[FEATURE] TEMPEST: THE STAGE PLAY

For those of you who’ve followed us through the years, you know that I’ve developed a strong liking for great stage plays. I’ll easily travel round the world, which I sort of did, earlier this year. I’m almost ready to take another drive for this amazing story in Tempest, written & directed by budding playwright Kerry Ann Frazier. Let’s be clear that I say budding simply because she’s a new face to many. Her storylines, her professionalism, and the spirit she delivers speaks that of a true and ultimate master. She definitely falls right in line with the best in the world of playwrights, and the story of Tempest will undoubtedly show you that. 

We had the amazing opportunity to talk with Kerry Ann about the play, and the August 19 showing in Killeen, TX! Check out the exclusive below!

U.G. Digital Mag: Thank you so, so much for the opportunity. I could easily be considered a stage play buff. I absolutely love a good stage play. I was excited to connect with you. Starting off, talk about how you entered into the arena of stage?

Kerry Ann Frazier: I have been on the stage since I was 5 years old. I was a hyper kid, and my parents didn’t know what to do with me [laughing]. They put me in a church play and I got the bug at 5 years old. I’ve been in theater; church, school and community, since I was that age, and I’ve been a director for a little over 20 years now. I didn’t study theater at USC; I graduated with a degree in Social Work. I was around a lot of theater buffs while I was there, so much that I call it an unofficial major. That’s really how I was introduced to acting. I enjoy the classics, so I studied the greats, and tried to go to as many plays as possible. I really studied the craft of stage acting. It’s been a hobby and now has developed into a business, that being Frazier Drama Company, which is owned by Daryl Frazier. 

U.G. Digital Mag: Talk to me about Tempest. 

Kerry Ann Frazier: With the story of Tempest, I have to go back to our last production, which was “Losing Mama”. This is a prequel to Losing Mama. “Tempest” is one of the younger grandchildren of the Dupont family. She is a corporate attorney, and is one who has had everything in life come to her except relationships with the opposite sex. It’s a comedy where we explore where things meet with reality, and how we set plans for ourselves. It’s a gospel stage play that shows how sometimes, when God intervenes, it’s just so much better than what we could have imagined. That’s what “Tempest” is. Many characters are from “Losing Mama”, and it introduces our next production. 

U.G. Digital Mag: It’s amazing. Are there side stories and additional storylines that this play will show?

Kerry Ann Frazier: Definitely. Through my past plays, one of the things I’ve heard a lot from my viewers is they want something from a singles perspective. This play covered so many different things; being single, and then also being married. Sometimes, those who are married look at their friends who are single and have that nostalgic feeling. It’s like one side wants what the other side wants. It’s about relationships from your own perspective. The next play is “Sunday Dinner”, and “Mama’s Family”. 

U.G. Digital Mag: Like I said, I love a good play, so I’m sitting trying to figure out how I’m getting to Killeen, Texas (laughing). I have no problem traveling for a good story. 

Kerry Ann Frazier: Well come on out. We’ll make sure you’re taken care of. 

U.G. Digital Mag: It’s funny because at the top of the year, I covered a play and drove from Cleveland to Houston to see it. I would do it in a heartbeat. 

Kerry Ann Frazier: What I can say is with Losing Mama, we’ll definitely be selling the DVDs for those who can’t make it. It sold out in different cities. Some of the characters, like Uncle Riley and Aunt Pearlie, they’re also in Tempest, so you get to see a little about their family. 

U.G. Digital Mag: Amazing! I love how you have it set up with different families, and storylines. It puts me in mind of the other playwrights who do a lot of the same. What have you learned looking at the power figures, like your Tyler Perrys, and Shelley Garretts?

Kerry Ann Frazier: One thing I get from Tyler Perry, and David E Talbert, is to go out and do it. I am a social worker by profession, and I’ve been a social worker for years, and have always had apprehension of starting my drama company. One of the things I heard from Tyler Perry and Denzel Washington in one of his actor’s workshops is to take the leap. There will never be a right time. If you have a good brand, and story, and operate in the spirit of excellence, it will work out. The success will come. 

U.G. Digital Mag: I also heard that same thing from Shelley Garrett, who was responsible for Beauty Shop, and many others. I can relate as well because I had the same apprehension in launching this magazine a few years ago. I have been in healthcare for 16 years, but you have to believe in yourself and take the chance. 

Kerry Ann Frazier: Right. I attend one of the largest churches here in Killeen. I remember doing a play called Behind Closed Doors, and it touched on domestic violence. I remember dozens of people coming up to me afterwards looking for help and someone to talk to. It was such a huge impact. People might read a book, or listen to a seminar, or hear a sermon. To have a play dealing with these issues, and people have the visual aspect, it resonates differently. That’s one of the things I learned, and I try hard to be responsible to spread positive messages. Even in negative situations, people can walk away wanting to make a difference. 

U.G. Digital Mag: I love your enthusiasm and spirit. I can tell it is so well thought out. I must get there to see it (laughing). How far is Killeen from Dallas?

Kerry Ann Frazier: It’s about two hours, and about 40 minutes from Austin. 

U.G. Digital Mag: Hey, it’d be a nice vacation. I have family in Dallas. 

Kerry Ann Frazier: Oh, OK. Well please let me know. It would be a honor. 

U.G. Digital Mag: I will surely be at the next one. 

Kerry Ann Frazier: That wlll be in Waco, Killeen, and Austin. 

U.G. Digital Mag: Oh wow, pretty awesome. In terms of this play, will there be a possibility of touring to other places?

Kerry Ann Frazier: We would love to. Many of our actors are active or retired military. The option is open. 

U.G. Digital Mag: For people looking to keep up with you and your production company, where can they go?

Kerry Ann Frazier: Direct them to kerryannfrazier.com. We are on Twitter and Instagram and Facebook as well. 

U.G. Digital Mag: Thank you again, so much. This was so awesome, and what you have is amazing. I’m a big fan of the arts, and an even bigger fan of the stage. 

Kerry Ann Frazier: Thank you so much.

[THE STAGE] THE BAZ BROTHERS: STRENGTH OF LOVE

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Its always a good time when we catch up with The Baz Brothers. They’ve quickly become Atlanta’s go-to production company for some of the best stage plays and original stories. We’ve come full circle this time, as we reconnect for the second run of The Strength of Love. Many will remember we traveled out to Griffin, Georgia just over a year ago to cover this amazing stage play, which starred Chandra Currelley, Sean Baker, Paula Campbell, and Dwayne Cottle, among others. They all came together for an amazing show which centered around the undeniable strength in relationships, whether they be with spouses, significant others, or other family. It showcases the power of forgiveness, and so much more. Now, the crew has come back together to give it another go-round, this time adding a few new cast members. We talk with Maria Bazile of The Baz Brothers to get a full scope of what’s due to happen this time around. 

U.G. Digital Magazine: Once again, thank you so much for the opportunity. It’s so awesome to connect with your productions. There’s something amazing in the fact you’re redoing Strength of Love. Why relive this moment at this point?

Maria Bazile: Thank you so much for having us again. We just feel it has a positive and strong message to be heard. Some came to the play the first time who said it was a wonderful show. We want to bring it back to Griffin to be sure others see this strength and love. It’s told in a way it doesn’t just talk about spouses, it also talks about relationships, meaning children, parents, and best friends. Being that, we said we would bring it back for Valentine’s Day because there’s so much attention for love. Why not have a positive message during that time. 

U.G. Digital Magazine: How difficult was it to pull it together?

Maria Bazile: There’s always good and bad times in pre-production, but we love to do it. We have a blast in rehearsals, and the cast is working diligently to put on their best performance. Regardless of the trip-ups, it’s all worth it once it hits the stage. 

