and you’re like, if only you knew what was going to happen. It’s exciting to know, but I don’t get to see a lot of what is shot because I’m not in every scene. A majority of time, I with Peter Parros. I started working with Angela, Tika, Jon, and that’s it. I never see Benny anymore. All these other stories are unfolding that I don’t know much about. It’s fun to watch because I get to see what other people are doing when they’re at work. I know what I’m doing, but now I see everyone else. Like the other night, Christian, who plays Landon, had this whole elevator scene after my elevator scene, and I’m like excuse me, I wonder where he learned that from? He was laughing because we never see them. It’s exciting to watch with the audience because I’m seeing things I had never scene yet. Even this past week with my scene in the elevator…

 

U.G. Digital Mag: Oh my God. I love both of your characters, so I was back and forth like get her Erica, and no, slap her Veronica. I loved it, and you two did an amazing job. 

 

Presilah Nunez: Thank you. In that scene, we had a really good time shooting. Funny thing is all the shit talking was really us, but when hair was being grabbed, those were body doubles. So at that moment, Tyler had us step out and brought in the stunt doubles. They started actually fighting. They had this whole choreographed fight, because everything is choreographed to be safe, and he throws Peter Parros in the middle. He tells the doubles to just go at it, and Peter is supposed to keep them from touching each other. At “Action”, they starting going …and going … and going, and by the time they stopped, his tie is over his head, and Tyler is cracking up because Peter is breaking a sweat. These stunt doubles are jacked. Peter is trying his hardest to keep them apart, and looking at Tyler like, ‘Can you yell cut?”. Finally Tyler yells cut and is like, “Peter, you look a mess”. It came out so good. 

 

U.G. Digital Mag: How into social media, are you? I ask because when you look at Facebook, there are a number of groups created for the show where everyone talks so much about the characters and what they think will happen next. Do you ever join in on comments at all?

 

Presilah Nunez: I do, but moreso on Twitter. I definitely do, though. I’m not as active as others, mostly because I don’t feel like my life is that interesting [laughing]. I go to auditions, I go to Trader Joes, I walk my dog, like it really isn’t that interesting. But on Tuesday nights, I will tweet. I do it usually on east coast time. For them, it’s just premiering. I respond and it’s a lot of fun. Overall, this show has forced me to be a little more active. Otherwise, my Instagram, in my opinion, is a little boring. I think other people’s lives are interesting. Another bazaar thing about me, I watch family blogs on YouTube. There’s a family I watch from Wyoming, and I think it’s so fascinating to see the things they do. My boyfriend thinks it’s ridiculous but I like it. 

 

U.G. Digital Mag: I think it speaks to how down to earth you are and how much you relate to the average person. 

 

Presilah Nunez: I guess that’s a good way to look at it [laughing]. Have you seen them?

 

U.G. Digital Mag: I do watch a lot of YouTube. I haven’t want her them, but I know exactly what you’re talking about. Now you were recently in “Dear White People”. Can you talk a little bit about that? 

 

Presilah Nunez: So “Dear White People”, my role is Kerry Washington. It’s a parody. When I first moved to Los Angeles, Scandal was still really big and everybody would be like you’re like Kerry Washington. I don’t think I look like her, even though she’s beautiful. I think they meant more like her essence. Erica is a lot more flirty, but my natural essence is a lot more grounded. So when I got this role, I loved Kerry Washington and now I had to make fun of her. The writing is so funny and it was a blast to be a part of. Dear White People as a whole is so monumental. The timing on it is really perfect. It’s great to be a part of it in a sense that speaks to the culture, gathering around to watch, and it was a fun little Diddy I did. 

 

U.G. Digital Mag: Also, what was your experience being a part of Rosewood?

 

Presilah Nunez: Rosewood is interesting because my ethnicity is Dominican. I’m Latin. It’s funny that people from the east coast will pick up on it, because there’s a lot of Dominicans on the east coast, especially in New York and Florida, but other people, like here in Los Angeles, have no idea. Most think I’m mixed in terms of White and African American, which in a sense, I am. The Dominican Republic is basically a country made up of mixed people, half African and half European. I’ve never played a Latin role until Rosewood. America thinks Latin and they think Sophia Vergara, or Jennifer Lopez. They’re eyes haven’t been opened yet. It’s happening, like there’s a lot more roles for women of color now, and people of color in general, so they’re eyes are being opened. So people are realizing we are African, but we come from a country that speaks Spanish. With Rosewood, it was a cute role. I was like, I’ll go in , audition, a lot of girls will look like Sophia Vergara, and whatever. But it was different. I went in with my name plaque on, which is a very Latin thing. It’s like a gold necklace with your name on it. I wore that necklace, and did an accent. Naturally I don’t have an accent, but I have a lot of aunts who do. I spoke it from the time I walked in until I walked out. I got the role, and then went for the table read after I had been hired. I walked in and the producers are looking at me funny. Finally they go around the table, and then they take a break. They finally said they had no idea who I was. They were shocked that I could just do an accent. It was great and I felt honored to play a Latina because I never had. It was so much fun; the mannerisms, accent, and flavor I grew up with but never had been able to put into a character. 

 

U.G. Digital Mag: It’s really cool. Do you see yourself playing more roles that speak more to your ethnicity?

 

Presilah Nunez: I think if the role is appropriate and if that’s what the role and character is about, then sure. It’s always important to be in touch with your ethnicity, background, your people and culture, but to be honest with you, it’s never something that I felt like I needed to force down people’s throats. I think when the time comes and when the character is there, then it’s great. I’ve just love to tell stories, which was why I wanted to be an actor. I love the details about storytelling. If the character necessitates that element in terms of her being Latin, I would love to play it, but if not, it isn’t necessary. With time, I know that because of the way shows are going and being diverse and showing what America is, and people being more accepting, it will happen. I have a lot of family who will be able to understand what I’m saying [laughing]. 

 

U.G. Digital Mag: What else can we look out for from you? You’ve been put on a larger platform and people recognize you now…

 

Presilah Nunez: “Dear White People” will be back for a second season. 

 

U.G. Digital Mag: That’s amazing. 

 

Presilah Nunez: Absolutely. It was a little bit of an experiment. That was another character that was booked initially for one episode, and it was expanded. That will be fun. We just filmed another season of The Haves and The Have Nots that will air next year. 

 

U.G. Digital Mag: I like that you mention filming more of The Haves and the Have Nots. A lot of fans, including myself, often look at various sites about the show, and I had seen something that kinda timelined you on the show as ending in 2017. 

 

Presilah Nunez: Oh no, there’s more. There is definitely more of her, and it’s a lot of fun. That will air, and you know, we’ll see what else is to come. I just got a puppy. I didn’t realize it’s like having a child. No one told me. OK, correction. My boyfriend did tell me this, I just didn’t listen. But, I’m doing that. I’m on the show, and I’m grateful. People don’t realize that in our off-season, we still hustle. I still audition for things. I try to get the next job and gig. It helps that with all of these things, you ride the steam. You have to go with momentum and put yourself out there. I’m still hustling. That’s my job. The cake and batter is the audition. Getting the job is easy. The meat and potatoes is pounding the pavement. 

