“I’m a writer, first…”
Those are the words Kelly chooses to describe herself, her talent. When you listen, closely, to her songs, it’s evident that she writes and sings from her soul. It’s a place she’s come to know quite well. “Music saved my life,” she says. “Writing has been like therapy; it’s the most incredible gift.”
At this juncture, Kelly Price has learned to loosen the reins on her creativity. Sure, she still reaches for a pen-and-pad and rattles off lyrics into her Dictaphone, but she’s also learning to be more patient, allowing the songs to reveal themselves. Sometimes, the words will come. Other times, she’ll hear the song as a fully-orchestrated composition. Either way, the results of her efforts are illustrated beautifully, truthfully, on her new album entitled, simply, Kelly.
Leading the album out of the gate is the spirited single, “Tired.” Produced by Shep Crawford and inspired by a creative heart-to-heart she shared with fellow musician and past collaborator, R. Kelly, the song sheds light on the social ills that not only cause her distress, but also seem to be plaguing our world community. Even before she starts running down the list of things that consume her thoughts – from guilty feelings and broken dreams to baby mommas and ghetto dramas – you’ll know where she’s heading from the opening verse…
there’s a hole in my heart,
my soul is bleeding
I need to free my mind,
and say what I’m feeling
‘cause Lord knows...I’m tired.
On the touching ballad, “I’m Sorry (My Apology),” also produced by Crawford, Price sings of the freedom that comes from practicing the art of forgiveness. The song takes off where her gospel hit, “Healing,” left off four years earlier. “We always hear about why it’s important to forgive other people, but so many times we continue to punish ourselves for [having made] bad decisions,” she notes. “I believe that God is displeased when we’re so hard on ourselves.” When she closes with, I wrote this song to say that I love me…and I forgive me, perhaps you’ll consider releasing some of your past shame. That was her intention.
Speaking of letting go, she joined forces with Warryn Campbell to create the ever-candid testimonial, “The Rain.” Originally slated for inclusion on the motion picture soundtrack for the Oscar-nominated film, Precious, Price later snagged the song for herself. Having weathered her share of personal storms – think family tensions, homelessness, molestation, body image issues and teenage pregnancy – the lyrics were drawn from her strength and ability to overcome.
Other signature titles on “Kelly” include
“Get Right or Get Left” and “A Little Something, Something.” both of which remind you of the ballads of yesteryear, then there is the groove infused mid-tempo “Feels So Good” and the lighter uptempo flow of the Warryn Campbell produced “And U Don’t Stop.” It’s a new direction for Price and she seems to like it. “I love a good, party record, but I still feel like I need to sing it. Uptempos have been challenging for me in the past because I knew that nobody would believe me singing ‘bubble gum.’ I don’t believe me singing ‘bubble gum’,” she laughs, “but this song worked.
The second of three daughters, Price was raised in Queens, New York, in the church. That’s where her musical roots were planted, and tended to, early on. It’s where, as a two-year-old, she began singing in the children’s choir, where she sang her first solo at three and was fittingly-blessed with the moniker, Little Mahalia, a nickname given to Kellly by the teachers in elementary school after hearing her sing the first time. She’d go on to write her first song at seven and belt out her first solo in the adult choir and sing on her first studio recording all before her 10th birthday. “I grew up in a family full of singers and musicians everybody in my family wrote songs and played one or more instruments, everyone could sing and we are all self taught, no formal lessons or musical education other than what has been past on from one generation to the next”. Price, whose “strict, old school Pentecostal” upbringing restricted her from wearing jewelry, make-up and pants (long skirts were the preference). But like most creative spirits, Price was destined to soar far beyond her point of origin. And so, she has.
1998 saw the release of her double-platinum debut, Soul of a Woman, which featured the record-breaking single, “Friend of Mine.” The song made history as the first to garner the #1 spot on the singles chart without an accompanying video clip, a rare feat during the era when music videos were the driving force of popular culture. She returned to center stage three years later with the platinum-plus seller, Mirror, Mirror, led by her remake of the R&B classic, “As We Lay,” and followed up with the gold-selling holiday collection, One Family: A Christmas Album in 2001. Three years after releasing Priceless, she returned to her roots for This Is Whom I Am, a live gospel album recorded at her church home in Long Island. The album included the uplifting single, “Healing,” which not only reached the top of the gospel charts, but was also credited and awarded at the 2007 ASCAP Awards as one of the top five songs played across both R&B and Gospel genres during 2006.
Along her journey, she’s collaborated with the likes of Mariah Carey, George Michael, Elton John, The Isley Brothers, Brian McKnight and Sean “Diddy” Combs as well as Faith Evans, Whitney Houston, Donnie McClurkin, Eric Clapton, the late James Brown, Shirley Murdock. She’s also expanded her reach as a model for Lane Bryant and Ashley Stewart and taken her talents to the screen and stage with roles in Soul Food, the series, Bringing Down the House and the stage plays Why Did I Get Married? and The Bible Experience. In 2005, she added the title of ‘self-published author’ to her resume with the release of the inspirational tome, Inscriptions of My Heart. The audio book is currently in the works.
For this new musical offering Kelly departed from the “machine” of the major labels where artists and their visions can often be sacrificed or lost. Instead Ms Price chose to do it her way and forged a musical partnership with Producer Warryn Campbell whose start up label My Block Records was just forming. A conversation led to a joint venture and the joint venture led to “KELLY”, a body of work that Ms Price calls her best yet.
There’s no denying that music is where Kelly Price’s heart resides, always. With the release of Kelly, one might wonder what she hopes to accomplish this go ‘round. “When I was growing up, I’d put on a record and let it play until the needle lifted,” she remembers, fondly. “My goal for this project was to create a contemporary R&B album that you can listen to without skipping a single song, whether you’re cleaning the house or driving up the coast. Hopefully, I got it right…I think I did.”
[EXCLUSIVES][THE MAGAZINE] Faith20
Without a doubt, this has been the opportunity of a lifetime. On a humble, our love for Faith Evans and her musical legacy brought along the idea of commemorating her debut album, FAITH. As many of you know, this classic LP that changed the landscape of R&B music was released in 1995. The 20-year anniversary was August 29, 2015, so to commemorate this special album, we put together a special issue with #NothingButFaith! That's right, there's now an issue of Urban Grandstand Digital devoted to everything there is about Faith Evans' debut! In that issue, we had the amazing opportunities of catching up with some of the masterminds that worked together in putting this album together. We have exclusives with Prince Charles Alexander, Herb Middleton, and in the final hour, we caught up with Q. Parker from the R&B group 112. In the issue, we also talk about the singles that were released, as well as the remixes that resulted, and how the entire recording process went along. Access our Special Issue by clicking HERE!
Now, We're thrilled to present to you a super-exclusive interview with the lady of the hour! Yes, we have an exclusive with Faith Evans herself, and she gives us the rundown on the album, the process of putting it together, BIG's influence throughout the process, and so much more. You definitely don't want to miss this! Access FAITH20 by clicking HERE!
[FEATURES][VIDEO] Michael Colyar: Living the Dream
Comedian Michael Colyar is a true legend in the world of comedy. Not only has he conquered the world of comedy, but he's also an accomplished actor, entertainer, voiceover artist, and author. Many will remember Colyar winning the Grand Prize Championship on Star Search. Others remember him for his show-stopping performances on Def Comedy Jam. Colyar has done so much over the past 30 years of his career, ranging from small to large productions, and television shows to large-budget films. It was in 1994 that he introduced the world to "Showboat" in House Party 3. He's made many appearances on your favorites sitcoms and television shows, including Martin, The Hughleys, The Parkers, In the House, and The Bernie Mac Show. The world fell in love with him; yet again, as Buford in The Princess & The Frog. These projects are only a small glimpse into the things that he's done throughout his career. Colyar has given us his all throughout the years, and fans love him tremendously for that. That actually brings us to tonight. Colyar is here in Cleveland, performing a string of sets at The Cleveland Improv! Despite the number of things he continues to do in his time, he continues to thrive and flourish in the stand-up world. We had the opportunity to catch up with Mr. Colyar for a quick interview about tonight's performance, and everything he's got going on right now. One of the big things we aim to push here at Urban Grandstand is living your dream. There's nothing like following your heart and passion and doing what you love! We talk to Mr Colyar about that very thing, as it becomes clear that he is indeed living the dream!