U.G. Digital Magazine: I’m impressed beyond measure with how it works out in the end. The professionalism is through the roof, even going back to me personally coming to Atlanta from Cleveland. Your productions are seamless. 

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Maria Bazile: We appreciate it. Sometimes as a business we make the extra effort to be sure the cast feels good, and we put on a show for the people making sure we have fun, but showing a business of excellence. Are you doing the right things, and putting your best foot forward. When we hear those encouraging words, especially from someone like yourself, it’s encouraging to us. We appreciate it. 

U.G. Digital Magazine: In terms of cast, there’s new faces. You made an amazing choice in Meelah Williams. Her professional is through the roof and a perfect match with you guys. How many other new faces will we see?

Maria Bazile: We have Meelah Williams, and also Terrance Parham as the dad, and we have Iyanna Johnson as Monique. She was also in Making Moves. We also brought back the originals as well. 

U.G. Digital Magazine: I felt like I never had the chance to tell you how good Making Moves was, and how it connected so much with my life in regard to Sean’s character. Honestly, it mirrored my journey in terms of following passion, and needing that support. It definitely resonated with me. The writing was great, and again, it was seamless. 

Maria Bazile: With any production, there’s always that one movie that launches production into the spotlight. Stomp the Yard did that for Will Packard, and this is ours. The actors put their all into it. We stripped it down, filmed, and put it back together. We did everything we could as an independent production and more to be sure it was everything you wanted to see in a Hollywood production, and we’re hoping people get behind it because we’re looking to bring it to selected theaters this year. 

U.G. Digital Magazine: In terms of Strength of Love, it’s good, again, to see it come back. Do you see other cities in the future?

Maria Bazile: We have several investors coming out, and it’s in the works to take it on tour this fall. This play Valentine’s weekend will hinge all of that. 

U.G. Digital Magazine: What’s the ultimate that you want to see?

Maria Bazile: Going on the road. We will film it for distribution. We want to give a positive message with quality work. We don’t want your typical stage play. It’s not downing anyone, but we set our bar a little higher. 

U.G. Digital Magazine: I imagine that there will be a number of people who come out and they’ve seen it before. What will those viewers get to refresh it all?

Maria Bazile: The change of some cast members, and a slight change in the presentation. It’s the same story, but it’s told a little different. You’ll enjoy it a new way this time. 

U.G. Digital Magazine: In terms of the readers who want to know more about all else you have in the works, where can they go?

Maria Bazile: www.bazbrothersproduction.com, and follow us on twitter at @bazbrothers, Facebook as @bazbrothers, and instagram as @bazbros

U.G. Digital Magazine: What are you most proud of?

Maria Bazile: The cast and the crew who are putting in the work. They are making it their own. You write a script and have a production, but the people who get behind you and believe in you, and put it on stage to make it what it is, that’s what I’m proud of. 

U.G. Digital Magazine: What would you like to leave off with?

Maria Bazile: Come out February 10-12 to the Griffin auditorium, we have 4 shows through the weekend. We have a lover’s night special on Saturday night after the 7pm show, so you can come out and get a three-course meal, dining, dancing, and a night out with your spouse. It’s marriage ministry. When you come out and see this play, it will breathe into you what love is. If you are having problems in your relationship, come out and remember what it is to forgive, get redemption, and love again.

[THE STAGE] CHANDRA CURRELLEY [ @3agape ]: STRENGTH OF LOVE

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We’ve had the honor of connecting in the past with Mrs. Chandra Currelley and It’s always been a good time. We’ve connected again, this time for the upcoming second run of the hit stage play, Strength of Love. Currelley will be starring alongside Sean Baker and Meelah Williams in the modern day love story that centers around the everyday struggles of relationships, and the processes of healing and forgiveness. The play kicks of Friday, February 10 in Griffin, Georgia, and extends throughout the weekend with 4 shows. 

Chandra talks with us about the play, what everyone can look for this time around, and the other projects she has in the works. 

U.G. Digital Mag: I’m so grateful for you and your time today. The last time we connected was for Making Moves, which was back in October. How have things been going?

Chandra Currelley: Things have been going great. It really opened the door for me with film. I have a new agent I’ve connected with, and I have a lot of auditions coming up. I needed a big machine (laughing). I have a few things coming up, and I’m excited. 

U.G. Digital Mag: Would you say getting to this point in your career was something you always wanted?

Chandra Currelley: Actually, It’s gone beyond my dreams. When I started, I just wanted to sing in front go millions. As I connected with people like Tyler Perry, my outlook became broader. 

U.G. Digital Mag: It’s amazing because so many people know the depth of your music, and your history. I still feel as though you being a part of these productions, especially with Tyler, it introduced you to a larger audience. 

Chandra Currelley: Yes. When I recorded with Roy Ayers, and then became the lead vocalist for the S.O.S. Band, it was a huge experience. As it went on, the DVDs did it. The tours were good, but by him recording the DVDs, it gave me such a huge exposure. I could get to people in a short amount of time. It re-introduced me to a whole new audience. People who knew me before knew me from S.O.S., and they saw me reinvent myself with a whole new generation. My demographic is pretty broad now. 

U.G. Digital Mag: I love that you realize how large your audience has grown. You’ve reach a lot of different age groups. I remember bringing a new camera guy for Making Moves, and he totally fanned out over you. He knows everything you’ve done. That showed me how wide your audience is and how many people you’ve touched. It’s pretty amazing. 

Chandra Currelley: That’s awesome. I had no idea it would be that way. As time goes by, it’s more and more. I’m still meeting young actors who have watched me. I’m thankful for that because I’ve always been a student of the arts. Hopefully when they saw me, they saw quality, and how things should go. I’m thankful for learning my craft and for the people around me. 

U.G. Digital Mag: We see the quality, and it takes me back to Strength of Love. It’s such an amazing story. You and I both know how good The Baz Brothers are. How did everyone come back together?

Chandra Currelley: I just think everyone was available and it worked out. Others were trying to secure me, but by the time they asked, I was already committed. I wanted to start the year off acting. When God puts you in a place where he extends a promotion in your talent and gift, then you recognize where you are and where you’re supposed to go. Sometimes you have to leave what you do best for your future. I wanted to start off that way. My experience was good. This time, I get to do things I never thought I would be able to try on stage. Now I have a better understanding. 

U.G. Digital Mag: I think of The Baz Brothers, and the professionalism that comes with everyone. Anytime I come out, I’m coming all the way from Cleveland, Ohio, and in a heartbeat, I drive out to their events because their professional. 

Chandra Currelley: It’s their integrity. Some people have professionalism, but no integrity. Everybody thinks they can write a play, but with Tyler, God had a mission for him. He gave him the ability to be able to look at something and suck it up like a sponge. I tell young people to learn their craft. When I read the script for this, I knew they understood what they were doing. You have to give people their respect for that. When I saw them, they reminded me of Tyler when I first met him. He was just trying to get people to read his script. When i read his stuff, I said I never had the chance to do those types of characters. And it was stuff people could implement in their lives. It gave the material a true purpose. The way they handle their business is a reflection. They’ve thought about it and sacrificed for it. 

U.G. Digital Mag: Some of the characters have change a bit. What has the change been like for you?

Chandra Currelley: For me, I like things that change. It’s something new and fresh. It has an effect on what you do. Meelah, I worked with her in A Mother’s Love by Kandi Burruss, I saw how talented and serious she was. It wasn’t about her being a reality star. She wanted to grow as an actress and artist. I saw that from the work she put in. I’m looking forward to working with her. She’s honest, and just try to be. It’s better this time because I think the magic is going to happen as intended. 