 

U.G. Digital Mag: Where can people keep up with you in terms of social media, and online in general?

 

Presilah Nunez: All my social media is public and it’s all my first name, @presilah. My mom and dad were dating; she was like 15 and he was 19, but anyway, my dad wanted to name me Presilah. My mom said absolutely not. They argue, break up, get back together, have a daughter, and name me Presilah. My mom is like, you win, but I’m changing the spelling. She starts deciding, and comes up with my spelling. Phonetically, it’s actually how you say it in Spanish. All of that is to say that it’s all my first name because no one else spells it that way. 

 

U.G. Digital Mag: I think that’s great. You’re showing so many people that dreams really do you come true. I love it and thank you for that. 

 

Presilah Nunez: Thank you. That means a lot.

[FEATURE] TEMPEST: THE STAGE PLAY

For those of you who’ve followed us through the years, you know that I’ve developed a strong liking for great stage plays. I’ll easily travel round the world, which I sort of did, earlier this year. I’m almost ready to take another drive for this amazing story in Tempest, written & directed by budding playwright Kerry Ann Frazier. Let’s be clear that I say budding simply because she’s a new face to many. Her storylines, her professionalism, and the spirit she delivers speaks that of a true and ultimate master. She definitely falls right in line with the best in the world of playwrights, and the story of Tempest will undoubtedly show you that. 

 

We had the amazing opportunity to talk with Kerry Ann about the play, and the August 19 showing in Killeen, TX! Check out the exclusive below!

U.G. Digital Mag: Thank you so, so much for the opportunity. I could easily be considered a stage play buff. I absolutely love a good stage play. I was excited to connect with you. Starting off, talk about how you entered into the arena of stage?

Kerry Ann Frazier: I have been on the stage since I was 5 years old. I was a hyper kid, and my parents didn’t know what to do with me [laughing]. They put me in a church play and I got the bug at 5 years old. I’ve been in theater; church, school and community, since I was that age, and I’ve been a director for a little over 20 years now. I didn’t study theater at USC; I graduated with a degree in Social Work. I was around a lot of theater buffs while I was there, so much that I call it an unofficial major. That’s really how I was introduced to acting. I enjoy the classics, so I studied the greats, and tried to go to as many plays as possible. I really studied the craft of stage acting. It’s been a hobby and now has developed into a business, that being Frazier Drama Company, which is owned by Daryl Frazier. 

U.G. Digital Mag: Talk to me about Tempest. 

Kerry Ann Frazier: With the story of Tempest, I have to go back to our last production, which was “Losing Mama”. This is a prequel to Losing Mama. “Tempest” is one of the younger grandchildren of the Dupont family. She is a corporate attorney, and is one who has had everything in life come to her except relationships with the opposite sex. It’s a comedy where we explore where things meet with reality, and how we set plans for ourselves. It’s a gospel stage play that shows how sometimes, when God intervenes, it’s just so much better than what we could have imagined. That’s what “Tempest” is. Many characters are from “Losing Mama”, and it introduces our next production. 

U.G. Digital Mag: It’s amazing. Are there side stories and additional storylines that this play will show?

Kerry Ann Frazier: Definitely. Through my past plays, one of the things I’ve heard a lot from my viewers is they want something from a singles perspective. This play covered so many different things; being single, and then also being married. Sometimes, those who are married look at their friends who are single and have that nostalgic feeling. It’s like one side wants what the other side wants. It’s about relationships from your own perspective. The next play is “Sunday Dinner”, and “Mama’s Family”. 

 

U.G. Digital Mag: Like I said, I love a good play, so I’m sitting trying to figure out how I’m getting to Killeen, Texas (laughing). I have no problem traveling for a good story. 

 

Kerry Ann Frazier: Well come on out. We’ll make sure you’re taken care of. 

 

U.G. Digital Mag: It’s funny because at the top of the year, I covered a play and drove from Cleveland to Houston to see it. I would do it in a heartbeat. 

 

Kerry Ann Frazier: What I can say is with Losing Mama, we’ll definitely be selling the DVDs for those who can’t make it. It sold out in different cities. Some of the characters, like Uncle Riley and Aunt Pearlie, they’re also in Tempest, so you get to see a little about their family. 

U.G. Digital Mag: Amazing! I love how you have it set up with different families, and storylines. It puts me in mind of the other playwrights who do a lot of the same. What have you learned looking at the power figures, like your Tyler Perrys, and Shelley Garretts?

Kerry Ann Frazier: One thing I get from Tyler Perry, and David E Talbert, is to go out and do it. I am a social worker by profession, and I’ve been a social worker for years, and have always had apprehension of starting my drama company. One of the things I heard from Tyler Perry and Denzel Washington in one of his actor’s workshops is to take the leap. There will never be a right time. If you have a good brand, and story, and operate in the spirit of excellence, it will work out. The success will come. 

U.G. Digital Mag: I also heard that same thing from Shelley Garrett, who was responsible for Beauty Shop, and many others. I can relate as well because I had the same apprehension in launching this magazine a few years ago. I have been in healthcare for 16 years, but you have to believe in yourself and take the chance. 

Kerry Ann Frazier: Right. I attend one of the largest churches here in Killeen. I remember doing a play called Behind Closed Doors, and it touched on domestic violence. I remember dozens of people coming up to me afterwards looking for help and someone to talk to. It was such a huge impact. People might read a book, or listen to a seminar, or hear a sermon. To have a play dealing with these issues, and people have the visual aspect, it resonates differently. That’s one of the things I learned, and I try hard to be responsible to spread positive messages. Even in negative situations, people can walk away wanting to make a difference. 

U.G. Digital Mag: I love your enthusiasm and spirit. I can tell it is so well thought out. I must get there to see it (laughing). How far is Killeen from Dallas?

Kerry Ann Frazier: It’s about two hours, and about 40 minutes from Austin. 

U.G. Digital Mag: Hey, it’d be a nice vacation. I have family in Dallas. 

Kerry Ann Frazier: Oh, OK. Well please let me know. It would be a honor. 

U.G. Digital Mag: I will surely be at the next one. 

Kerry Ann Frazier: That wlll be in Waco, Killeen, and Austin. 

U.G. Digital Mag: Oh wow, pretty awesome. In terms of this play, will there be a possibility of touring to other places?

Kerry Ann Frazier: We would love to. Many of our actors are active or retired military. The option is open. 

U.G. Digital Mag: For people looking to keep up with you and your production company, where can they go?

Kerry Ann Frazier: Direct them to kerryannfrazier.com. We are on Twitter and Instagram and Facebook as well. 

U.G. Digital Mag: Thank you again, so much. This was so awesome, and what you have is amazing. I’m a big fan of the arts, and an even bigger fan of the stage. 

Kerry Ann Frazier: Thank you so much.