[FEATURES] Alani Skye: Lights, Camera, Action
It’s always great to talk to an artist who genuinely takes their craft serious. So often, you run across artists who, quite frankly, just don’t get it. So is not the case for Alani Skye. She has worked hard as ever to break into this industry, and even harder not only to maintain, but build a solid career and reputation that would catapult her to superstardom. As they often say for many artists, her time is now. Her songs are resonating with fans in a way that has become therapeutic for many. Whether some realize it or now, we haven’t had many artists like that in recent years.
We talk all the time about originality in music, yet, many artists lack it in so many ways. Everyone is out to make it by any means necessary, and in the process, they lose their ability to connect with the audience. Seemingly, Alani Skye has mastered her technique, and she’s relating very well with her audience. She currently has a strong buzz building for herself, which is why we’re even more excited to sit and talk with her. I honestly feel like she’s going to be the next big thing in music, and it’s truly an honor to present her story to you. Her takeover has started, and it’s time for the world of music to take full notice! Lights! Camera! Action!!
UGDigital: Thank you so much for your time and for giving me the opportunity to talk with you. I think you’re a steal, and you’re going to do some very positive things in music. Have you heard that all before?
Alani Skye: God bless your heart. I look at this as an opportunity as well. I ran into someone the other day grocery shopping, and he knew my mom. He ran up to me, and it made me feel like this is what I’m supposed to be doing. He said “Can I hug you? You’re next. I see you on BET”. I was just like God bless you. It’s a blessing when other people see it in you. That’s what I see for myself.
UGDigital: It’s funny you say BET because when I first listened, the first thing I said was if 106 and Park was still out here, you would blow through the roof. I think “No Love, No More” is a strong track, and there’s something about the overall maturity in your voice and your lyrics that I think people are looking for. I really want you to talk about No Love, No More, your aim, and what you wanted to get out of it.
Alani Skye: First off, I say shout out to Chubb in North Carolina. He produced the beat, and my producer Sepp Herbert produced the record. I co-wrote on that record, and my man Ocie was a writer on that record. We’ve been writing together for a few months, and he produced my single before that. He liked the beat before I did. I was just skipping through the beats, and he said let’s go back. He started writing to it, and I threw some things in. I thought it was important for that type off track because not only had I been through a situation, but I have sisters and brothers. I knew it would touch a lot of people. People get so caught up in things like Love & Hip Hop, and these reality shows, and it’s all that ghetto love. It’s not real.
UGDigital: Like you said, to piggyback, people get caught up in the reality shows for sure, and they’re not truly getting the reality.
Right. So honestly, I’m my own worst critic. I didn’t expect it to Alani Skye: be as big as it was. I felt honored and blessed for all the love and support not only in my home town, but everywhere else. You know, I got my own Pandora station (laughing). I’m still tripping. I have a two year old, and she knows the song verbatim. We listen to Pandora all day long in the car. Every time I hear it, I still get excited. It doesn’t get old to me, and that’s what I’m trying to do with my music. I want to make timeless music. I still get the bubble guts, and I get excited to perform it, and it is a dope track. I’m grateful for everyone who took part in it.
UGDigital: That’s amazing, and the love you’re getting is something you’ll see a lot of. You’re coming from a genuine place, and that’s the result of being genuine. It’s relatable. It’s the same thing a lot of people go through, but they just don’t talk about it.
Alani Skye: You’re right, and that’s my thing. I want to make music people can relate to, and I want to tell the truth. You’re right, it does come from a genuine place and that’s why people will feel where I come from. They’ll hear the hurt when I’m hurting, and when I’m happy, they can relate to that too.
UGDigital: That’s the thing that makes you similar to the likes of Mary J. Blige. I know she’s been a tremendous influence for you. In what ways have she, and others like some of your other influences like the late Aaliyah and others inspired you to shape who you are?
Alani Skye: With Mary, I feel like we came from the same place. Even though I was a baby, this is what I heard my mother and aunts playing. I grew with her, and watched her growth. No matter how young I was, I was always involved in music. I watched her whole transition. Even though my music is just now coming out, I’ve been singing and transitioning myself. I’ve grown a lot and my music has changed over the years. She influenced me a lot because I feel like we come from the same place. We have that soul and that pain in our verse. Neither one of us are dancers, but we’ll tear that stage up, as if we were rappers. I learned that from Mary. I watched her, and she gets on that stage and does her one-two. I learned that from her.
UGDigital: So many people have talked about that with Mary. I’ve heard for so long that she’s not a dancer, but any time I see her perform “I Love You” from My Life, I swear I feel like she is killing it. She will tear the stage up and doesn’t care.
Alani Skye: Absolutely.
UGDigital: Now, I’ve listened to your other tracks as well. One of the tracks I really like is Dear Love. Who was that about?
Alani Skye: It actually wasn’t to a person. I wanted it to seem that way, but I was talking to Love. It was more about the word, the action, and what love has done to me. Me loving too hard, whether it was family, a guy, or my best friend, and feeling stupid behind love because I made dumb decisions based on my feelings of love and them not loving me back. Just love period, like, damn I hate you love. It makes us do some foolish things. I was talking about Love. I was with my manager, and said “wouldn’t it be cool to write a song about love”. I had a couple of family members who were asking if that was how I truly felt about love. At the time, yes. I didn’t really understand love. I didn’t have my baby yet so I didn’t understand what true love was. So at the time, it was like screw love. I want this money and this check. Who needs love? That was where that came from.
UGDigital: That’s the thing that separates you from the rest. It’s the way you write and take on topics. I love that song, and a lot of people can relate to that. It’s how many feel, but they don’t necessarily know how to express it.
Alani Skye: That’s my thing. I always want to be as honest as ;possible.. I always want to be the person and be that voice. I’ll say things that people won’t. I want to be that voice.
UGDigital: So what’s the next step in terms of albums?
Alani Skye: I’m actually in the studio now working on an EP in hopes to have it released early next year. We’ve been working over the course of the year. We have about 16 songs but we want the best of the best. It will have 7 songs, and we kind of have them picked out already. Some I recorded already, and some need to be re-recorded. Some we haven’t done anything yet.
UGDigital: Are there people you’re looking to work with?
Alani Skye: Right now, and I’m not even trying to be cocky or nothing (laughing), but right now it’s all about me. There’s a few industry people …. I’ve always said Travis McCoy. I’ve always wanted to do a song with Travis McCoy from Gym Class Heroes. I haven’t heard anything from him recently, so I hope all is well with him. I definitely want to work with him. Not really any local artists right now. I just want to get my music out and show everybody what I can do. There’s producers I want to work with as well. There’s this guy Peanut who is out of Ohio. He has worked with Jill Scott and Boyz II Men. He produced 4 of the songs that will be on my EP.
UGDigital: Now you come from a musical family?
Alani Skye: Yep, my mother was in a Rhythm & Blues band when I was a really small kid, and I used to get up on stage with her. When I was 11, she decided to only sing gospel music. She and her sister-in-law were in a band together. They left the band together and started a gospel quartet. My mom still sings in a gospel quartet. Sometimes, I still go to my mother for music advice. If I write a song she may be the first to hear it. I’ll ask what she thinks. Sometimes I go to her for performance advice. I think it makes her feel real good and it helps me. Sometimes, people say I have her gift, but she says I have my own gift. my father, he thinks he can sing. He thinks he’s one of the Whispers (laughing). My mom has been super supportive in me deciding to be serious and go hard with this music. She had a little run, but didn’t go as far as she thinks she could have. Now it’s my time, and she is super supportive and wants me to go all the way.
UGDigital: I was going to say the support would have to be bigger from your mom, simply because she knows the business and has been a part of it. There’s a lot of ways for her to support because she’s been in this business.