U.G. Digital Mag: I think you’re spot on. She’s got so much integrity in all she does. She works hard to learn her craft. I’ve heard nothing but great things about A Mother’s Love. I look forward to this play so much now. 

Chandra Currelley: That’s one of the few plays they were presenting on the urban theater circuit. Back in the day, they called it the chitlin circuit. It rose above that. I thank Mr. Perry, and another director who just did Almost Christmas. He was another one who took it past that, and they had to respect it. That play was going to bring something that had never been brought. It was a full-fledged musical. It was incredible, but it couldn’t do what it could do for whatever reason. That’s how I met Sean Baker. The second time we did it, they rewrote it. He was part of a singing group but they wrote that out. We stayed in touch, and it was because of his integrity. He really worked at his craft and was serious. When you get with your kind, the occasion is not the only time you’ll connect with them. You end up in similar situations where integrity is involved. We’re about the same thing. He new people, the fresh blood, it’s just awesome. 

U.G. Digital Mag: I think it’s a great thing to have that new blood. It freshens things up. 

Chandra Currelley: Yes, and the music is good. They were every particular about the songs in the show. Some plays, it’s song after song after song. The songs are to forward the story line. If you have too much, the message gets all muddied up. They were very particular about the number and the type. 

U.G. Digital Mag: Not giving too much of the story away, what are some of the things we can expect different since there’s new cast members?

Chandra Currelley: The material never changes. It’s like if you see A Raisin in the Sun. The lines never change, but it’s different when different people do it. If you have a good script, you don’t have to change it. The way the cast sees it makes it different. From the director’s point of view, what they got a chance to see before will be different in translation this time. I think this will be felt more. Earlier, it was in the head, but now, it’s in the heart. 

U.G. Digital Mag: I agree. It’s in their hearts because it’s been perfected, and they know the story. 

Chandra Currelley: That was the emphasis. Making sure the audience feels it. We want them to feel something, and cry. We want them to feel this and relate to it. I ran into a lady while getting my eyebrows arched, and we were talking about Valentine’s day. She and her husband had been having problems, and I was able to tell her about the show. The story is a match to their lives. That’s what we do. It’s therapeutic, but not clinical. This is just life, and we adapt our changes and things we experience to our relationships. 

U.G. Digital Mag: It’s amazing how much these stories touch people’s lives. I remember with Making Moves, and how Sean Baker’s character really related deeply to my life. It was like looking at my own life, or looking in a mirror. You connecting with the young lady is going to help her. 

Chandra Currelley: Right. That’s how we learn stuff, and know stuff. It doesn’t make sense to me to experience things and not pass them on. 

U.G. Digital Mag: It goes back to your own personality, and how you connect with people. It says a lot about you and how down to earth you are. 

Chandra Currelley: It’s how I’m built. I did think about it, but I felt like I needed to say something. 

U.G. Digital Mag: It’s natural to think twice because you never know how people receive stuff like that. 

Chandra Currelley: Right. But it’s the way God works. Nothing is by mistake. We have to take those opportunities. Those things come back to bless you. You do it just from the heart. 

U.G. Digital Mag: I would love for readers to know more of what you have going on, and other projects?

Chandra Currelley: I’ve been focusing on my acting. I have a lot of auditions coming. I’m working on more music. I’m in that mode of creating new material. That’s where I am. I still want to do that. I want to do a small tour, but it will be mores on the midwest and west coast. I had my hands full. I’m working on my films career, and then I still have to do my live thing. At the same time, I want to be stable. I don’t want to do so much that I’m running ragged. I’m finding a way to get everything to connect. 

U.G. Digital Mag: You’ve definitely done some powerful work, and everyone knows the phenomenal work you have done all over. We just need to get you on The Haves and the Have Nots…

Chandra Currelley: It’ll be great if he got me my own sitcom. You never know. I do have a desire to do something he writes for me as a motion picture. I think I’ll call and tell him (laughing). He’ll get a kick out of that. He’ll do something, and every time he does, it’s better than I can imagine. 

U.G. Digital Mag: In terms of final comments, what’s left to say?

Chandra Currelley: Never ever give up. Never, EVER, give up (laughing). Thats in any and everything. Sometimes, your head can rule over your heart. It’s about your belief system. Don’t believe someone telling you what you can’t do. They can say what they want, but it’s up to you.

[THE STAGE] SEAN BAKER: STRENGTH OF LOVE

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Hands down, Sean Baker is one of the hardest working brothers out here in the acting game. We first met for the initial run of The Baz Brothers’ Strength of Love back in 2015, and since then, he has done a host of additional roles and projects. One of his more recent roles was the lead in the hit film Making Moves, which was also written by The Baz Brothers. We’ve also been watching as he’s been preparing for the highly anticipated biopic “All Eyes on Me”, which centers around the life of slain rapper Tupac Shakur. Coming up very soon, Baker will be hitting the stage once again in the reboot of The Baz Brothers’ Strength of Love alongside actors Chandra Currelley, Dwayne Cottle, and Strength of Love newcomer Meelah Williams. He’s constantly on the move, but we got him to slow down just a bit to talk to us about the play, as well as all else he has cooking right now. 

U.G. Digital Mag: You are one of the hardest working brothers out here man…

Sean Baker: Just one of em [laughing]. 

U.G. Digital Mag: I see the many projects you work on man. What gives you the drive to work as hard in the paint as you do?

Sean Baker: First of all, thank you so much for mentioning that. I’m one of a lot of brothers out her making a name for ourselves. What drives me is this is my passion. It’s what I love to do. It’s not a hobby, and it’s something for me. Since I was young and performing, my mother would have me singing and dancing for her friends. I was doing something in entertainment, and it was always in me. What drives me is it’s my passion. I live, eat, and sleep this. 

U.G. Digital Mag: The first time we connected was during the first run of Strength of Love. You’ve done so much since then. How did you first connect with The Baz Brothers?

Sean Baker: It was with "Strength of Love". I heard of the audition, sent in my headshots and resume, and prayed for the best. I believe when I got there, they said I was the first one, super early, and they knew I was what they needed. Now don’t quote me on that [laughing]. We had a great time, great connection, and they have a real passion for what they do. We don’t always get to work with a lot of writers and directors who have a true understanding. It’s a different experience when you work with people who have a love for the arts. They really understand what it is to do this, and there’s a meaning and method behind what they do. Since then, we did "Making Moves". That was my first leading role. They gave me that chance, and it helped me transition. To see that and work with them seamlessly was great. Now I’m doing "Strength of Love" for the second time around. It’ll be another great experience. 

U.G. Digital Mag: I’m quoting you on what you said man [laughing]. I see what you’re doing and your work is impeccable. I’ve never seen anyone work as hard, and I realized that the last time I came out to Atlanta. You were all over the carpet man, and just working. In the interview we did for UGD Live, I recall talking about your character for Making Moves, and it completely resonated with me and my journey. You did an amazing job in the movie bringing that to life. 

Sean Baker: Thank you brother, I appreciate that. I enjoyed doing the film, and when I read the script, it resonated with me as well. In following our dreams, we have to make certain sacrifices. It’s one of those life imitating art and art imitating life moments. It made it that much easier to tell the story because I literally lived a portion of the story. I was able to bring my personal experience to the situation and make it believable. 

U.G. Digital Mag: That made it even better though in my opinion.

Sean Baker: Definitely. It levels up everything. As actors, we may get roles where we may not have experienced everything the character went though, but with this, I just had to dig back into my memory. It was like playing out my life. That made it that much easier and brought that much more authenticity to it. 