[NEWS] MUSIC NATION FOUNDATION PRESENTS.... @TDOTFEST 2017

Toronto, ON. 01 August 2017 – TDOT FEST, Canada’s largest free all ages outdoor Urban Music showcase is ready to #pack the square.  SundaySEPTEMBER 3, 2017 from 12 PM - 10 PM, TDOT FEST will once again bring together Canadian Urban Music artists to perform at the iconic Yonge-Dundas Square.   Headlining this year's show is award winning recording artist Peter Jackson referred to as the "hardest working rapper in Canada” and Hip Hop pioneer, Choclair.  Also hitting the stage are veteran recording artists, Rochester and Blacka Da Don with special surprise guests.   The festival brings together Canada's hottest rising artists, Alex Price, Leo Vance, John Mega, Mic Miles, EMG, Jay Evans, Southeast Cartel, YOANA, and twenty-one others to heat up the stage.   

  TDOT FEST also brings popular Toronto's DJ'S to keep the music spinning throughout the square.  DJ Andre 905, the official DJ for the Raptors 905, DJ Keys, the official DJ for the Wolfgang Umbrella Collective, DJ Tycofrom 90 nickel and DJ C-Sharp will take to the TDOT FEST MADAM BLING PERFORMANCE stage.   TDOT FEST has become the perfect cap to the summer for urban music fans, bringing together Toronto's past, present & future in one iconic location.   Come join us.   Enjoy the full music lineup, dance crews, beer garden, food trucks, local vendor marketplace and more.  Let's #pack the square.   

 

TDOT FEST would like to thank its 2017 partners for their support: Madam Bling, Socan, Ontario Media Development Corporation, ACTRA, FACTOR, Zongbyte, Three 60 Legal, Sasha Stoltz Publicity, The 6 Lifestyle, Benjamin Verde, and Musicvue. The Sound Lab, Vitamin Water and Urban Grandstand Magazine.   

 

Full Artist lineup can be found on TDOT FEST website http://www.tdotfest.com 

[EXCLUSIVE FEATURE] CRYSTAL FOX: A SHINING STAR [ @only1crystalfox ]

There’s nothing like connecting with someone you’ve admired and been inspired by for so long. I’ve had the pleasure of watching Crystal Fox in many of her roles for a great part of my life, and like many actors and actresses, she’s one of the reasons I do what I do in my career. She’s shown me and so many others through her success that it’s possible to do what you love and be happy. She’s taught us what it is to work hard and build a strong legacy by the work you do in the world, not only with her acting, but the work she does for her community. Today, we were blessed beyond measure to talk to Ms. Fox about her magnificent career, her longevity, and the amazing work she has been doing with her new community-driven upstart. Of course, she talks to us as well about The Haves and the Have Nots. Everyone knows she’s been stealing the show with her outstanding portrayal of Hanna Young on the hugely popular series created by Mr. Tyler Perry. Because of her amazing work, the show has gone not to be come OWN’s most popular scripted series to date. We’re happy to present to you; Ms. Crystal Fox: A Shining Star!

 

 

U.G. Digital Mag: First and foremost, I am immensely grateful to you for so much. First, this opportunity is so amazing for me. I’ve watched this show from episode one, and wouldn’t dare ever miss one episode. Then, there’s the bonus that I’ve followed you since ‘In the Heat of the Night’. As young as I was, that was something I watched with my grandmother, and I feel like you brought us together in that moment. I remember you in Driving Miss Daisy. Today, The Haves and the Have Nots is another connection between my mother and I. We watch this show together weekly, or we’re calling each other at 8:59 to say the show is coming on. Thank you for that.

 

Crystal Fox: It is my absolute pleasure. You have touched my heart with my whole soul, from the start of my desire to act until now. It is all I ever wanted to do is tell the truth, and tell one that people could feel. You go into the theater and disappear, and go into another world. I did it because I didn’t feel like I had a voice. When I did it, I wanted to be the voice for the voiceless, as you hear people say. I wanted people to be moved by something. You have blessed my whole soul with that. Thank you so much.

 

U.G. Digital Mag: You’re welcome. I’m so glad to know that. With your character, Hanna, there are so many people who relate to her. They spend their lives trying to live by the teachings of God, and nevertheless, they experience scenarios that are hard to deal with. They feel the world is against them, although they do the right thing. How difficult was it, or is it, to play a character this deep?

 

Crystal Fox: First of all, two things happened for me. When I read the breakdown, it hit my gut, almost like you described. I know that life. I know our struggles, my own personal struggles, the ones I’ve witnessed people have, and those our people have. I’ve seen a woman like Hanna, either who has been a part of my life as blood family, or someone who took on the responsibility of helping raise me, and people who raise the community, and I have never seen people work as hard, and struggle as hard against adversity, and raise solid people, as we call it a blue collar worker, and I’ve never seen them in a lead role like that. The responsibility of it, and the joy I got from it, it has been a blessing, and it blesses me everyday. I love this character because I know who she is. The joy I got in getting the job was met with the same feeling of “Lord God, please help me deliver what I know can happen with this character”. The responsibility I feel to the people she represents was so great. I said I will trust you with this as I do with the rest of my life, because you know the intention of my heart and soul. For me, getting it, and realizing I had to do it, were the hardest moments of my life. Then, living in her is easier because I know who she is, if that makes any sense at all. 

 

The Haves and the Have Nots; Photo Courtesy of OWN

The Haves and the Have Nots; Photo Courtesy of OWN

U.G. Digital Mag: It makes perfect sense. You have to excuse my language, but you do a damned good job with this character in The Haves and The Have Nots. When I tell you I was crying with you at the start of this season when you were in the hospital after Q was killed. I would imagine that it would be difficult to dig so deep for that type of raw emotion in scenes like that. How do you bring yourself to that place?

 

Crystal Fox: I do not mean this in any arrogant way, and you’ll understand why later. It’s not difficult because I have witnessed my own sense of hardship, but I know other people who have witnessed such hardship. In this particular season, we shot what you saw last year, and what you see now is a culmination of the same season; they just break it up and show it in two seasons. This storyline is one of the most important that I have been able to share. There are certain aspects of Savannah that they shoot the exteriors of. I went last year to meet the people that live on the street where they shot. Those people are an extension of our show. They are like cast members you never get to meet. They were so happy to see me. I met a woman who was the epitome of Hanna. She was on her porch, across from where Hanna’s house was. The girl who took me to her was elated, but when she got to the house, she kinda bowed her head. I asked, “how are you”, and she said “we’re making it”. The young lady said they had experienced some hardships. Come to find out, her daughter was supposed to graduate that year. She had a picture of her in her graduation cap and gown. I asked what happened, and it turns out the young lady went to a party with a friend, and they witnessed a drive-by. The shooters came back and killed her and her friend because they witnessed it. When I left, I went back home, and went to work, and those were the scenes I was shooting about Q’s death. For me, it was the most truth I wanted to tell. I had never seen a child killed on television, and I knew it would be jarring to the audience. I thought, it’s happening in the news but we don’t see it. It takes the sting off when we tell the truth about it. I wanted to honor the pain these families feel over the senseless violence more than I’ve honored any truth in my life. For me, this whole season is dedicated to that family. That scene for me; I could not let go of the girl. She feels like another cast member, and I could not let go of any kid taken like that, or any senseless loss. We have to stop killing each other. I did it for those moms and dads, and everyone else. The response; I tear up. People keep inundating me with responses from that moment. It means so much because it was for them and the families. 