Alani Skye: Absolutely. Even more, she’s grateful. She didn’t have the people that I have in my corner. She’s grateful that I linked with a great team Shout out to Fefe entertainment. I have a great manager and producer. We get on each other’s nerves, but we’re like family, and want the best for each other. They want the best for me. Sometimes, I feel like they’re being hard on me, but it’s all tough love. I have a super supportive team. That’s what keeps the grind going and keeps me motivated.
UGDigital: And I think that’s what you need, in terms of having a team. You need people who will be honest with you, and always be in your corner. There’s a lot going on outside of music. You’re a mother, above all things, so you have to have that support system. I think it’s good that you have that. I think it will help in terms of how far you go with your career. I’m looking forward to more from you. With the EP coming hopefully at the top of next year, what else can we look out for? Will there be more hitting ReverbNation and Soundcloud?
Alani Skye: Yes, things will always go on there. We also have Fefeentertainment.com/Alaniskye. I have a page on Facebook that people can follow, I have my Twitter, and Instagram. My video for “No Love, No More” was released. It’s my first video, and was shot by Ozzie in Manhattan. I had so much fun, and I can not wait to share it with everyone. I have some local performances coming up really soon. It’s business as usual.
UGDigital: We would love to run the video as well. We’ll definitely get it up. Any final words of encouragement for final words in general?
Alani Skye: I come from a small town, and it’s a lot of talent where I come from. My thing is never to give up. Sometimes, it takes for you to run into the right person. I’ve been patient, and now it seems like things are really starting to happen. God is so good, and I will not stop. This is just the beginning. I just want to thank Sepp Herbert, my producer. Also my manager James Austin. I’m ready to work. Sky is the limit.
[ARTIST] Alani Skye
Growing up, Alani was constantly surrounded by music. She always looked forward to being backstage and watching her mother perform with her band. As she got older, her mother began to bring her on stage. Alani embraced the comfort of the stage and now it is her turn to be in the spotlight.
As early as age 7, Alani Skye began to write songs and would entertain her family with her talents. Like most young aspiring singers, she joined the children’s choir at church. The desires to be an artist led her to record her first song by 13. Soon after that, she and a few friends formed an all-girl group called “Set It Off”. During high school, she moved to Florida and continued worked to expand her career.
Alani knew that it was important to write and record as she tried to figure out who she would be as a solo artist. Unfortunately upon return to Syracuse, things took a turn for the worst. Surrounded by death and violence, Alani found herself caught up within her environment. And although her trouble and pain led her to dark place in life, she found her solace in music and never stop believing in her calling.
Growing up, like most young singers, Alani Skye was influenced by some of the greats such as: Lauryn Hill, Mariah Carey, and the late Aaliyah, but the one she admired the most was Mary J Blige. Alani could identify with the message within the queen of Hip Hop Soul and her music and the personal transformation throughout the years.
Alani Skye is primed to bring her talents to an audience that is hungry for the return of great music. With the renewed success of Ms. Jennifer Hudson and the talented Tamar Braxton, Alani Skye will be a shining star of today’s new generation of music.
Remember, believing in yourself is all it takes..... There is no need to remind ALANI.... SKY IS THE LIMIT....
[ARTIST] Anthony David
In a time where genres and categories bleed into one another and morph into new hybrids, there will always be a space for the pure singer/songwriter who can address real life emotions in real time. Men will always need someone to express their emotive side, and women will always need to hear it. Humans will always need to feel, and artists are here to identify those feelings and paint pictures of sound with them. Since the release of his first album in 2004, Anthony David has consistently been the man for that job, and has continually pushed forward and expanded.
Raised in Savannah GA, Anthony made the move to ATL, and hit the ground running in the local music scene. He found a long time friend and music collaborator in a then unknown India Arie, and became a part of her success. Writing and producing on her first 3 albums yielded grammies and numerous other awards, while he also toured singing backup for her. Arie pushed him to the front by her 2nd tour, having Anthony open up for her across the country, which led to a deal with Local Independent label, BRASH MUSIC.
At BRASH, David wrote and co produced 2 critically acclaimed albums, “3 chords and the truth” and “Red Clay Chronicles”, which also secured deals in Europe (Dome Records) and Japan (Village Again), leading Anthony to tour worldwide several times over, making new fans along the way. The acclaim prompted Universal Republic record to get involved, compiling the best songs from the two indie albums, repackaging them as ACEY DUECY. The added exposure took the single “Words”, a duet with Arie to chart placement, and nomination for a GRAMMY in ’08. It was also the album that exposed the First lady, Michelle Obama, to Anthony’s talent, who then brought him to the attention of the President himself, Barack Obama, who name checked Anthony as a constant on his iPod.
For the next album, “As above, so below” David inked a deal with E1/Purpose records and travelled to Nashville to work with producer Shannon Sanders. They produced Anthony’s best record to date, pushing the boundaries, and expanding on what people have come to expect from R&B. Taking on political topics (Reach Ya), Religious (God Said), with his trademark storytelling (Backstreet) still in tow, and razor sharp. The leading single, “4evermore” stormed the radio and gave Anthony his first #1 record, while the reggae/latin tinged “Body Language” tore up dance floors all across the UK. A tour to Kenya, inspired Anthony to become a part of the “Give Africa Hope” campaign that brought awareness to the East Africa famine. During that period, David wrote and released3 new songs along with remixes from “As Above, so below”, shooting the video in Kenya for the title track “#Locationlocationlocation”. The tune was a homage to Carl Sagan’s “pale blue dot” and also a plea to share the resources of the planet. He also got intimately involved with AWOL (All Walks of life) an arts program for children back in his hometown of Savannah, pushing to get it established in Atlanta by 2013.
Currently in production for his fourth studio album, titled “Love Out Loud”, Anthony David constantly pushes the boundaries, and broadens peoples expectation from both him, and the community he represents. “I’ve never been one to shy away from titles, boxes, whatever you wanna call em, but I will EXPAND those boxes” is a quote that Anthony lives by. From day one it’s always been about consistency for David, and he continues to provide what people expect from him in as many ways as he is able. Raw, honest, pure, music from and for the soul.
[ARTIST] Algebra Blessett
On Recovery, her Purpose Music Group/eOne Music debut and second full- length album, the soulful songstress known as Algebra Blessett delivers a consistently sublime set that showcases the remarkable vocal and songwriting gifts that have already established the versatile, charismatic artist as one of R&B's hottest rising performers.
Born Algebra Felicia Blessett and hailing from the R&B hotbed of Atlanta, Algebra has already earned a reputation as one of her hometown's most exciting new talents. Having already won widespread acclaim with her solo debut Purpose, and for her work as collaborator with the likes of Monica, Bilal, India.Arie, Esperanza Spalding and Anthony David, Algebra offers a fresh, expansive creative vision on Recovery, on which she worked with three of today's hottest urban producers: Bryan-Michael Cox, Kwamé Holland and Shannon Sanders.
Such indelible new self-penned tunes as "Nobody But You," "Right Next to You" and the pointed "Writer's Block" demonstrate Algebra's uncanny ability to spin insightful scenarios that are rooted in personal experience and crafted to convey maximum musical and emotional impact. Whether she's delivering infectious pop, swaggering funk or sensitive balladry, there are no gimmicks here, just timelessly soulful, effortlessly accessible music that draws upon the varied musical skills that Blessett has developed through a lifetime of creative curiosity.
"My first album was a group of songs that I'd collected along the way, and it was me saying 'This is what I do,'" Blessett explains. "But I wanted this one to be the next level musically. I called it Recovery because I'm a sucker for heartache and pain, but I also believe in going through the process to get to where you need to be. I don't want to make anybody jump off a bridge, but I also understand that there's more to life than gallivanting around like butterflies. So I feel some responsibility to put my experiences out there in a way that's relatable to people's lives."