U.G. Digital Mag: You have people backing you like Chandra Currelley and Meelah Williams. How is it to be back in that mode of this production?

Sean Baker: It’s funny you ask, because we had a table read, and of course we have new faces. As of right now, with Chandra Currelley, and Dwayne Cottle, they are familiar faces. I’ve been working with Chandra for years. It’s wonderful to say I’ve been working with her for years. For someone of her caliber, it’s a blessing. Familiarity is always good. Meelah is doing an excellent job. It’s refreshing to work with different people when you can. If it has to happen that way, you pray there’s chemistry with everyone. We’ve had our rehearsals, and it’s been great. I love working the project period. It’s a great thing, and Meelah has been bringing a different energy to it, and it’s refreshing. I love her energy. We are bonding and connecting in a way that the audience will get what they need. They can see the story from a different perspective. We have different people bringing new energy. Change is not always bad. Sometimes it’s good. We’re all learning the different nuances to telling a story. At the table read, we expressed the fact that it’s like we’re learning new things again. It’s like it’s the first time. 

U.G. Digital Mag: What do you feel like you were able to do to refresh your character, seeing as how there will likely be people coming out who saw it the last time?

Sean Baker: It’s funny because the other side of it is if it ain’t broke, don’t fix it. When I look at it with a refreshed vision and new set of eyes, I’m not changing the dynamics of the character. For me, and looking at it again, it’s more in the details of the story. There’s different emotions I can tap into. I may find a scene where my character can show more emotion, or less emotion, or show a different range of hurt. Maybe it’s deeper in the back story. It’s something else that can be brought to the surface. It’s like Coke or Pepsi. Same great taste, but a different rapper. It’s different energy and a different way of telling the story. 

U.G. Digital Mag: I’m looking forward to this man. I know it’s going to be great. Tell everyone where they can check you out online? 

Sean Baker: My website is being reconstructed, it’s www.seanbakeronline.com and definitely at Instagram @seanbakeronline, Twitter @theseanbaker, and Facebook @Seanbaker. 

U.G. Digital Mag: We’re consistently checking you out and following. The Tupac feature you’re a part of, when is it dropping?

Sean Baker: We had a new production company jump on, Lions gate and Morgan Creek, and it’s looking like June for it to come out. 

U.G. Digital Mag: I appreciate you man. Any kind of final words, comments, or words of encouragement?

Sean Baker: It’s like a mantra of mine man. I always say do it with passion, or don’t do it at all. I don’t care what it is: dancing, singing, or being an architect. Do it with passion, or not at all. And secondly, I need y’all to come out. February 10, February 11, and February 12. Get your tickets, today! 

[THE STAGE] MEELAH WILLIAMS [ @itmseelah ]: STRENGTH OF LOVE

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It’s so wonderful to reconnect with Meelah Williams. As most know, Williams has been venturing into the world of acting over the past few years, and she’s now taking a lead in The Baz Brothers production, Strength of Love. It’s an amazing story of love, forgiveness, and all the craziness that can happen in between. Strength of Love will be showing Valentine’s weekend in Griffin, GA. 

We took some time to chat with Ms. Williams about her role in this stage play, and what the world can expect from her first leading role. 

U.G. Digital Mag: I’m most grateful to you for a few things; one for you sharing your time with me today. Also, you were a tremendous part of our first issue. I’m always forever thankful to you. 

Meelah Williams: Thank you for the opportunity. I’m grateful that you even gave me that platform. 

U.G. Digital Mag: So we’re together for Strength of Love, but before I even start, I have to get your thoughts on the New Edition movie, considering how instrumental Michael Bivens was in the careers of 702. 

Meelah Williams: It really is outstanding. I’ve only seen two parts so far, but the actors have done an amazing job. The actors were spot on. I was there for some of it, but to see it on television, it’s refreshing to see the other side of the industry. A lot of people who want to do this often forget about the other side. It’s not always the glitz and glamour. It’s refreshing that they opened themselves up and allowed them[the actors] to be there with them. I had no idea that they went through all the things they did. It was like 1996 for the Home Again tour. We were clueless to a lot of what happened behind the scenes, but there were times when we definitely felt the tension. 

U.G. Digital Mag: When you mention how spot on they were, the kids were really amazing. 

Meelah Williams: I know, right? 

U.G. Digital Mag: The one who play Mike looked just like him. 

Meelah Williams: Isn’t that crazy? I asked where did they find that kid. He had that same swag, cocky arrogance, and the whole Boston swag. Clearly Mike and everyone was instrumental in picking the characters that played them, but it’s amazing they found someone so close. Those kids did an amazing job. The casting for Brooke Payne as well, which was the guy from the wire, Wood Harris. I've got to catch up with part 3 now. 

U.G. Digital Mag: It’s funny because my son is 10, and he’s enamored with the movie. 

Meelah Williams: I’m disappointed I missed last night, but I will definitely catch it. 

U.G. Digital Mag: So Strength of Love, it’s such an amazing story. I saw the first run of it last year, so it’s good to see it back. How is it for you to come in this time around?

Meelah Williams: First, I’m just humbled and flattered for someone to reach out and ask of my interest. It’s always a blessing after all this time that people still call and seek my talent. Everyone has been so welcoming. I knew Chandra Currelley because I worked with her for Kandi Burruss’ A Mother’s Love. I was so excited to see Mrs. Chandra again. She’s always great, professional, and so cool. The woman knows what she is doing. I look at her like an auntie. She’s so magical, and anytime I’m in her presence, I’m in awe. She’s so multifaceted. I have to see one of her shows because I love jazz. She’s like someone you’ve known for years. When you go into an ensemble of new people, you never know how it will be. The directors and writers are so chill and laid back. By the second or third rehearsal, they were like family. They’re serious too, but they know how to have fun and make you feel comfortable. 

U.G. Digital Mag: There's something special about The Baz Brothers. Chandra is amazing too, and her background with S.O.S. Band is something else. 

Meelah Williams: Listen! That’s good music. 

U.G. Digital Mag: But it’s just knowing all she’s done and how humble she is, and how welcoming she is. She’s simply amazing. You have a family of people for sure. 

Meelah Williams: I’m so grateful. The opportunity is so cool. It’s my third stage play, but the first time I’ve been a leading character. It’s humbling, and exciting to pursue something like this. It’s a blessing to get the acting chops going and the blood flowing. It’s a different level of entertainment coming from the music world. 

U.G. Digital Mag: You character has so much depth. How was it to tap into that?

Meelah Williams: It’s interesting because I had this conversation with my mother. It can be very draining at times. That goes for acting in general because you have to morph into these characters and tune into that space. Every nuance and characteristic that your character embodies, you have to align with that. After tomorrow, we’re no longer called by our real names. I have to get into that zone. Her story is so deep, and it’s deep to have to go there. You have to tap into things that may be uncomfortable from your own life and path. You have to find something that’s parallel in some sense to help you convey the emotions. I didn’t know it would be this deep. If that’s what it takes, then let me do this. It’s all in being an actor. 

U.G. Digital Mag: Everyone is looking forward to it. What are your hopes for the three days?

Meelah Williams: I hope that those who come out, whether it’s to see me, someone else, or they're just interested, are satisfied. I hope they enjoy everything they see and are not disappointed in my acting, or on any level. I hope they see my passion, and know that I’m working to take this to another level. This is just the beginning. 

U.G. Digital Mag: Again, I think you’re so amazing with this. I’ve followed since 702. I’ve watched the R&B Divas, and could really appreciate how you stuck to your guns in terms of portrayal, and what people saw in you. You protected your image, and that was major. Thank you for that. 