 

U.G. Digital Mag: I appreciate you telling that story because it shows your heart. It’s amazing you could relate your work to real life, and what someone else is going through. 

 

Crystal Fox: Yes. That’s what I try to do. I feel like I can’t afford to miss someone if what I deliver is going to be healing, helpful, or do something for someone else’s life. I commit to telling the truth. 

 

U.G. Digital Mag: Clearly there’s nothing you can give away about the storyline to come because Tyler wouldn’t have that [laughing], but what are some things you would love to see with the storyline?

 

Crystal Fox: I can give you a sneak because this season is so heavy. Candace still doesn’t know about the baby being killed. We have to have service or something for the baby. That’s inevitable so I can say that. Because it is so heavy, I know everybody is asking is she ever going to stop crying [laughing]. Does God ever bring her joy? So far, we haven’t had the luxury to show that. But we just shot about 4 seasons of material, and you will see Hanna laugh, smile, have a little joy, and date somebody. I can’t wait for you guys to see that. It’s like, finally! 

 

Crystal Fox & Ro Brooks, Photo Courtesy of OWN

Crystal Fox & Ro Brooks, Photo Courtesy of OWN

U.G. Digital Mag: It’s amazing, and I love how there’s so many different characters that surface. Your love interest, Ro Brooks, has done the cover of our magazine, and so has Angela Robinson. It’s amazing to see so many different people, and so many black people. I love the way we are growing and doing so many things. Tyler has done an amazing job with this show. 

 

Crystal Fox: The funny thing is Viola [Davis] is a friend, and I’m paraphrasing her speech, but the bottom line is the difference in black and white people getting scenes is opportunity. We were always working; we just had fewer opportunities. I’m grateful for Oprah, and Tyler, because they have a platform that can provide that for us, and others who are providing opportunities for us. Once they see us, the doors open a little more. 

 

U.G. Digital Magazine: I love how supportive the entire cast is of each other. Everyone certainly has many other things going on, but it appears that everyone is shouting for each other in every capacity which is amazing. I know Jon Chaffin has done amazing things outside of HAHN, and so has Danielle Deadwyler. It suggests real family which is hard to find on such large casts. 

 

Crystal Fox: First of all, I got chills because when I started, I felt like the baby of the cast, and now I’m like the veteran. I worked with both of them, and consider them my babies. Jon understudied me in ‘God of Carnage’ with Jasmine Guy here in Atlanta at The Alliance. Danielle is my baby for real. I love her. Not only is she a fabulous actor, but she is a producer, a writer, and people have no idea. She can do anything. She’s a mommy, which cracks me up because she’s so fun. Angela and I knew each other before this. We did ‘Voice of Syracuse’ at The Alliance. We’ve done musicals together, and she was my friend for a while. I didn’t know she would be on the show until right before we filmed. I love every minute we film with each other. A lot of them, including Renee who plays Mrs Cryer, are theater-based people. It’s collaborative, and normally that happens. You almost become an immediate family. We bring that to the table, and I’m glad we don’t forfeit it either. Heck, yes! …and Tika? She is Candace, but she is my baby. I can not scream high enough for anything good that happens for her. When anything happens for anybody, we are the loudest cheerleaders in the world for each other because we took this journey together. It was a risk. Tyler said it was a risk for him. 

 

U.G. Digital Mag: It’s amazing. I’m glad you mentioned Danielle also, because you both were in Ir/Reconcilable and she was one of the producers. Of course it also featured Jasmine Guy, Brandon Dirden, Dick Gregory, and Enoch King, among others. The storyline hits directly with so many in regard to shame, forgiveness, redemption, and courage. I said you were just as fiery in that and you are in HAHN. 

 

Crystal Fox: [laughing], Yes, it was funny. I had a cuter, sexier dress on though. You know her sister Gabrielle wrote it. Such an amazing family. 

 

U.G. Digital Mag: It’s beautiful, and It’s opening so many more doors for African Americans. It’s beyond amazing. I love seeing it. Thank you so much for all you give. 

 

Crystal Fox: You’re so welcome. I also want to shout out Brandon Dirden from Ir/Reconcilable. He and Jason Dirden. These brothers are not only wonderful people, but wonderful artists as well. I’m excited that the circle of people I’ve found myself fortunate enough to surround myself with are fabulous artists in their own right. I feel blessed that this has been my life. I’ve been surrounded by this type of talent all around me, from the beginning my career until now. 

 

U.G. Digital Mag: What’s next for Crystal? What do you see in the horizon? What do you aspire for?

 

Crystal Fox: Well, I do want to do more film and television, although I always want to do theater. Theater is my first love, and always will be. I love it, and it connects me with the audience. You get an understanding, one way or the other, whether they like it or not, immediately. I say it’s the last place we agree to disagree, or agree together. I did a film independently, and I think it’ll be a feature film. It’s called ‘Burdens’. Ironically, there’s also a documentary with the same name. This is based on something different. It’s by Andrew Heckler. I was able to play Forest Whitaker’s wife in this film. It’s based on a true story about the KKK opening a museum with their paraphernalia, and the gentlemen ended up selling it to an African American preacher. The circumstances involved, that’s what the movie is about. It’s based on a true story about Laurens, South Carolina. Usher was in it as well, along with Tom Wilkinson. It’s supposed to come out this year. The thing is, I think it’s still kinda Hanna-esque because its a woman of strong will and faith, so I don’t know if it’s so different for me, but I am with different artists. 

 

U.G. Digital Mag: It sounds like a powerful storyline. 

 

Crystal Fox: Exactly. I like doing things with a strong message. The irony is the ending is wonderful and won a victory. This court case went on about whether or not the black actor owns the museum or not. The case was settled in 2012 and he is the owner. It is no longer a KKK museum. The irony of this black, civil rights activist and pastor owning a KKK museum is crazy. It also shows the power of forgiveness. Aside from that, I have a dream project that I figure if I keep mentioning, you all will hold me accountable to do it. I want to create a play to honor and tribute my aunt, who was Nina Simone. People are doing it left and right, and I’m glad they’re talking about her. I don’t want to tell her story, although everyone thinks I do. It’s artist to artist. We had a bond when I was little, and I didn’t understand what it was about. As I grew into an adult, I realized it was the artist in us, and I learned that. I believe she agreed with me on that. So, as an artist I would like to honor her with something that is art-worthy. 

 

U.G. Digital Mag: I love it. The more we speak about the things we desire and dream of, the more they become reality. 

 

Crystal Fox: I believe that. I really do. I have the resources to make happen, so now it’s just on me. 

 

U.G. Digital Mag: It’s amazing. Now, you have an amazing talent with singing. This will tell you how much I really watch the show and pay attention [laughing]. There was a scene where you were telling Benny that one day, he’s going to learn to listen to his mother. Then you started singing and it was like wow, she’s out of this world. Surely, those who knew you from ‘In the Heat of the Night’ knew this already, but it’s new to those of this generation. Will we hear more of your vocals in any capacity?