Algebra grew up steeped in music, in a religious family with multi-generational roots in gospel music; her mother was a minister and gospel singer who also played bass and guitar. Yet she initially resisted the urge to pursue music herself, despite singing in a gospel choir while still in elementary school. Although she had originally wanted to attend the prestigious Atlanta School of the Performing Arts to become a professional dancer, she was accepted after auditioning with a song.
[FEATURES][REALITY] Cyrene Tankard: In a World of Her Own
Gracing the cover of this new issue of UG Digital Mag is none other the beautiful and talented reality star, Cyrene Tankard. Having the opportunity of speaking with Cyrene is definitely a blessing for us, and has resulted in a great story.
Through this piece, the world will gain a first-hand glimpse at her newfound independence. Watching the first two seasons of the hit BravoTV reality show, Thicker Than Water, we watch Cyrene maneuver through her final years of high school, and we've seen her mature into a responsible adult.
Now, with the airing of Season 3, she's all grown up and on her own, attending Howard University. She talks openly with us about that transition into adulthood, how the show and her newfound celebrity status has affected her, the many things she has going on, and the very thing that makes her the most proud in her life right now. Given the overall focus of positivity here at UG Digital, Cyrene is perfect for this issue, and we're excited to present this exclusive to you!
UG Digital Mag: Thank you so much for this opportunity. It’s awesome to be able to connect, and get things out there in terms of what you have going on.
Cyrene Tankard: Thank you. I appreciate it.
UG Digital Mag: There’s so many people who can appreciate how you were portrayed with the show. Moreso, the relationships you have with family, and the that it’s not about money, and riches, but more about the love, and the lengths you all go through to show your love for each other. How important was it for you to be a part of this show and the movement that it represents?
Cyrene Tankard: The importance has grown for me. I was in high school when season one started, and I just wanted to get through high school. Once season two came along, and then having just wrapped up season three, I feel like I have a really amazing opportunity to influence young girls and guys, and older women and men, about the importance of family, and the roles they play within their own families.
UG Digital Mag: There was so much shown, and it all really revolved around family. I know that’s what people really appreciate about the show.
Cyrene Tankard: One thing that gets me excited and lets me know I’m on the right path is when people of all races and backgrounds come and say this helped me, or that changed my life, or I can really rate to this. I was never going to talk to this family member again, but because you addressed this, it gives me a reason and a positive example. That’s what warms my heart.
UG Digital Mag: So talk about the new season of Thicker Than Water!
Cyrene Tankard: There’s a lot to look forward to. We have a new addition to the Tankard family. We get to look at my life at Howard University, and my roll as I grow into a young woman, and how I’m maturing. You'll see how Marcus and Tish are with living in the house with their sub-family. You have Brooklyn with her newfound music career, and Britney is still figuring life out. There’s many different dynamics and angles, and there will be no moments of boredom. I can promise you that.
UG Digital Mag: Reality television has truly taken over, and obviously there’s many options, but more people are looking for that positivity that your family offers. I believe you all brought something to the table that isn’t found in many places.
Cyrene Tankard: That’s one of the things we take pride in, and we really pray about it as a family. Usually before and after our work days we pray as a family, and make sure everyone is level-headed and good. We want to continue to put that out there, and encourage positivity and love through whatever challenges that come up.
UG Digital Mag: Bringing the focus back to you, how have you been able to maintain and balance the newfound celebrity that has come as a result of the show, and now being out of the house and on your own?
Cyrene Tankard: Funny thing about it is that it's just now hitting me, and it continues daily. It’s just a change of mentality. I feel like that change of mentality came with maturity, and it came with the exposure that the television show has given me. Before, I may not have viewed things a certain way, or may not have viewed it as an opportunity. Now I feel like I have to seize every moment, or keep moving, progressing, and getting better. I take this whole opportunity as a way to get better and grow. It’s a platform. It’s like having a super-power, and it can be used for good or evil. I think this is God’s gift to me, and I can give it back to the world as I see it, and can matriculate and grow from “celebrity”, or influence. I have a responsibility to positively influence others. I look at it like I have their lives in my hands, and this is an important and critical time for me to hone in, and get right emotionally so that anything I give off can help them. I don’t want to demean others and influence anyone in a negative way.
UG Digital Mag: In what ways have you been able to use your celebrity to give back to other girls coming up, or people in general?
Cyrene Tankard: It takes my by surprise every time I go out, or I may be speaking on a panel or at an event. People may come up to me, or even on social media, they’ll say I’ve influenced them, or they look up to me. I’m able to speak life into their lives, speak positive things to them and let them know; I’m not the only one who can be a go-getter and make a difference. For me, it’s about spreading the love, and lifting others. That’s what matters most to me. I want people to know that because many times, people feel out of touch with celebrities. I’m literally a normal person who happens to be in television, that’s it (laughing). That’s really it. I tell people I love them the same way they love me. They give me motivation the same way I give them motivation. They are the reason I am what I am.
UG Digital Mag: A lot of celebrities lose that sense of reality though. It’s cool to speak to someone like yourself. Anytime I’ve seen you involved with things, you seem to have that sense of reality.
Cyrene Tankard: I’ve even had people on campus come up for pictures, or ask for advice. This is really me. I love you just as much as you love me. As far as others who lose touch, or looking at those celebrities I’ve formed a relationship with, my favorite would have to be Big Sean. He was super nice, laid back, and super chill. He made me feel super included, and it was all love. When I reach that level, that’s what I want to be. I want to leave people with a feeling. I would love to give money, but it’s nothing better than leaving people with that feeling, or an experience. They’ll remember that for a long time.
UG Digital Mag: What other goals and aspirations do you have outside of television?
Cyrene Tankard: I have a lot, and am in the process of doing a few things now. I’ve been dabbling in the modeling scene. I’m starting a blog soon, and we have some things going on with beauty and health. I actually have Ulcerative Colitis, so I’m really big about the whole health initiative and taking care of your body. We also have some things with fashion…
UG Digital Mag: I’m glad you mention fashion because I know you recently did some things with Women in Fashion...
Cyrene Tankard: Yea, I went out to New York and did a red carpet and soiree for Women in Fashion & Film. There were awesome people there. There were actresses, designers, and models. It was a great networking opportunity, and a great place to be around great people. No one was too good to talk to anyone. The industry is so small, and you start seeing the same faces everywhere you go. I think it’s another opportunity to strengthen relationships. My thing is how can we all win? What can I do for you? What connections do I have that you need, or vice versa? How are you innovative in a way that I’m not? I just look forward to learning from people, and it doesn’t matter where they are in life. I feel like you can learn something from everyone.
UG Digital Mag: What can we look out for in the near future aside from the show?
Cyrene Tankard: Definitely my blog, and I’ll make a lot of announcements via Instagram. I don’t want to give away too much right now, but I will be announcing things there. Look forward to a lot.
UG Digital Mag: As I said, I think it’s great what you’re doing, and people are looking forward to seeing what you have going on. Obviously, you were one of the youngest in the family, and you were like the baby. Now that you’ve come into your own, it’s good to see you’re going to school. I’m so huge on school, so I give kudos for that alone. A lot of people your age come into this type of success, and they opt not to go because they feel like they’ve made it.
Cyrene Tankard: Let me not lie to you. My parents were definitely big influences when it comes to going to school. There was definitely a time when I was like maybe not, but now I’m know I have to stay on track.
UG Digital Mag: But in the end, you still could have chosen not to go. There was clearly as piece of you that wanted to go.
Cyrene Tankard: Definitely! The college experience has been awesome for me. I’ve learned so much. I’ve actually learned how to learn (laughing). Some people just don’t know how, but you have to know how to educate yourself. I’ve become a really big reader; my intellect and vocabulary has grown. That’s something I would push kids to do. That’s an initiative I want to get on as well. You have to find something you connect with and read about it. It improves your mind, vocabulary, and it gives you more to talk about. It makes you a person of variety.
UG Digital Mag: That’s so true, and obviously, you want a degree, but it’s so much bigger than a degree. It’s about learning how to network, and building relationships. People aspire to get to the level you’re at, but things may bot jump off as quickly. They need to be in a position where they can meet others and network and build relationships, and the reality is college gives you that. You meet so many different types of people.