Meelah Williams: I appreciate that. It’s hard. Unfortunately, the business has changed so much from the time 702 came out until now. The values are different, with social media, and reality shows. If you are someone who’s wholesome, or “a good girl”, you come off as boring, dull, and as having no personality. If I’m not flipping over a table, cursing someone out, or just being flat out ignorant, I have no personality. I have layers to me and I’m complex. I just want to be decent on television because it’s how I was raised. Does that mean I can’t defend myself in a situation? Of course not, but will I be confrontational? That’s not my way. I thank you for acknowledging that though. 

U.G. Digital Mag: There’s more who look for what you offer than there are who look for the craziness. It doesn’t seem so at times, but there are. 

Meelah Williams: It’s frustrating because I have ratchet tendencies (laughing). If you take me there, for instance about my son, or my family, you’ll see the turn up. I’ve been taught to be classy. I am human though, and don’t always know how to turn the other cheek, but I try to be pretty chill. I plan on doing reality TV again, maybe if I have creative control. 

U.G. Digital Mag: I would love to see it. The last time we spoke, we talked a lot about your foundation. I would love to see more about that. 

Meelah Williams: Thank you! Yes. That was the other thing with my story line on R&B Divas. We touched on it, and I guess that was the basis of it, but I wanted to focus more on that. Moving forward, there have been some ideas out there. I’ve been approached, being an autism mom. 

U.G. Digital Mag: There’s so many people who deal with it [autism], but you touch a lot of people with your story and they really benefit from it. 

Meelah Williams: It needs to be talked about more. I respect everyone’s wishes because I too wasn’t sure in the beginning if I wanted to put it out there. It’s definitely private and personal. They have that right, but those of us who do want to talk, I think we should. A lot of parents don’t know how to handle it. It’s not an easy thing or a walk in the park. There’s several levels, even mild levels. It’s challenging, but life has challenges. I think it would be cool in the African Amercian community to touch on it, even with mental illness. We don’t touch on it much. We just sweep it under the rug. Unfortunately, where there’s no communication, other issues arise. It’s like, this could be prevented if we just talk about it. 

U.G. Digital Mag: Can you talk about other things you’re working on or have coming up?

Meelah Williams: I actually just signed a record deal with Soulstar / E1 music. This will be my solo debut album. It feels like I’ve been doing solo music for a while and I’ve had singles here and there, but this will be my first body of work. 

U.G. Digital Mag: Knowing of Soulstar, and your music, you’re in the perfect place. They can really get it out there. 

Meelah Williams: Thank you so much. It’s a good feeling to be in this space with complete and creative control. I can zone out and figure out what I want to do sonically. A lot of people still don’t know who I am. It feels good to create a project that is all me. I just started recording a few weeks ago, so I’m in the very beginning stages. I’m not rushing it, but it may be around late summer or the end of 2017. I’m looking for a super successful album. It’s still so premature that I don’t even have a title yet. 

U.G. Digital Mag: People like myself, and your entire fanbase, knowing you have something coming, it’s more than enough for us. You gave us “Give It to You” a few years ago, and then it was like OK, we’re waiting. 

Meelah Williams: I know. I was kinda teasing y’all a bit (laughing), with Stupid in love, a great single written by TC, but I just do a little bit to hold y’all over (laughing). 

U.G. Digital Mag: Well we’re waiting patiently [laughing]. How can everyone keep up with you online?

Meelah Williams: All my social media handles are @ItsMeelah for Twitter, Instagram, and Facebook. It’s the same for my website [www.itsmeelah.com], but I’m revamping everything. I’m under new management, with a new label, new "er’thang (laughing). I don’t have a snapchat, and don’t y’all come for me (laughing). I think I’m the only one in the world who don’t have one. 

U.G. Digital Mag: I’ll keep it real with you. I can’t get with it [Snapchat]. I don’t know what the hell I’m doing [laughing]. 

Meelah Williams: We’re neck and neck. I’m already giving y’all all of me in three other places, what more do you want? [laughing]

U.G. Digital Mag: It’s crazy. I can’t figure it out, but my ten year old has it down to a science. 

Meelah Williams: At least Instagram tried to help us out. It’s all inclusive there. Y’all wanna see what’s up with me, follow me on Instagram. I also recently added a camera crew to my team, so I’ll be in the studio today, and you’ll see some things on my YouTube channel, eventually maybe even a webisode. 

U.G. Digital Mag: People look forward to it. Thank you again, so much for today, for our first issue, and everything. 

Meelah Williams: I’m so happy I was able to help.

[THE STAGE] SOULMate: A True Love Story (Review)

📸 Phillyweeden.com

It took a few years of hard work, but finally, local Playwright Philly Weeden is reaping the reward. That reward is pretty indeed, as the world is realizing the star talent this brother has. Tonight's showing of his hit stageplay SOULMate is evidence in itself. The venue has sold out, and the audience is eager as ever for a great show.

Starring Taral Hicks, Alvin Frazier, Archie Berwick, Tiffany Allison, and Makeda Grier, the storyline takes you through the lives of two hopeless romantics who by textbook standards should never end up together. Sabrina is like many other high school girls... popular, beautiful, and intelligent, while William is as geeky as they come [picture Steve Urkel]. Despite their differences, they ultimately learn they have much more in common than any would know, and they forge ahead in life as one.

Their lives aren't without demons, however. William has dreamed of a life with wife and kids, and Sabrina wants with every fiber of her being to give him that, but her daunting past has ultimately prevented that. The secret she's kept for so many years has finally caught up with her, and threatens to rip apart the only family she knows! The audience gets to see firsthand how they work through the devastating blows of life to triumph in the end. The story takes you through their lives, from teenagers to their final years. Their true love is evidenced in the way they regularly reminisce about the high school letter that William nervously wrote, pouring his heart and soul out about how he dreamed of life with Sabrina. That very letter surfaces many times throughout the storyline, right down to their final moments together. They were right by each others' side through the worst, and the best times.

📸 U.G. Digital Media & Publishing

To some, this story may be no different than that of other plays and scripts, but SOULMate is amazing not only in the story it tells, but the cast as well. From Sabrina (Taral Hicks) and William (Alvin Frazier) to Sabrina's best friend, her cousin, their uncle Ralph and Pretty Tony, you instantly see the work that each individual has personally invested. The humor is side-splitting at times, and you immediately fall in love with the characters throughout.

📸 Phillyweeden.com

To say we're impressed with Philly Weeden is quite the understatement. It's not just with SOULMate. It's his entire life story, and the triumph he's made in pursuing his love. This story, sided with all the other amazing scripts he's produced and delivered to the world, has been perfected in every way possible. We're thrilled to have had the opportunity to witness the magic of everyone involved, and know that this is just the beginning of his life lighting of the universe.

Catch the next showing of SOULMate February 25 in Atlanta, Ga! We're thrilled to say we'll definitely be there cheering this crew on!

Also, for more on Philly Weeden, catch a video playback of our recent conversation with Philly Weeden at www.urbancityradiostation.com, and a new cover story in the latest edition of Cleveland's Triumph Magazine. 

[STAGE LIFE] The Coffee Shop (1/7/17, Houston, TX)

​Having featured Shaneisha Dodson in the pages of U.G. Digital multiple times, I felt like I had an idea of what to expect with her touring production, The Coffee Shop, but I must say I was blown away when finally seeing the show for myself. After a cross-country drive, I was ready to see a good show, and I'm happy to say I got so much more.