 

Crystal Fox: I think so. I’m sure Tyler will fit them in somewhere. What’s funny is I feel like it’s another hidden thing people will be surprised to learn about. I sing a certain way on The Haves and the Have Nots because it’s fitting to Hanna, but they’ll be surprised to know I sing R&B. I don’t consider myself a Jazz artist, but my friends beg to differ. They say that I am a singer, but I think I sing just enough to get through a good club act, but I don’t have the discipline to do it the way they do it. I love it when I do though. I hope to do more. I’ve been asked if I will sing more. With ‘In the Heat of the Night’, we did a Christmas album, but it was to raise funds for a certain organization. They did a Blue Grass album, but mine was a Jazz piece. I did ‘Chestnuts Roasting on an Open Fire’. It keeps coming up, and I’m sure somebody will utilize it. I believe it will be Tyler. 

 

U.G. Digital Mag: Right. He’s gotta just put you in these movies in a lounge like Chandra Currelley [laughing]. 

 

Crystal Fox: Exactly [laughing]. That’s what I want to do. Like a period piece, and I can be a club owner [laughing]. 

 

U.G. Digital Mag: You do so much outside of acting and entertainment. Can you talk a little about Act to Impact Global?

 

Crystal Fox: Yes, that’s new for me. I have always wanted to give back to the community, and try to find different ways. Most times, I volunteer with Hosea Feed the Hungry and Homeless. Elisabeth and Afemo Onilami are friends, and I knew them before Mr. Hosea Williams passed away. I try to do as much as I can. After this election, like many others, I could not move for two days. I didn’t want to complain anymore without action. I tried to get a ThinkTank together to see who else felt the same. Act to Impact Global was born out of that. Friends got together, and people I didn’t know, and we talked about what meant something to us. People say you have to break it down and do one thing, but why can’t we work on each thing? Michael Moore said if we form small groups and attack different things, we’ll be powerful when we come together as a large group. I took that to heart. That’s what I’m doing now. I had my first event to introduce the group to the community, and show that we would be about taking care of our social ills, until we can come together to take care of something on a global scale and politically. It’s very new, and I have no idea what I’m doing. People say it starts with you, so I’m trying to go back and participate with other groups who need support, a voice, or my faith to get them noticed. It’s at the beginning stages, but I hope it does more for our community and our world. 

 

U.G. Digital Mag: Nothing about what you’re doing here says you don’t know what you’re doing. You’re reaching masses. Will the doors open for people outside of your immediate community?

 

Crystal Fox: Absolutely. That’s what I would prefer. I want it to be as many people that want to do something. We are on Twitter and Facebook, and I take suggestions on how to grow and build. What’s interesting is I did an event called ‘Dance for Diversity’, and we had different types of dancers come out and demonstrate dance and movement. Then we danced with them. It was received so well with the community that they want it to be an annual event. I’m thinking about it, and it was wonderful. The advocacy issues were around voter education, and literacy. It was originally going to be on child literacy, but adult literacy is very poor in Georgia. It went hand in hand, because if we can’t read we can’t vote. Finding out that info and sharing it with the community shed light on something they didn’t know about, and everyone was excited about doing more. I would absolutely like that to be shared globally. 

 

U.G. Digital Mag: We will surely post it on our end, and share it through our social media. We can link through our site as well. 

 

Crystal Fox: Fantastic. Thank you so much. 

 

U.G. Digital Mag: I covered this year’s Essence Fest, and I literally scoured the arena looking for you [laughing]. Were you there with the rest of the cast at all that weekend?

 

Crystal Fox: No I did not, and it’s killing me because ever since Tyler Lepley has been going, he has said it was fabulous. Each time, I haven’t been able to go. With this year’s festival, I was close to going, and then I got an invitation from Mr. P. I can’t turn down no invitation from Mr. P to do nothing [laughing]. 

 

U.G. Digital Mag: It was amazing. I met Angela, and it was amazing because she covered our first issue. It was amazing meeting her, and the fact she remembered was even better. 

 

Crystal Fox: Wow. I love her so much. Can you see that she is so not Veronica?

 

U.G. Digital Mag: I can but I can’t figure out how she digs so deep to play the role. 

 

Crystal Fox: She’s nothing like her, except for one way: she’s a classy dresser. She’s beautiful and classy. Nothing like Veronica in the heart though. 

 

U.G. Digital Mag: Yea, I thought Katherine had her for a minute when the season started, but when she flipped it around, I was done [laughing]. 

 

Crystal Fox: That’s my baby. I said I was going to have to stand in front of her to make sure nobody harms her [laughing]. 

 

U.G. Digital Mag: What are the best ways for people to keep up with you online?

 

Crystal Fox: I feel like a dinosaur when it comes to social media, but my young folks are trying to help me [laughing]. I’m on Instagram at @only1crystalfox. My Twitter is the same thing. On facebook, my fans always find my personal page, but it’s so full that I can’t really add anyone else. I do have a fan page, which is @crystalfoxfans. I’m working on a website eventually. I guess I need one [laughing], but I don’t know. 

 

U.G. Digital Mag: Again, I have to mention how grateful I am to you. Any final comments at all?

 

Crystal Fox: Listen, I can’t wait to meet you. I am going try to get to Essence Fest also. Do you love it?

 

U.G. Digital Mag: I absolutely loved every minute of it. I decided so last minute. I’m based in Cleveland, Ohio. I literally flew out at 6am that Friday morning, landed, and headed to the events. It was absolutely the best time of my life. I’ve already booked a hotel for next year. 

 

Crystal Fox: See! OK, I will definitely try my best to be there next year. I thought it would be too hectic, but I’ve heard it’s electrifying. 

 

U.G. Digital Mag: It was amazing. It wasn’t an atmosphere where people didn’t want to be bothered. Everyone was mingling, meeting, greeting, and having a blast. The entire set-up was really awesome. My cup of tea was meeting the cast of HAHN. It was amazing to meet Angela, Tyler, and Gavin. 

 

Crystal Fox: Now why do you like the show so much?

 

For starters, I love drama. The characters are amazing. Even the bad characters are really good. I feel like Tyler really does his homework, and picks the right people. I’ve always said he was brilliant with casting. John Schneider has been around for years, and this has become an avenue to showcase his brilliance. You’ve been here for some time, and now people are really getting to know you. Same for Angela. But many didn’t realize you were in Driving Miss Daisy. You’ve worked hard to get here. I love the direction and the writing, and it keeps you entertained. I keep my iPad at work with me to watch the midnight and 3am run of the show, even though I’ve already watched it at 9pm. I love it. 

 

Crystal Fox: I thank you so much and that’s why I asked. They didn’t know who they were gearing it for. They started with 25 - 60 year old women because they just didn’t know. What I love is that even in the beginning, we got compliments from women, and now we have everyone. We have every age, color, sex, and I love it. It’s like a show that no one knew what it would do. We don’t do a lot of talk shows, and we’re kept hidden. Tyler said he was keeping us hidden for a reason, but our fanbase is swelling. 