Cyrene Tankard: Right, so that has been my take away. Learning how to deal with people from different backgrounds, with different personalities, and if different origins. That’s beautiful to me.
UG Digital Mag: What are you most proud of about your path, or where you are now, versus where you started?
Cyrene Tankard: My confidence has grown tremendously. My mentality has grown and matured like I never would have expected, especially at this age. Between having more confidence, and the experiences I’ve had, and landing my job at the production company that produces our show, that has been a dope experience. Learning how to connect with people and network, I’m proud of myself for that. I can be closed off at times. Opening up has been big for me. That’s not a tangible trophy, but it has gotten me a lot further in life.
UG Digital Mag: In reality that is huge. I was the same way, and at times can still be that way, so I can relate. Even as much as I run my mouth now, there’s still times where I don’t want to be bothered with certain things. So I get it.
Cyrene Tankard: Having other people see my progression, I love it. That, to me, is so big, and it makes me happy.
UG Digital Mag: As I said, I see the growth, and there’s so many who are proud of your direction. There’s so much you’ve been able to do, and people you’ve been able to help. What final comments do you have?
Cyrene Tankard: I just want to encourage everyone to keep pushing. These are trying times, and with so many things going on, I just want to encourage everyone. Maximize on the good things happening. Instead of asking people what’s wrong, as what’s right. It’s so easy to get down and stay down, so let’s change the motion. Let’s change society, and it starts with just one of us talking about it. Word of mouth is powerful, and I believe in the power of the mouth. I say what’s right today. Life can be great. Customize your experience.
[FEATURES] Slum Village: The Yes! Exclusive
What an amazing opportunity it was to reconnect with Slum Village! We had the opportunity of running a campaign with Slum back with the release of Detroit Deli. More than ten years have passed since that time, and a the commonality is a lot has changed on both ends. Obviously, we're UGD now, and following a series of unforeseeable changes, they have re-sculpted the brand that they worked so diligently to build over the past fifteen years!
A lot is going on for T3, Young RJ & Illa J these days. They are on the heels of releasing their new album "Yes!", which will be available to the world in just few short days. Led by the singles "Expressive" and "Right Back" which features De La Soul, things are looking pretty good for the trio.
Much of our conversation involved us just catching up and rehashing the legacy they've built throughout the years, but they definitely shed light on a few things, including why it was so important that they continue to keep the legacy of J Dilla alive, the changes they've seen in the industry in their years here, and just what they like most about the new age. Most importantly, they give us the full rundown on what to expect from "Yes!"....
Urban Grandstand Digital: I really appreciate you guys for your time today. Obviously, we just set everything up yesterday, and the new album is coming. I’m loving the new single, as is most people, but I’m grateful for you. It’s been probably ten years since I spoke with you guys. We did a pretty big campaign for Detroit Deli, but this is good. There’s been so many changes within the group, most uncontrollable, and J Dilla was such a huge part. The new single was produced by him, right?
Slum Village: Yes, it was…
Urban Grandstand Digital: There’s a lot to be said about that. Obviously, your loyalty has remained strong, and you clearly have lots of timeless material with him. Why was it so important for Right Back” to be out there?
Slum Village: This really is like a throwback album. We had beats we were working with in the past, and we felt like it was time now. We wanted to bring it all back full circle, with some Baatin lyrics, and Dilla rhymes and beats, and the new stuff with J, and mix it all together. You know, I think good music is good music. It still sounds like a great record. Initially, I wrote a verse and sent it to De La, and then Posdnuos sent his verse back. once I heard it verse, I wanted to tell a more in-depth story, and that’s why we decided to do that record. Beat wise, it’s a classic Dilla beat that people never heard from the archives. It was a timeless record.
Urban Grandstand Digital: How much is left from Dilla, in terms of archives?
Slum Village: We got some stuff. We got beats here and there because we have so much history. We have some early slum stuff, quite a few records.
Urban Grandstand Digital: What has kept you guys out here? Obviously people know of you, and they’re still checking for you, but being realistic in it all, it’s been 16 years now. Time has passed, and when that happens, people don’t necessarily check anymore.
Slum Village: That’s true, but I think it’s because we’re consistent. We’ve done an album almost every two years. We’re always working because we do what we love, and love what we do. That’s the main part of it. I think if you do that, it works. I think sometimes people do music for the wrong reasons.
Urban Grandstand Digital: I actually want to make sure we highlight that comment as well, because that’s something we push and promote, which is people doing what they love to do and following their passion and dreams. When you do that, you can’t go wrong.
Slum Village: I don’t think you can go wrong. People get lost in the sauce though, and do music for the wrong reasons. This si my passion, so I did it for that reason. It’s hard for a lot of people to find their passion. I was lucky enough to find mine early in my career, and I stuck to it.
Urban Grandstand Digital: In terms of the new material, do you sense any difficulty in promoting, and continuing to build the fanbase while holding on to the original fanbase?
Slum Village: I think it’s just beginning to merge back. We had a few situations where we lost members, and things happened. By continuing to put out music, we gained new fans, and now I feel like some of the old fans are coming back and recognizing the consistency. The foundation hasn’t really changed. I been there since the beginning, and Young RJ has been there since the beginning, but behind the scenes. It ain’t like there’s people who was never affiliated.
Urban Grandstand Digital: Exactly. There’s a lot of people too who don’t realize that Young RJ has been there since the beginning.
Slum Village: Right, but it’s a learning process too. Back in the day, people used to read the notes on the album, and I think you have to purchase them now to know who did what.
Urban Grandstand Digital: Right, you don’t get the liner notes anymore.
Slum Village: ...and if you did, people wouldn’t read it anymore.
Urban Grandstand Digital: It’s crazy though, because I was one that faithfully read the liner notes on cds when I bought them.
Slum Village: I think that now, people only know by seeing the consistency. Sometimes, it takes some longer than others.
Urban Grandstand Digital: You’ve mentioned consistency more than once now, and I think that is what has kept you guys there. You’re doing good music for the world, and the new single, again, a lot of people will appreciate the fact that you connected with De La Soul. It’s keeping that era of good music alive and in the forefront. So many people don’t know they’re history. I still play 3 feet High & Rising, so I definitely appreciate hearing you guys with them
Slum Village: Right, and I mean, those are guys that we admire musically, and of course they’re good friends. When we get a chance to bring a record together, we do it and it sounds good. We love those guys.
Urban Grandstand Digital: So right back is doing pretty good. What else can we look for?
Slum Village: We got some more singles dropping. Our next single will be with Bilal, on another Dilla track.
Urban Grandstand Digital: Man, I haven’t heard from him in a while either.
Slum Village: Right, that’s our next single. He’s been doing his thing. He did his thing on the Kendrick album, and he just dropped his record. We have a video coming for that single. We’ve got some more records, and we’ll shoot some videos. We’re also going to Europe next month. We’re just working, and keeping it moving.
Urban Grandstand Digital: Did you guys work with Dwele at all?
Slum Village: No we didn’t, we actually worked with BJ the Chicago Kid on this album, but we’ve got so many records with Dwele.
Urban Grandstand Digital: Honestly though, that’s what a lot of people love about your brand though.
Slum Village: Dwele is a very super talented artist, and still our homie, but not on this album. Maybe on a remix though. That’s definitely our family though.
Urban Grandstand Digital: What else is happening? Obviously, this album is enough, but anything else?
Slum Village: RJ may drop a beat album, and then we may do some albums next year. We’re just working. We’re building new groups, Rosewood 2055, a new group we’re working with, and we’re keeping the brand and legacy going.
Urban Grandstand Digital: What are the biggest differences you see in the industry now, vs ten and fifteen years ago?
Slum Village: It’s harder now. It;s more music and harder to get noticed. There’s so much riff raft before you get to the good stuff. Back in the day, if a guy had made it to the studio, nine times out of ten he had worked on his craft for so long that he was decent. Now, you wake up today and wasn’t to rap, and you’re on youtube by the night.