Photo: Cast, The Coffee Shop

The Coffee Shop played in the Houston, Texas area this past weekend, and it was most definitely a night to remember. Set in, well, a coffee shop, and centered around the often untold story of rape, you'll see first hand how the effects can tear a family apart, and how love can ultimately piece it all back together. Of course you get all the laughter and shenanigans that go on in today's coffee shops. The cast absolutely laid out all the stops and guaranteed a good time. The simplicity of the production made it all the better for the audience, who flooded the auditorium with cheers and laughter throughout the show.

📷 Photo credit: Black Girlz Productions

Dodson herself is an up and coming playwright who is strongly forging her way through an industry that can tear you apart if you haven’t done your homework. It takes so much to put on a great production, let alone assembling the appropriate cast of actors and actresses. There's so much more required to make it all work seamlessly. One hiccup can send the entire project into a tailspin and shut it all down. So isn't the case here, though. The show was amazing, and Dodson shows great promise as a playwright.

The Coffee Shop is set to hit Arkansas March 25, 2016. Tickets are available at https://www.eventbrite.com/e/coffee-shop-stageplay-tickets-27742204681

[The Stage] Coffee Shop

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It’s always a pleasure to catch up with Shaneisha Dodson of Black Girlz Productions. Together with her amazing team of actors and actresses, she puts on some of the best stage plays the industry has to offer, and that holds strong with her latest production, Coffee Shop! Set to kick off in Houston, TX in January 2017, Coffee Shop will address the torturous effects of rape, not just on the victim, but their friends and families as well. The story gets pretty deep, and is definitely one the world needs to see. Following the upcoming Houston date, the play will then travel to Arkansas for another run. We caught up with Dodson to talk about the play and just what can be expected from the actors and actresses.

U.G. Digital Mag: As always, thank you for your time in discussing this project. The last time we spoke, I believe this project may not have really been on the horizon, or perhaps we just hadn’t discussed it. But I’m happy to join in on the promotion efforts. I’m excited about opening day. Talk about the basis of Coffee Shop?

Shaneisha Dodson: Coffee Shop centers around the owner, Carla, who hires a new stylist named Robin. Carla soon learns that Robin is being molested by her Step-father. The characters are completely opposite. The story opens a can of worms and forces them to walk in their own truth and talk about things that some people consider to be uncomfortable. I came up with the idea of Coffee Shop because so many people getting light sentences when involved with rape and sexual assault. I said we needed to bring this to the forefront to encourage people to speak out, and to show people what can happen if you do these things to people.

U.G. Digital Mag: I think it’s good that you touch on these things. You see it happen a lot, and many times people don’t get the charges that they likely should. Why do you think that this happens so much? Will the play get into the meat and potatoes of that?

Shaneisha Dodson: The story line does touch on that. It shows what happens in the case of four different victims. For one, it happened on a college campus. The officers of her campus said not to talk about it, and boys will be boys. He’s the star of the football team, and people are going to question you. So you have one person whose issues have been suppressed, and she’s been talked out of telling anyone. They try to make her feel like she did the right thing, but she ends up having years of pain. Then you have another character who ends up fighting this guy off, but it runs over into her personal relationships, so she doesn’t trust men at all. Then another character, it comes from her father, and she ends up pregnant, so she doesn’t know if the baby is her boyfriend’s or her father’s. So you have all these different things that come to light as far as why someone might talk and tell, and why they may take the secret to their grave.

U.G. Digital Mag: Obviously, with this story, when you deal with victims, you can go in many directions with what happens to them, how they deal with it, and ultimately get help. How deep does the story line go?

Shaneisha Dodson: You’ll definitely see it toward the end. You’ll see them pull themselves away from the world because they feel alone, and then you see the rebuilding process. The people around them blame themselves as well. You ultimately see them live normal lives in the end.

U.G. Digital Mag: It’s definitely a great topic to address. What other importance do you see in this story?

Shaneisha Dodson: It was important for me because I know people who have been raped. When I was a teenager, someone tried to rape me, and I was able to fight them off, but I know people who were not able to fight them off. It leaves a long term effect on people. I was a teenager, so I didn’t really realize how deep it was until I got older. I could have died. I could have been killed. What if I wasn’t able to fight them off? When you’re younger, you don’t look at how serious an issue is. It could have really gone wrong. It’s something that we need to discuss.

U.G. Digital Mag: A lot of us who look at this story, we know people who have been in similar situations. This will be something that proves to be helpful to so many. How does it help those who have not experienced it, or don’t know anyone who has suffered from it?

Shaneisha Dodson: I think it will help people to understand what’s going on, and how to not re-victimize those who have gone through it. I know someone who has a cousin who was raped, and when they get into arguments, it gets thrown in their face. It gets thrown in their face, and it’s not fair. They don’t realize the psychological effect it has. This will teach people empathy, and how to understand those who have gone through it.

U.G. Digital Mag: Looking at the full gamete, I think it’s amazing that you were able to put this together. Many of your story lines deal with things that help so many people. What is your ultimate goal for this play? How much further would you like to take this story?

Shaneisha Dodson: I would like to take it as far as possible. When you think about rape or sexual assault, it’s not something that people deal with in certain places. It happens all over the world. Our goal is to touch as many people as we can, to encourage them to speak out, and encourage them to get help. You don’t know the long-term psychological effect It can have on people.

U.G. Digital Mag: The actors in this play, you have an amazing roster. How did you go about selecting the final people to play the characters?

Shaneisha Dodson: I look for certain personality traits. A few people are new, but I also bring in actors and actresses whom I’ve worked with in the past. As I wrote the story, I was thinking of certain people for the roles, and I would reach out to them to see if they were interested. Everyone else, as we went through the auditions, if I saw he passion and drive, I selected those individuals.

U.G. Digital Mag: How was Houston selected as the opening location?

Shaneisha Dodson: This is where I live now. It’s a new city for me, and I wanted to reach out, get into the arts, and make new connections.

U.G. Digital Mag: What took you to Houston in terms of relocating?

Shaneisha Dodson: I had a younger sister here. Wanted to try a new area, and it was easier because I had family here.

U.G. Digital Mag: Many times with story lines like these, it makes you think of the area where it’s taking place. Houston is huge, so it should do well. I see you’re doing Arkansas as well. Will it go anywhere else?

Shaneisha Dodson: I’m still working it out, but having it my way, I would do as many as possible. April is sexual assault month. I would do college campuses if I could.

U.G. Digital Mag: Again, I think this is amazing. Bring me up to speed with Black Girlz Productions.

Shaneisha Dodson: Well we’re getting ready to do our annual scholarship announcement. Every year, I award a scholarship to a high school senior or college student, and people can always get info on our website. I’m working on a book. I’m working on a screenplay. I would like to transition into film.

U.G. Digital Mag: Realistically, that’s a natural progression. Many who start off with stage move into film.

Shaneisha Dodson: That’s true, you do see it a lot. That’s my goal.

U.G. Digital Mag: What type of timeline, in your mind, is there with you moving to film.

Shaneisha Dodson: I would say a couple of years. What I’m doing is working on the screenplays. I’m trying to build a catalog. Right now I’m on my third screenplay, and I have a fourth in the back of my head [laughing], but right now I’m on my third. I’m always writing. It’s a never-ending process. I jot down notes everywhere, and it keeps going.

U.G. Digital Mag: I love creative minds. I could never sit and write a play. I’d be writing forever. The stories you have really need to be seen and heard. I love the story of Coffee Shop, and I love that it’s in Houston and that we’ll be out to cover.

Shaneisha Dodson: We all have different gifts. Everybody has a gift. I can write forever.

U.G. Digital Mag: It’s definitely a gift for you. It hasn’t been so long since we spoke on your last project. In the eyes of everything else that goes on, that is no time at all. I feel like you put this together in record time, and that’s huge. It solidifies your status as a professional. Any final comments and thoughts of encouragement?