 

U.G. Digital Mag: You definitely have everyone. I’m 40, my cousin is in her 20s and she’s watching, my son loves it and he’s 10. He comes in ready to watch every Tuesday. During the school year, he makes sure we DVR so he can watch later. I work with someone who’s about 75 years old and we talk about the show. And my mother and I watch together a lot. Regardless of the storyline, it’s believable, and that is what makes it so appealing. 

 

Crystal Fox: Thank you so much from the depth of my heart. 

 

U.G. Digital Mag: I follow you on social media, so we will certainly be posting about it. I’m in heaven for sure by talking to you. I’m forever grateful to you. Thank you for your time because I know you’re busy. 

 

Crystal Fox: That’s alright. I’m never too busy for the love. I appreciate it from the depth of my heart, and can not wait to meet you so I can hug your face real hard [laughing]. 

 

U.G. Digital: I love it, thank you. 

 

Crystal Fox: You as well. I wish you all the best, and look forward to seeing you at Essence Fest next year. 

 

Most definitely. My wife is ready. We booked the hotel, and if I could get the airfare today, I would [laughing]. But thank you so so much. 

 

Crystal Fox: You’re so welcome. 

[EXCLUSIVE] @MarkiceMoore Shows Us the Art of Winning....

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We had the pure blessing of connecting with actor Markice Moore, who is currently starring in John Singleton’s new series on FX, ‘Snowfall’! 

Moore has been an inspiration to so many in his lifetime, and he sits down to talk with us about his battle, and overcoming, with depression. He also gives us the details on the series Snowfall, as well as his role in Tyler Perry’s ‘The Paynes’. 

Despite the curveball that life has thrown this brother, he’s absolutely winning in every sense of the word, and we’re thrilled to promote his success here! Tune in for our conversation at 4:15pm Saturday, July 22 by clicking http://tobtr.com/10154427 

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[EXCLUSIVE] THE CROSS OUT 3: UP CLOSE WITH @CALICOJONEZ, @REALCURTISSNOW & @SWISHPZY

The work that SwishGang Films has been doing in terms of their films has been so amazing for the entertainment industry as a whole. Through this series alone, Swish Pzy, Calico Jonez, and Curtis Snow have been able to provide so much direction for so many individuals, and their changing lives. As they prepped for the release of their new film, The Cross Out 3 (Screening is actually today), we sat and talked about the film, and what it means not only for them, but for the many people who have been able to take part. As a collective, they continue to open so many doors for our culture that otherwise would not be open, and they are providing so many opportunities. 

Check out our exclusive, and definitely go out and check out the screening. More importantly, keep your eyes peeled for them because they have a lot in the works that will surely do some positive things in this game. 

 

U.G. Digital Magazine: It’s so dope to see what you, Curtis Snow, and Calico Jonez have going on out there. The Cross Out 3 is really hot, and the screening is something to be reveled. Kudos for everything. 

 

Swish Pzy: I appreciate that

 

Calico Jonez: We all appreciate it. God is good. We stay consistent and try to keep something going. 

 

U.G. Digital Magazine: Talk about all that went into the third installment?

 

Swish Pzy: Pretty much, it’s a continuation from Part 2. Wesat down and came up with a scenario of what’s going on today. We wanted to give an outlook on what can still happen out here. 

 

Calico Jonez: Right. The Cross Out itself is based on a true story of friends, turned hustlers, turned individuals who cross each other out for financial stardom. It tells how it all started, and a view on the urban life. Those from that genre can relate to it very well. The Cross Out 2 is so deep, and a lot of it is unexpected. They say money is the root of all evil. This is primarily the take of knowing the situations that can get you crossed out. 

 

U.G. Digital Magazine: I’ve had the opportunity to see The Cross Out 2 online. For those who have not seen it, and also haven’t seen Part 1, talk about the overall premise, and how each leads to the next?

 

Swish Pzy: Pretty much, in The Cross Out Part 1, it’s a group of individuals who set out on a mission to take over the city in a legit way. We linked up, and it was a bunch of chaos, backstabbing, and conniving ways, and it starts the first definition of watching this person, and allowing them to set themselves up. It’s like a ‘Menace II Society’ feeling, especially with what’s going on til this day, and dealing with gaining trust. Part 2 took us from Tennessee to Atlanta. We cleaned up everything in Knoxville as far as pointing out the real from the fake, and it was more about catching up with unfamiliar individuals. We were doing the same thing we wanted to do from our city. 

 

U.G. Digital Magazine: A lot of people are opening their eyes to your movement. I love the Menace comparison. I did get that feel from Part 2. It’s interesting to place it in that time, because I just connected with Eiht, and it’s just interesting to see how things today mirror things at that time. As far as seeing our faces in roles like this, it needs to be more, and you’re doing that, allowing our stories to be told the way we want. It’s commendable because without people like you, a lot of people won’t be seen. Regardless of the doors opened already, you’re continuing to open them. 

 

Swish Pzy: That’s one thing I strive for. It’s a lot unrecognized in our communities. They only recognize chaos, murder, or something to do with the police or government taking control. I wanted to reach out, not just to my community, but to the world, to show the everyday struggle in our communities. 

 

U.G. Digital Magazine: Will this series of films continue after the new installment? Will there be more parts?

 

Swish Pzy: We can say it’s kind of a pay attention, listen, and learn type of thing. It’s a life line. I wanted to grab their attention, and allow people to answer that for themselves. 

 

U.G. Digital Magazine: What happens specifically with this film after the screening? 

 

Swish Pzy: We’ll be showing previews of the screening, and we’re also doing an after party at club Boogalou, and Club Truth. 

 

Calico Jonez: We’ll eventually do an online release of the movie. We also have 3 other movies in the works. This will be the last all the way urban film. We’re doing a horror film, and another movie geared towards women. The Cross Out had to be completed, and it couldn’t be done in just 2 films.

 

U.G. Digital Magazine: What is your overall goal for the film?

 

Calico Jonez: I have a lot of films that will touch on different areas. The Cross Out was a street story that we were putting out regardless of who wanted it. Pzy really wanted to bring this story to life. Now we will show the world that we are not stagnant, and only doing urban films. We have bigger ideas, and a bigger picture in showing versatility. 

 

U.G. Digital Magazine: Calico, your transition to film has been awesome. What took you to film, coming from music?

 

Calico Jonez: What made me start doing movies was I was doing a soundtrack. I wanted to make my mixtapes more like a soundtrack. I can’t take all the credit. Pzy put together the vision too. As we put the first movie together it all fell into place as it should. From there, we wanted to make Part 2, and now part 3, even better. 

 

U.G. Digital Magazine: As far as people in here, how did you cast?

 

Swish Pzy: Me personally, I took it upon myself to go with people I deal with on a daily. I don’t have a lot of friends, so it’s all business to me. 

 

Calico Jonez: I utilize everything from social media to other outlets. You have so many up and coming actors and actresses you run into. You can meet the next Jeezy, or the next Tyler Perry, online. 