Urban Grandstand Digital: You hit the nail right on the head. You have a lot of people who post a youtube video and it’s viral. There no longer is the factor where you really had to bust your ass to get a deal or get someone to notice. People sign you just like that now, so it becomes more difficult to weed through the garbage.
Slum Village: It’s definitely more difficult, but what I do like about the new age is the business sense. People really handle their business now so if they do pop, they know what to do. Thats a plus for the new generation.
Urban Grandstand Digital: Any final comments at all?
Slum Village: Just expect a lot of great things from Slum beyond music. We’re always rapping Dilla and Baatin. We want people to know that, and to know that we embrace this Detroit culture that we are a part of.
[FEATURES] [REALITY] Chante Moore: Moore is Moore
We’ve seen more of Chante Moore in the past year than ever before. Obviously, much of that is because of her involvement in the Los Angeles installment of R&B Divas, but she’s also riding high on the success of her latest musical offering, “Moore is More”. Released via Shanachie Records, the album has faired well among Chante’s steadily-growing fanbase, and R&B fans alike. We recently had an opportunity to speak with Chante regarding the new release, her foray into reality television and involvement in R&B Divas, and just what fans can expect when they see her here in Cleveland with Charlie Wilson.
Urban Grandstand: Thank you so much for taking the time out this afternoon. Obviously, you’re here in Cleveland soon. What is your connection here, having performed in the city so many times?
Chante Moore: It’s always good, which I guess is why they always ask me to come back.
Urban Grandstand: Your new album; kudos to you. I’m loving it, and can really appreciate the maturity that you bring to the table, especially with “Cry Me A River”. How was it putting that together?
Chante Moore: I love it. Barbara Streisand is one of my favorite people in the whole world, and that was one of my favorite renditions that she did, which was why I chose the song. It’s paying homage to her, but it also sits with the theme of the record, which is having ups and downs. You have to finally get to a point where you say “I did It”, and go ahead and cry me a river. I’ve cried one over you already.
Urban Grandstand: What has been your favorite tune, or what have you gotten the biggest buzz from with this new album?
Chante Moore: Well, we’re only on the second single. “I Want You” is a very special song. I sang it around the world before it was even recorded. We all have a relationship with the Lord and want to please him. That’s what the song is about. Having love horizontaly, and knowing most of all, I want Jesus.
Urban Grandstand: It’s great that it was also feature of the Divas of LA. I, as well as a lot of others, can really appreciate your role on the series. I think there’s just a lot of ruckus that you see in the show, and it goes against expectations of how you think people will take advantage of the opportunity. Not necessarily with this particular franchise, but just reality shows in general. You presented yourself in a good light. What was the biggest thing you wanted to get out of it?
Chante Moore: Well it is to be afraid of, especially if the integrity of the cast, or crew, is not in the place that it should be. I think the producers displayed us exactly as we were, and in the end, it all settled out to a great place. We got to do the Divalogues and talk about who we really were, and that’s the most important part. We’re triumphant. There’s going to be trials no matter what you do. It’s not always going to be smooth sailing, but I’m happy we all got more exposure musically, and people realize who we are and get more of a glimpse of who we are as people and not just as musicians.
Urban Grandstand: You mention the Divalogues. I really enjoyed, and have watched it multiple times. Do you feel like you were able to get everything out?
Chante Moore: There was more that you didn’t really get to see. Because of the time, there was a lot more to be said. I feel like the theme and the vein we moved in, which was there’s hard times for all of us, and we’re human. Even though we do something extraordinary for a living, we’re just human like you. We go through things that take us to the brink of depression, but we’re all triumphant and we overcome the negative things that happen to us.
Urban Grandstand: What can you say about your show, obviously without giving too much away?
Chante Moore: I’m doing songs from all of the albums. We’re going to have fun. No worries at all, and I’m singing as many songs as I can.
[REVIEWS] Lil' Wayne: FWA [Free Weezy Album]
Following a few month in obscurity, likely because of pending troubles with Cash Money Records, Lil' Wayne has resurfaced with his latest mixtape, "Free Weezy Album". Released via Tidal, the album features 15 new tracks, and is available for streaming via the service.
Starting off with the upbeat "I Feel Good", which samples James Brown's classic of the same title, the entire album bangs. I think in so many ways, Wayne had grown a little complacent throughout the years, and much of his material began to sound the same, but he's definitely gotten off on a good foot with "Free Weezy Album". His talent has always been undeniable, and with this album, he shows the world that despite the troubles he may be having on the musical home front, he can still produce a solid product, which is only a testament to the work that also has been done with Young Money.
The album features guest appearances from Jake Troth, Hoodybaby, Cory Gunz, Junior Reed, Jeezy, Wiz Khalifa, and a host of others. From tracks like Post Bail Bailin and Glory to White Girl and Pull Up featuring Euro, fans will definitely be pleased with Free Weezy Album.
[REVIEWS] Stalley: The Laughing Introvert
In the short time that Stalley has been doing music, he's released a number of joint, collaborative, and solo projects. This week, he's back with his new mixtape, The Laughing Introvert. I have to say I'm pretty impressed with "Introvert", as he's showcasing his lyrical growth. I think despite the fact he has done so much, he's still been in that building phase where he's still developing his style, and building his fanbase. Stalley has an immense amount of talent in his lyrical abilities, but when coupled with different producers, some tracks have failed to hit the mark with past releases. Producers on "Introvert" include Thelonius Martin, who has provided production work for the likes of A$AP Rocky, Action Bronson, Curren$y, and a long list of others, and Black Diamond, who regularly produces for Stalley along with a list of other artists. I think every artist has a certain sound they deliver best with, and they have certain producers they work best with. I think he works better with Thelonius and Black Diamond, and the proof is in this album. Fans will definitely be pleased with "Introvert".
Click below to listen to streamed tracks from "Introvert"....
2. All I Know
3. Nissan Skyline featuring PJK
5. Voila
6. Playa Way
7. Stop Signs featuring Chris Turner & PJK
[REVIEWS] Jill Scott: Woman
Jill Scott has returned with her new release, Woman. As her first release under a newly attained deal with Atlantic Records, saying Woman was highly anticipated would be quite the understatement. While fans have gotten somewhat accustomed to the long breaks between albums for Jill, it still can seem a bit unbearable, considering the quality we've also grown accustomed to. Truth is, Jill releases damned good music, and it's only a testament to her lengthy career. This year marks 15 years that we've been blessed with her soulfulness, so it’s only right she bless us with something on this anniversary.
So does Woman live up to expectations that have been set? I think that answer is an emphatic yes. Fans have come to love the realness of her music and how genuine she is in her delivery, and Jill stays true to her heart.
Woman jumps off with the Warren Campbell-Produced, spoken word-esque Wild Cookie, and follows right into “Prepared”, which I think is one of the albums hottest tracks. Prepared was produced by longtime Jill Scott collaborator Andre Harris, who actually provides much of the album’s backdrop. Other standouts on “Woman” include ‘Can’t Wait”, “Closure” which features production from David Banner over Curtis Mayfield’s “Get Down” and Graham Central Station’s “The Jam”, “Lighthouse”, “You Don’t Know”, and the album’s lead single “Fool’s Gold”.
Other producer throughout woman include Andrew ‘Pop” Wansel, who has produced in the past for the likes of Nicki Minaj, Alicia Keys, Trey Songz, and so many others, Philadelphia producer Steve Mckie, Adam Blackstone, who his known for his work with the likes of Nicki Minaj, and Adam Levine & The Voice, The Isley Brothers, Angie Stone, and more.
Jill definitely elevates us to the next level with Woman, providing solid production and well-written lyrics throughout. This release is sure to be at the top of the charts.
[REVIEWS] Big Grams
I'm excited to be writing about the new album from Big Grams. With only 7 tracks to cycle through on the album, it's by far one of the best albums I've heard in a while. For those who don't know, Big Grams combines Big Boi of Outkast with electronic rock duo Phantogram.