Shaneisha Dodson: I would say just keep up with Black Girlz Productions? We have done cast introductions so you can get familiar with some of the faces. We’ll be doing Q&A’s with fans. We’ll let people ask questions, and we may do some giveaways. Just keep up and you’ll see what’s going on with upcoming productions.

U.G. Digital Mag: Will the updates hit the website?

Shaneisha Dodson: They can always hit the website, which is www.blackgirlzproductions.com, and through social media. Instagram is @blackgirlz12, Twitter is also @blackgirlz12, and we have a Black Girlz Productions fan page on Facebook. Those are the best ways.

[THE STAGE] Philly Weeden: Destiny Fulfilled

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In just a couple short weeks, Cleveland's own Philly Weeden will take the city by storm; yet again, with his newest stage play, SOULmate?! Starring accomplished actress Taral Hicks, SOULmate? aims to teach today's generation how to put in the work required to maintain lasting relationships. Already building quite the buzz, SOULmate? is geared to be a huge success when it hits the stage at the Cleveland Playhouse November 14, 2015! We were granted the amazing opportunity of talking with Playwright Philly Weeden about the play, it's storyline, what fans can expect, and all else he has brewing for the future. His own story is yet another classic case of one's own destiny being fulfilled! 

Philly Weeden: Destiny Fulfilled | Philly Weeden | Taral Hicks | Justin Fraley | Archie Berwick | Tiffany Allison

Everything happens in due time, and what’s meant to be will surely be. We hear it all the time, but talking to Cleveland’s own Philly Weeden, that has never been more true than now. Philipe, otherwise known to the world as Philly, has come a long way, with many titles to his name. He’s been a semi-professional football player, a model, designer, and author. Much of the world knows him most for his work on the stage as a Playwright, and Screen Writer. Over the past few years, he has entertained thousands at a time with his hilarious, soul-stirring stage plays, selling out theater after theater along the way. His most recent stage play, If You Knew Better You’d Do Better, ultimately became a full length movie, which recently screened at the Greater Cleveland Urban Film Festival. 

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Not bad, especially for someone who started with no experience is writing, let alone produce an entire stage play or movie. He still managed to do it, and it al became an instant success. His story is remarkable to say the least, and will inspire anyone looking to pursue their dreams in life, regardless if they are dreams of entertainment or otherwise. His story is one of perseverance. When the doors were seemingly shut in his face, he went through another door. When someone told him no, he kept going until another said yes, and that tenacity has paid off ten-fold. He has truly fulfilled his destiny, and through his brilliance, he's helping a number of others fulfill their own. 

For as long as we’ve wanted to catch up with Philly, timing just never allowed it to happen, that is until now. Philly sits down and gives us the full rundown of his new stage play which hits the stage of the Playhouse Square in less than two weeks, and stars the amazing and accomplished Taral Hicks, who many will remember from her roles in Belly, Bronx Tale, and more recently Tyler Perry’s Aunt Bam’s Place. Take a moment to check out the exclusive below!

Urban Grandstand Digital: It's such an honor to connect with you man. Obviously, being here in the city, I’ve been able to witness your movement and what you’ve had going on. We’ve been wanting to connect with you for so long, and with your last play, timing was off, but it’s a huge honor. 

Philly Weeden: I’m equally honored to be able to participate with the movement that you have going. Every time you’ve posted anything, it’s been great. I’m honored as well. 

Urban Grandstand Digital: First and foremost, talk to me about the story behind the upcoming stage play, SOULmate?

Philly Weeden: SOULmate is a modern day love story. It has it’s twists and turns, but I wanted to show a relationship in today’s society with old school tradition. Mixing the old with the new. I believe that back in the day, our grandparents made that era. Whatever happened, they made it work. Nowadays, it’s so easy to give up. I wanted to show our generation that it is possible. 

Urban Grandstand Digital: I agree with that wholeheartedly. I look, even at my grandparents, and how long they were together and the struggles they had. People today would divorce at the snap of the finger. 

Philly Weeden: Definitely. 

Urban Grandstand Digital: What should be the ultimate take away for those who come out to see the show?

Philly Weeden: The take away would be an experience, and a chance to witness a relationship that stands the test of time. I want you to think of how to challenge your mate to do this. It takes a team effort, but it is also you dealing with yourself? Asking yourself can you deal with it, or can you give this person what is needed for you to get it back. Relationships are reciprocal, and if not, there are things that need to be addressed. If you take cheating out of a relationship, 90% will make it. Again, I want to provide, not a fairytale, but an example to our generation because the same people on the stage area e part of our generation. You’ll be able to put yourself in those footprints. 

Urban Grandstand Digital: Things are growing tremendously for you. It’s amazing how many people I know who ask if I’m going to your plays. A friend of mine won tickets to your last play. There’s ton of people who are sitting and waiting for you to come out with something new. People are also excited about the fact that you have Taral Hicks. Surely, people know her from Belly and Bronx Tale. Was she always in your mind?

Philly Weeden: When I wrote the story, I knew it was time for me to start building in terms of national talent. I’m all for locals, but it’s time for the brand to excel. To do so, you have to have national attention, which takes national talent. I just sit back and watch the scene. I don’t do too much or say too much. To be honest, I didn’t realize she was “the” Taral Hicks initially. I was watching Aunt Bam’s play by Tyler Perry, and Taral is the lead in it. I was watching and thinking about how she could sing, act, and everything. As the credits rolled, I saw her name, and googled her. I knew she would be a perfect fit. I kept researching, and realized who she was. I was like “Kisha”! Kisha was dark, but Taral is not dark, so at first, I thought it wasn’t her. But she was in Bronx Tale, Where Heart Lie, and just the single that she did. She was top 10 on Billboard. I was a little hesitant to reach out to her, but once I did, she responded right back. As far as everyone else, Justin is my dude. I’m in love with his work ethic. I believe he needs this exposure. He’s someone I can see when I’m watching television. He’s someone I can see myself buying tickets for and watching him come on stage. With him, I try to help him to get that exposure. Whatever platform I have, I just want to elevate him to the next level. He’s been with me since 2012. 

Urban Grandstand Digital: I appreciate you mentioning him. I think it’s extremely important for people to know about the supporting cast. Everyone does an awesome job. It’s almost like Tyler Perry’s productions. He picks people from all walks, but no matter what, they act their asses off. On shows like The Haves and The Have Nots, or If Loving You is Wrong, there’s not one person who acts poorly. I think you’re trailblazing in that same sense. You have Justin, and you have Tiffany and Archie, and so many others who have been with you. I think it’s good that everyone knows because it says a lot that you come up together and it’s not just about you. 

Philly Weeden: Definitely. I’m a little cat. If you continue to grind, I grind with you. I’m grinding regardless. I want us all to look back one day and say look at what we did. My first time at the Playhouse Square was a triumph in itself. When I first sat down to start producing stage plays, I called them and they gave me the whole rundown, and it discouraged me. When you sit down and have a dream, they are the first that come to mind in terms of venues. Not even thinking of the particulars, I was just thinking of a big dream. When I called, they pretty much told me no. I fell back for maybe a week (laughing), then realized I needed to start somewhere. I started working the college scene and auditoriums there. When I called back two years later, they knew who I was. Going for the first time was an amazing journey. 