 

U.G. Digital Magazine: I understand as far as keeping the circle close. Too many people is a path to trouble. 

 

Swish Pzy: Right. So I took these individuals and showcased their problems. Calico, he stays busy and keeps his hands into something positive for the community. As for Snow, the movie “Snow in the Bluff” did good numbers. It was a good movie to get an understanding of what’s going on in the city and state. We put our heads together and stepped away from the music. Everybody is telling their stories in music. We wanted to tell ours and show it to you at the same time, and let you see things we don’t see on a daily basis, and what happens when things aren’t taken care of. 

 

U.G. Digital Magazine: I agree. Everybody is doing music. It’s hot to see us on the movie front. What else is to come following the screening?

 

Swish Pzy: We have projects done, waiting to be edited. We’re trying to make it all make sense. 

 

U.G. Digital Magazine: I really appreciate what you’re both doing on your end. We need this really bad, and you’re delivering it to the world. The transition our culture is making in this industry is amazing. Thank you so much for that. Today’s connection was awesome. 

 

Swish Pzy:  We appreciate you giving us the platform to speak. 

 

U.G. Digital Magazine: Where can everyone keep up with what you have going on?

 

Swish Pzy: I do a lot of promoting on Instagram, which is @swishpzy, and it’s the same on YouTube! We’re doing a lot of promoting that way. We stay so busy that we don’t do a website. 

 

Calico Jonez: Definitely look out for the SwishGang website that will come soon. Also on my Instagram, @calicojonez. My PR keeps everything together. Also at calicojonezworld.com

 

U.G. Digital Magazine: No doubt man. Thank you so much again…

[AUDIO] @LEDISI RETURNS WITH NEW BANGER, "HIGH"....

It's a great time for soul music right now, as singer and songwriter Ledisi has returned with what is guaranteed to be a huge hit. Check out her new sing, "High", below...

Ledisi's new album is due later this year!

 

Buy the single! iTunes - http://smarturl.it/LedisiHigh_iTu Stream it on: Apple Music - http://smarturl.it/LedisiHigh_Ap Spotify - http://smarturl.it/LedisiHigh_Sp Official Website: http://smarturl.it/Ledisi_W Facebook: http://smarturl.it/Ledisi_FB Twitter: http://smarturl.it/Ledisi_TW Instagram: http://smarturl.it/Ledisi_IG YouTube: http://smarturl.it/Ledisi_YT YouTube Vevo: http://smarturl.it/Ledisi_YTV Music video by Ledisi performing High. (C) 2017 Verve Label Group, a Division of UMG Recordings, Inc. http://vevo.ly/L1uzcO

[SAVVY GIRL MONEY] SAVVY GIRL MONEY with ASHIRA NELSON; VOL. 1

Savvy Girl Money was something that came along suddenly, but we knew instantly that it would prove to be an amazing addition to U.G. Digital. In our communities, there's no question that we're missing many of the fundamentals of personal finance, planning for our futures, and securing the futures of our children. This is were Mrs. Ashira Nelson steps in. This Cleveland native has taken on the task of educating those within the community in any way she can on ways that they, too, can save money and plan appropriately for the futures of their families. Through Savvy Girl Money, she offers an amazing service, and we're ahppy to share that service here in U.G. Digital. Currently, we're planning to offer more from Ashira in the form of a regular column. Until now, check out the interview we were able to complete with this financial guru!

U.G. Digital Mag: We’re so grateful for this opportunity. I was checking some things out and realized what you were working on. I know last time we spoke you were making jewelry. Imagine my surprise when I saw you were now doing things to help the community within the financial world. What really took you into that area? I preface that with the fact that you have been a CPA for some time. 

 

Ashira Nelson: Right. I’m a CPA, and I’ve been in the field for six years now. I’ve worked with so many different types of clients, primarily wealthy clients. I started out with PNC Bank; then I went to an investment firm; and now I’m at a CPA firm. I always see a common denominator among the clients, regardless of where I am. I was constantly working with money, budgets, and how they financially plan their lives. I said it had to be something to take away and help my community. Growing up, I had never heard of some of these things related to tax planning and financial planning. There’s people I know who don’t have access to this information. That’s kind of how I got here. Personal finance has always been my passion. Jewelry, I started because I always saw myself as a business woman. My dad always franchised restaurants. As a young girl, I always saw myself in the light of being a business owner. There wasn’t any passion behind it though. I came into Savvy Girl Money because it represents everything about me and what I do everyday. It’s a way for me to educate and help my community. 

 

U.G. Digital Mag: This is one of the biggest things our community struggles with. It’s difficult for a lot of people because often, they don’t make a lot of money. I saw through your site that you make things very simple in that respect. It’s the smallest things that will help you save money. You talked about going to an event for your dad, and opting to pull something from your closet as opposed to shopping for something. That saved you $40. What gave you the thought and sense that this would help people everywhere?

 

Ashira Nelson: I have so many friends and co-workers who feel the need to get a new outfit for events. This video showed that you can mix and match different things and still make it look great without spending extra cash. I felt like I had to buy something new. Ultimately, I said I don’t need this new outfit. I have so many clothes in my closet. Sometimes, I think we find ways to spend cash when we don’t need the things we spend it on. It’s just for the moment. 

 

U.G. Digital Mag: Personally, I’ve been in that same head space where I’ve bought something just for the sake of buying it. I’ve pulled things out of the closet that I’ve never worn. 

 

Ashira Nelson: Right. I wear something, and think that wow, I forgot I had it. I never needed it. 

 

U.G. Digital Mag: The other thing I saw was you featured your daughter. It’s great to start this at a younger age. How much do you feel she understands though, considering her age?

 

Ashira Nelson: My goal wasn’t for her to get like this in-depth personal finance lesson. My goal was to start the foundation. I want to take the same approach as people do with their ABC’s. When you first teach your child their alphabet, you make a song, and keep repeating it. I want her to slowly collect on different topics. I don’t want it to be her first time when she steps out into the world. I want to teach her the foundation and upper level things before she goes to college. Why not start now? 

 

U.G. Digital Mag: I think it makes perfect sense. At her age, she’s in the sculpting years, and it’ll stick with her. 

 

Ashira Nelson: Exactly. I’m trying to mold her. 

 

U.G. Digital Mag: It’s great. When I was in high school, I hate to say that I never learned a lot of that stuff. It’s bad because then when you go to college, it’s much easier to get caught in the circle of credit cards and whatnot. It definitely makes a big difference. Where do you envision Savvy Girl Money going as a brand?

 

 

Ashira Nelson: My vision is to start doing speaking engagements; talking to millennials, talking to families about different financial topics, removing the stigma of talking about finances at home, and make finance topics the norm. Growing up, my parents never discussed money with us. I didn’t even know how much they made. It was never in any conversation. There was no talking about bank accounts, or balancing a check book. I want to remove the taboo and change the perspective so our kids are not so far behind. 

 

U.G. Digital Mag: A lot of parents don’t realize that they hinder their children by not talking about it. 

 

Ashira Nelson: Right. I sympathize though because I am a parent. I don’t blame my parents for not educating me because I felt like they weren’t educated. I want to break the generational curse, and give a script on how to introduce these topics. A lot of parents don’t know because they didn’t get it either. 