Big Boi, most known for his time as one half of Outkast, has built a name for himself that at this point has solidified him as a legend in this business. Given the quality in all he's released throughout he past 20+ years, everything he does catapults to unimaginable success. Phantogram are no strangers to the industry either. The group, consisting of members Sarah Barthel & Josh Carter, released their debut album in 2009. They were featured on three tracks from Big Boi's 2012 release, Vicious Lies and Dangerous Rumors. The connection has been there, and given their musical chemistry, it was only inevitable that they'd eventually collaborate more.
While they clearly aren't the first artists to collaborate ona full album, they're still taking things to the next level with Big Grams. The merging of sound in their differential styles is definitely needed in hip-hop. Admittedly, more artists are taking risks these days, but I think many will agree no one has done it to the degree of groups like Outkast. After all, he ushered in Janelle Monae, who has done so many positive things with her music for the urban genre. With Big Grams, Big Boi, Barthel and Carter are definitely stretching the lines of music and broadening the horizons. Much of the album's production is heralded by Phantogram, while Put It On Her is produced by 9th Wonder, and Drum Machine is produced by Skrillex. Born to Shine features an appearance from Run the Jewels, another hip-hop merger consisting this time of Killer Mike and El-P of The Weathermen and Company Flow.
I believe most fans, either of Big Boi or Phantogram, should be pleased with the album. Big's rhymes don't necessarily go as deep as most are used to, but I don't imagine that was the point with this EP. The point in my mind at this point is to introduce fans to the idea of them being a unit, and seeing where things can go. Even with this in mind, there definitely are standouts. Big goes for the gusto with Drum Machine, which also features Skrillex. For those who aren't familiar with Skrillex, this is only a piece of what he's capable of. Other potential favorites include the 9th Wonder provided Put It On Her, Lights On, and Born to Shine.
Overall, this is a release that should satisfy fans on either end of their spectrum. I, for one, am eagerly awaiting more from this collective.
[FEATURES] Grace Tartaglia
U.G. Digital Magazine: Thank you so much for taking time out in your schedule. We’ve been working to connect, and I’m so excited for all you have going on. What really interests me is how many huge and positive things you’re doing in fashion and beauty. How has it been going with establishing yourself?
Grace Tartaglia: Building the brand has been interesting. I first began as a technical person, showing people how to color hair and get better results. It was important for me because initially, I couldn’t even get a job. People said you needed clientele, but I couldn’t have that if I couldn’t get a job. I’ve always had faith in myself. I went off an opened my own salon. Within two years, a lot of people were coming in saying how good I was in coloring. They would ask if I wanted to teach, but I felt like I was too busy. Eventually, I agreed that if they could guarantee more education as I went along, I would do it. I remember sitting with the general manager, and he asked for my resume. I said “I don’t have a resume, I’m here to see what you could do for me”. He liked that spunk, and could guarantee me $3000 - $5000 of education a year. Revlon made me ready. I was given the access to create shows and build interest in the products. I was a crazy sales person. I would sell out to the point where distributors were running out of product. I was known as that girl who took the basic or technical info the manufacturers gave you, and formulate it into something understandable for the everyday hair dresser. About 3 years into Revlon, I was giving an award and the producer came out asking about me. They came over and gave me an interview. It turned out they were from Cityline. Cityline is Canada’s longest running television show. It’s equivalent to Good Morning America. It’s a very big deal. I’ve been on the show now for more than 20 years, and have done over 10,000 shows. We just got back from Paris where we shot the Revlon Style Master’s competition, which is a worldwide competition. Every year it gets bigger and bigger.
U.G. Digital Magazine: I think it’s amazing how you have turned this into an empire for yourself.
Grace Tartaglia: I love what I do, and have sisters who are doctors and lawyers. I was expected to go in that direction. I wanted to do something that made me happy, and I’ve been making people beautiful. It’s been a passion of mine. I take a look at a woman and know what she needs, and I make sure to translate it into something that’s beautiful for her. That’s what made me popular.
U.G. Digital Magazine: Why was it so important that you center this around that concept of making people beautiful?
Grace Tartaglia: I think I like to help people to better themselves. My friends have always been that way with me. I want to see other people take good care of themselves. It determines how well you do in the world. People are very judgmental. If I can give people the opportunity to put their best foot forward, they will ultimately do better in their lives. At the end of the day, everyone wants to be more sexy, more handsome, and more beautiful. Nobody say “no I don’t want to look good” (laughing).
U.G. Digital Magazine: I love your humor (laughing). I do think it’s great though. You’ve done so much in that area of Canada. Do you see it expanding outside of Canada?
Grace Tartaglia: I would love to see it happen. If I were in the states doing this many shows, it would be crazy. Canada doesn’t have the same population.
U.G. Digital Magazine: I would be good thing to bring here. You’re doing great things for people.
Grace Tartaglia: I would love that. My concept of how people show look and feel is organic. If you look good, you feel good. The next phase is to take my business into laser. So many great things are happening with laser. That’s my next thing that I really want to do.
U.G. Digital Magazine: There’s not a lot of people doing this to your extent.
Grace Tartaglia: That’s my next step. It should be running in 2017.
U.G. Digital Magazine: When I think of laser treatment, it seems that would be very costly.
Grace Tartaglia: Not at all. Certain things may be several hundred dollars, and the first time you do it, there’s an 85% success rate. We spend money on so many things that this would be very affordable. It’s cold laser as well, so it’s pretty safe.
U.G. Digital Magazine: That’s good to know in terms of safety.
Grace Tartaglia: Oh yes. You have to be well-trained. The company I work with is very well-trained. They already have 5 clinics running.
U.G. Digital Magazine: You’ve been doing television for 20 years. How would you tie that into the success of your new ventures?
Grace Tartaglia: For sure. Being on television, basically, it has pushed me into the success I want, as far as traveling, having my home, and so forth. I’m so grateful. People come from all over to see me.
U.G. Digital Magazine: I love everything you’re doing. You’re making such a big difference for so many people.
Grace Tartaglia: My purpose is to make every person I touch feel good and look and feel ten years younger. That’s the experience they will get with me.
U.G. Digital Magazine: Is there a timeline in regard to your next thing coming out?
Grace Tartaglia: I’m looking at January 2017 to have it up and running fully. It’s just a matter of getting it in and set up.
U.G. Digital Magazine: I have to make it a point to get there to see it all in action.
Grace Tartaglia: I would love that.
U.G. Digital Magazine: Where can people check you out online?
Grace Tartaglia: My Facebook is www.facebook.com/imagemakeover. Instagram is GraceTartaglia. The minute I put my name on it, things seemingly exploded. I did the most expensive haircut last year, worth $720,000.
U.G. Digital Magazine: I saw that. How did that come about?
Grace Tartaglia: I believe because of the notoriety I have, I was asked to be a part of a campaign devoted to cancer, called the “no hair selfie campaign”. I would be their spokesperson. Harley was the vice president of Deloitte. He requested me to cut his hair if he could raise $500,000, and he actually raised $720,000. I’m pretty lucky. I also translate runway styles into an everyday look.
U.G. Digital Magazine: People are really gravitating to you, but it’s because you’re organic and not forced.
Grace Tartaglia: That’s right. You have to be happy, and natural with yourself. To cross racial barriers, I don’t see anyone different than myself. My approach is like that, and my girlfriends and clients are from every walk of life. I don’t make color an issue, and everyone gets it.
U.G. Digital Magazine: They also look at your history, and you’ve done some amazing work.
Grace Tartaglia: For sure. They’re looking at everything.
U.G. Digital Magazine: Are there any final comments or words of encouragement?
Grace Tartaglia: I believe everything is image, and it’s one of the most important things we forget about. We have to give space to everyone. When people come in, I adjust myself to them. Everyone is special in their own way. I’m not trying to get people to live up to my ego. The most important thing is to try and create your best self, whether it’s in your mannerisms, or whatever. Everyday has to be better.