Urban Grandstand Digital: That ties into my next question which you've pretty much answered. It was how many times people had told you no. It’s good, not only for the general people reading this, but the younger people as well. You’re up front about being discouraged, which is good and healing for others. You still kept going. So how did you get the Playhouse Square to truly recognize? Coming from a journalistic standpoint, and that of a publisher, I know how they operate, and venues like theirs in general. You get a lot of people in general who do not understand your movement. I look at my own story of freelancing, and publishing, all the no’s I heard, and how many people told me the magazine was a bad idea. I’ve been in a position where I walked away from a career to start over with the magazine. It's amazing that you managed to stay lifted, keep moving, and ultimately get them on board. What did you feel like you really wanted to accomplish this time around with your new play?

Philly Weeden: There’s always the pressure of trying to outdo your last. With each production, I want to show my audience growth, whether it’s in my writing, or the sets, or the production itself. With SoulMate, this is monumental because we have national talent. Once you get to that level, you’re able to be a National playwright. I never professed wanting to do that because I want to stay here and break ground here. I wanted to get the city behind me. Believe it or not, there are people here who do not know me, or my work. I wanted to be able to stay here and make this the home for real so people know who I am. Then I would branch out to tour. I have a rotating set now. National Playwrights are doing that. I had two keys before, not I’ve added guitars and drums. With each production I want to grow. Whether I add lights, or music, or anything, I love the ability to show the audience the experience.

Urban Grandstand Digital: I think we come from the same school of thought, even with you wanting to stay here and do it. Even with us, I’ve looked at opportunities to relocate to places where there’s more entertainment, but Cleveland needs you and us. 

Philly Weeden: Of course. It’s easier to write, and cover stories when there’s a lot going on. Here, it’s not that much going on. You have to find somebody and see what’s going on, or see how can you do this. When you’re around stars, they live in Atlanta and Los Angeles. There’s news every second of the day. 

Urban Grandstand Digital: But the more we have people like you that want to stay here and do it, the bigger Cleveland will get. Eventually, you’ll see the stars are here. 

Philly Weeden: I have told people, when I received the Dawson Award, I spoke and said why not be the person who attracts people to your city. Everybody gets excited about the stars going to Columbus, or New York. Why not be the person that is the attraction to your city. That’s where I’m at. I told myself, if I get 5,000 faithful people behind me, I’m cool. It’s 5,000 people on one side of town. I’ll know that when I can be at the Palace, or the State Theater. That’s how I'll know it’s time to go. I believe in growth and maturity. I started at CSU and they have 500 seats. Thank God it was selling out. People were saying I needed to go somewhere else. I said no, let me do a couple more here so I can feel like I’m doing something. It’s that whole fish bowl thing. I want to be able to outgrow a facility before I move, even though I’m a man of faith. You still have to be smart. I don’t want to just jump out and get my head cracked. After 4 shows at CSU, the next one was Garfield. They have 750 seats. The first one sold out. Next was the Playhouse. They have 1000 seats. Standing in the Need sold out. I recently talked to the rep about doing the Palace. That’s the premiere place, so hopefully we’ll do that. 

Urban Grandstand Digital: Do you ever consider mentoring? There’s so many people who need your knowledge. The things you have said so far make so much sense. You see so many artists who come here, and they’re set up to perform, but the first thing you think is why? You almost know that they won’t sell very well. The effect trickles down, because once people see that your sales are low, you miss out on other opportunities. 

Philly Weeden: Man, I come from parties and stuff like that, whenever my brother wanted to throw a party here and there. The thing is, people are only attracted to what others are attracted to. If you go to this party and there's no buzz, or nobody knows…say you have a party that holds 100 people and there’s a line outside, people want to come in because they want to know what’s going on. There's nothing wrong with small beginnings. If you have 100 people, then get a venue that holds 50 people. The better the look, the better the demand will be. Now, you have 100 people trying to get in, and they know they have to get there early because it’s exclusive. You have to be able to build on your brand. You’re only as good as your last performance, or your last production. If everyone walks away knowing you only had 100 people, but it holds 500, they look at you as a failure. 

Urban Grandstand Digital: How have you maintained your audience?

Philly Weeden: My key is, I know how to get your attention. If I can get your attention, I can get you to do anything your attention requires. If I can get you to look at this or that, the door opens because now you want to know more about what’s going on. It’s about your use of colors, verbiage, and the way you market. I have a concept that I haven’t strayed away from. I know what has to be done and what my guns are. If I have to post every hour on the dot because I know people are looking, then that’s what I have to do. I don’t mind walking around with a phone in my hand, and I don’t mind sitting down with a phone, as long as I’m being productive. I’m willing to do that because I know what it takes. 

Urban Grandstand Digital: So fast forwarding, how do you get to the point of turning your play into a movie? Obviously, you and I came in contact at the Greater Cleveland Urban Film Festival last month for the screening of your first film, which was really good by the way. You’ve done all these plays, and now, it becomes a movie. Not even lying to you, there’s something that goes along with up and coming movies and writers. A lot of times, they aren’t necessarily the best. That’s also why you stand out. There was real humor, a relatable story, and it wasn’t outlandish to the point that it couldn’t happen. Nobody would know that it was your first movie, or you are who you are. 

Philly Weeden: Of course, when you dream you dream big. It’s like oh my God, how am I going to do this. When I first sat down, I said I would do a play, and then it would become a movie. After the movie, then I’ll do this, and everybody was looking at me crazy. There’s nothing wrong with dreaming big, but everything is a process. Of course, when I sat down and said that, I just said it. Of course I wasn’t working toward it. I’d rather write a stage play because I know the formula. I would question how I was going to do it. Mike Berry was saying he had a movie premiere coming. We went to the premiere, and from there I was inspired. 

Urban Grandstand Digital: It’s amazing how seeing someone else doing it, your mind opens to the possibilities. 

Philly Weeden: That’s exactly what happened. Everybody sees me as being an inspiration, but sometimes I fall short too, of being inspired. That opened my eyes up and made me want to pick my dream up after seeing it could be done by somebody here. 

Urban Grandstand Digital: I thought it was great seeing the transition, especially knowing you did it some time ago at Solon theaters, and now it being in the film festival. How was that experience for you?

Philly Weeden: It was a great experience. When I saw the movie, and every time I see it, it’s like the first time. Of course, around different people, you get different reactions. They laugh when you want them to, cry, and you get the awes and whatnot. All that stuff feels good. You write, perform, and entertain for that reason. 

Urban Grandstand Digital: I know people keep asking when it’s coming out, so I said I would ask again. 

Philly Weeden: (laughing) I don’t know. Over time I think about doing it, and Mike shoots me down. 

Urban Grandstand Digital: You and Taral are doing promo on the 9th on channel 43. What other things will you be doing to promote?

Philly Weeden: Just more interviews. A lot with TV, radio, and we have one on the 6th where we will be on the radio. 

Urban Grandstand Digital: Everything looks good. What else is coming down the line?

Philly Weeden: I have three stage plays I’m working on, as well as a film I want to do. There’s also the community awards that I want to do. 

Urban Grandstand Digital: The last thing I want to touch on, is Naturally Gifted and the connection through your brother, and how he’s helping out?

Philly Weeden: He is the owner of Naturally Gifted. As far as Philly Weeden, he acts. I’m his support, and he is mine. 

Urban Grandstand Digital: Any kind of words of encouragement, and final thoughts?

Philly Weeden: I want people to go after their dreams. I want people to live their life [according to]what they envision themselves being. It’s possible. The only thing you have to do is just do it. I’m no different then Bob, Billy, or Joe. My story is no different. It’s just I’m bold enough to say it. Just take the first steps. I had no experience writing, acting, or anything I’m doing. Of course, now I’m learning different techniques. In the beginning, I just had the guts to step out and do it. I want everyone to start living the lives you thought you could have because you are able to have it.

For more information on Philly Weeden, visit him at www.phillyweeden.com