 

U.G. Digital Mag: You also have to understand that our parents were also trying to keep us from growing up too fast. That’s what a lot of it was. I just did get an allowance, and I knew the value of a dollar, and that I had to work to make money. But the real particulars came later in life. It’s great though what you’re doing with your daughter. 

 

Ashira Nelson: Thank you. Just introduce it a little early so they get the basics now, and build on it when they get to high school. You don’t want to wait that late and you’re just getting a bank account. Start a little early, and get your child a little bank card. Simple things like that will help. 

 

U.G. Digital Mag: Where can everyone find you online?

 

Ashira Nelson: We’re on Facebook, and also have a YouTube channel. I’m on Instagram as well. I try to give consistent information on each platform. YouTube and Facebook is where you find the most engagement. 

 

U.G. Digital Mag: Now you’re also mentoring. Talk about that?

 

Ashira Nelson: Yes. I have a new video coming out speaking to incoming freshmen. It’s titled being savvy on the yard. I’m giving tips on them entering their first year of college. I talk about picking meal plans, going out on the weekend, and how to navigate. 

 

U.G. Digital Mag: That’s awesome. Congratulations and kudos for that. It takes a lot of time and effort. I wish I had that when I first went to college. It’s amazing that you’re taking the time. 

 

Ashira Nelson: Thank you. I’m trying to be the woman I needed when I was little. I’m trying to be that woman. 

 

U.G. Digital Mag: I think it’s great. Thank you so much and we will be following you religiously. 

 

Ashira Nelson: Thank you so much for watching and extending the offer.

@thedangelo NEO-SOUL MASTERPIECE, 'BROWN SUGAR', REMASTERED & EXPANDED FOR NEW DELUXE EDITION...

July 14, 2017  -- D'Angelo's platinum-certified debut, 1995's neo-soul masterpiece Brown Sugar, is newly remastered and expanded for a 2CD and digital Deluxe Edition to be released August 25 by Virgin/UMe. Remastered by GRAMMY®-winning engineer Russell Elevado, Brown Sugar's Deluxe Edition adds 21 rare tracks, including remixes by CJ Mackintosh, Dallas Austin, King Tech, Erick Sermon and Incognito, as well as instrumentals and a cappella versions. Of the 21 newly added tracks, 15 were previously available only on vinyl and seven will make their commercial release debuts on the new edition. 

Brown Sugar's 2CD Deluxe Edition is presented in a digipak with a 20-page booklet featuring an essay by noted author and filmmaker Nelson George, rare photographs, and lyrics for the album's 10 original tracks. Preorder Brown Sugar (Deluxe Edition) here:  https://UMe.lnk.to/BrownSugarDeluxePR

Released July 4, 1995, D'Angelo's Brown Sugar album heralded a new direction for soul music, bridging tradition and innovation. D'Angelo, then 21 years old, wrote, arranged, performed and produced most of the album himself, inspired by classic jazz, gospel, soul, and hip-hop and using a mix of vintage and new equipment to realize his creative vision. 

In the Deluxe Edition booklet, D'Angelo's Brown Sugar co-producer Bob Power writes: "D was one of those artists that came not just fully formed, but truly genre-bending; genre-creating is really more like it."

D'Angelo's Brown Sugar collaborators also included A Tribe Called Quest's Ali Shaheed Muhammadfor the title track and Raphael Saadiq for "Lady." The first album to be dubbed "neo-soul," Brown Sugarspent 65 weeks on the Billboard 200 albums chart and drew praise from music critics around the world. In his four-star album review for Rolling Stone, Cheo Hodari Coker wrote, "Brown Sugar is a reminder of where R&B has been and, if the genre is to resurrect its creative relevance like a phoenix rising from the ashes, where it needs to go."

"Young D'Angelo was duly anointed the new musical messiah, charged with leading the culture into a new promised land," writes Nelson George in his Deluxe Edition essay.

Brown Sugar received four GRAMMY Award® nominations. The groundbreaking album is featured in Mojo's list of 100 Modern Classics and in Rolling Stone's Essential Recordings of the '90s.

blackmessiah.co

D'Angelo:  Brown Sugar (Deluxe Edition) [2CD, digital]

CD 1 (Remastered album, plus bonus tracks)
1.   Brown Sugar
2.   Alright
3.   Jonz In My Bonz
4.   Me And Those Dreamin' Eyes Of Mine
5.   Sh*t, Damn, Motherf*cker
6.   Smooth
7.   Cruisin'
8.   When We Get By
9.   Lady
10. Higher
Bonus Tracks
11. Brown Sugar A Cappella (released on 12" single)
12. Me And Those Dreamin' Eyes Of Mine A Cappella (released on promotional 12" single)
13. Brown Sugar Instrumental (released on 12" single)
14. Lady Just Tha Beat Mix Instrumental w/Chorus (Mixed by DJ Premier; released on CD Maxi-Single)
15. Brown Sugar Alternate Version (released on 12" single)

CD 2 (More Sugar)
1.   Brown Sugar King Tech Remix feat. Kool G. Rap (released on 12" promotional single)
2.   Me And Those Dreamin' Eyes Of Mine Def Squad Remix feat. Redman (Remixed by Erick Sermonfor Funk Lord Productions; released on 12" single)
3.   Cruisin' Cut The Sax Remix (Remix by King Tech; Released on 12" single)
4.   Lady Just Tha Beat Mix/featuring AZ (Remixed by DJ Premier for Works of Mart Productions, Inc.; released on CD Maxi-Single)
5.   Brown Sugar Soul Inside 808 Mix (Mix by DJ Dodge; released on U.K. 12" single)
6.   Me And Those Dreamin' Eyes Of Mine Two Way Street Mix (Remixed by DJ Premier for Works of Mart Productions, Inc.; released on promotional 12" single)
7.   Cruisin' Dallas Austin Remix (released on 12" single)
8.   Lady 2B3 Shake Dat Ass Mix (Remix produced by Neville Thomas and Pule Pheto for 2B3 Productions; released on U.K. CD Maxi-Single)
9.   Brown Sugar Incognito Molasses Remix (released on "She's Always In My Hair" promotional 12" single)
10. Me And Those Dreamin' Eyes Of Mine Dreamy Remix (Remixed by Erick Sermon for Funk Lord Productions; released on promotional 12" single)
11. Cruisin' Wet Remix (released on CD single)
12. Brown Sugar Dollar Bag Mix (released on U.K. 12" single)
13. Cruisin' God Made Me Funky Remix (released on promotional 12" single)
14. Brown Sugar CJ Mackintosh Remix (Additional production and Remix by CJ Mackintosh; released on the various artists CD collection Nu Classic Soul)
15. Lady CJ Mackintosh Mix Radio Edit (Additional production and Remix by CJ Mackintosh; released on U.K. CD Maxi-Single)
16. Cruisin' Who's Fooling Who Mix (released on promotional 12" single)

 

SOURCE: Universal MusicEnterprises, PRNewswire