[FEATURES] Young Khalifa
To make it in this industry isn't necessarily as easy as one thinks. While it can seem like your favorite artist is an overnight success these days, such isn't really the case. For artists like Young Khalifa, it's definitely a steady grind for success. His grind is finally paying off, as he's part of The Get Lifted Tour with Snoopadelic, Country Boy, and Macshawn100! It all goes down tonight in London, Ontario.
We caught up with Young Khalifa to talk about this weekend's tour stop!
U.G. Digital Mag: What’s good with you man? You have a whole lot going on?
Young Khalifa: Oh my god, it’s crazy man. We’re getting ready for the big show with Snoop, Snoopadelic! Snoop D-O-Double-G, we’re getting LIT man..
U.G. Digital Mag: That has to be huge man, doing this with Snoop. What does that say for your career man? That’s so huge….
Young Khalifa: I’ve been doing this for 4 years seriously. It’s amazing and unbelievable.
U.G. Digital Mag: You’re seriousness, and the way you work is not even a question. Hands down, Snoop won’t work with anybody who is not serious.
Young Khalifa: I take it so serious. It’s my life and passion. Without music, I have nothing. I have to really push. I’m excited and humble. It’s amazing. It’s another stepping stone in my career. I’ve done shows with Meek Mill, A$AP Rocky, and I just want to be recognized for my hard work.
U.G. Digital Mag: That’s happening already, no question. Your positivity is truly awesome, and I see the passion you have. It’s definitely shining through!
Young Khalifa: With anything, you have to work hard. I try to help a lot of people around me, and I just want to succeed.
U.G. Digital Mag: You don’t hear that hunger so much anymore, so it’s really good to see it.
Young Khalifa: Man, I’m stressed out, running around like crazy to studios, and it’s crazy.
U.G. Digital Mag: But you have to admit, even with the stress, I’m sure you wouldn’t have it any other way.
Young Khalifa: Oh me, I live this. I love it, but it’s scary at the same time because I have had upsets, ups and downs, and so on.
U.G. Digital Mag: So what can we expect fro the show?
Young Khalifa: I used to be formerly known as YG. I did a show with Meek and it was LIT.
U.G. Digital Mag: I’m planning to hopefully be there man, and we’re rolling from Cleveland, so that should tell you how much we really dig your brand man. Are there other shows lined up as well?
Young Khalifa: With the shows, places out here is crazy and its hard. Snoop is a big boy, so we gotta make sure he’s OK, and in his zone. We’re gonna get LIT. I might do this song called King James, since you’re from Cleveland.
U.G. Digital Mag: That’s dope man. Where can everybody check you out online man?
Young Khalifa: I had a lot going on and I had to step back a little bit. My son was just born recently, so he takes a lot of my time. On Instagram, I’m at @youngkhalifa93, and then I’m on Soundcloud as well.
U.G. Digital Mag: We’re definitely following for sure man. We’re looking forward to the show too man. What’s the one thing you want your fans to know, especially the ones who can’t make it to the show?
Young Khalifa: For those who can’t make it, I wish you were there. I love having a crowd of friends and family, but you can always expect the nest from me. We will be taping the show and it’ll go up online.
U.G. Digital Mag: So then we can run it as well.
Young Khalifa: Definitely. We can all help each other. This world needs to united and be unified. People need to help one another. That’s the most important thing. I want everyone to love one another, accept each other and don’t hate on people’s religion and culture. Why be mad and sad? Let’s get LIT.
[REVIEWS] Rico Love: Turn the Lights On
If you follow hip-hop & R&B, then you know Rico Love very well. He’s written and produced for the who’s who of the music world for nearly a decade. “Turn The Lights On” is that opportunity for you to get to know him for his own artistry.
Definitely, this isn’t his first release, yet, listening I get the sense that it will be the album that establishes him as more than a super-producer. “Turn The Lights On” is treated like a debut in the sense that it will definitely take him to that next level as an artist. He covers everything from fame to love & relationships throughout the album. The lead single, “Somebody Else” definitely gets things off to a good start. Produced by Jake One, it’s already been remixed with Wiz Khalifa & Usher.
Other album standouts include ‘Trifling”, “For the Kids”, “Happy Birthday”, and “Days Go By”. All in all, the album is quite impressive, and leaves listeners wanting more. Despite the fact he’s entrenched in hip-hop & R&B, this album is the type that simply can’t be categorized. It’s not hip-hop! It’s not R&B! It’s Music!! Anyone listening can relate somewhere on throughout the LP. With no guest appearances, you definitely have the opportunity to really get to know Rico. Turn The Lights On is a must-have for any music lover.
Below, we’ve posted the track listing, and you can also check out the video for “Somebody Else”!
Rico Love: Turn The Lights On (TTLO)
- TTLO
- Bad Attitude
- Trifling
- Ride
- For The Kids
- The Affair
- Days Go By
- Somebody Else
- Run From Me
- Happy Birthday
- Amsterdam
- The Proposal
[REVIEWS] Missy Elliott: WTF [Where They From]
It's been a long time, but Missy Elliot has finally made her way back to the limelight with a new single, "WTF (Where They From)". Produced by Pharrell Williams, the single serves as her reintroduction to music after a full decade away. So many have been waiting for this moment and now, with it finally being here, once can only ask, it is too late?
I expected that I would hear mixed reviews of "WTF (Where They From)”. You have some fans who absolutely love the tune, while others aren’t so convinced that this is it for Elliott. I don’t believe in any way that the intention of those who dislike the track to diminish the legacy that Elliott has built and maintained over 20 years. She has undoubtedly put in her work time and time again, but the expectations are naturally high for her return. While I personally like what I’m hearing, I’ll also say that I don’t believe it supersedes the expectations. Fans are used to her coming at a certain level, and she has always seemingly worked harder than most to outdo her previous work. In some ways, I feel the sound is a little dated.
Pharrell, while a musical genius as both an artist and producer, is not the one to spearhead her return to the top in my mind. For me, Timbaland should be at the forefront of her long-awaited return. I, personally, would have expected that he would be riding the lead single with her. In the end, though, it’s really all about preference. For me, being a big fan of their work and knowing the magic they make together, my expectation lied with him catapulting her lead single to the top.
In this industry, there's so much that goes into launching and running a successful campaign as an artist, and her work on this campaign for her new album will prove whether she has what it takes to maintain in today's climate. You can’t help but face the harsh reality that ten years of downtime is indeed a long time. Taking so much time away is a setback that many artists can’t overcome, so Elliott surely has a lot of work ahead of her. Many of today's youth, who are truly the ones buying music, don't know a great deal about Elliott if they weren’t privy to any of her previous work. Of course, she did guest on tracks for a few artists, including Fantasia, Ciara, and J. Cole, but time will tell if that was enough to keep her afloat.
Nevertheless, Missy is a musical genius, and it’s great to see her back. The track highlights the high energy we’ve come to love Missy Elliott for over the years, and the accompanying video treatment will definitely have you moving. As a long-time fan, I convinced that there are many great things to come from her upcoming album. It’s been a long time coming, and like her other die hards, I’m eager to hear what she’s got in store.
[REVIEWS] Angie Stone: Dream
Faith and God have taken Angie Stone to greater heights, personally and professionally, and that revelation is exemplified time and time again throughout Dream. Her voice is crisp and strong as ever, and musically, she's finally in a place where she's loved, appreciated, and trusted enough in her craft to do what she does best.
I'm referring in part to Angie's new deal with Shanachie. Simply put, Shanachie “gets it”. When most labels and executives are flexing their power and calling the shots, they’ve given Angie the power to take over the driver’s seat. Her confidence exudes in tracks like “Dolla Bill” “Begin Again”, and “Didn’t Break Me”, while she still shows her vulnerability on songs like ‘Magnet” and ‘2 Bad Habits”.
There’s a small level of predictability in the fact that you know you’ll get a quality product with Angie Stone. “Dream” is void all the fluff, useless skits, and nonsense that many fill their albums with. She gets right to the point and gives it to you raw. It’s difficult to point out the best tracks here because they’re all pretty high on the list. Overall production is solid throughout the LP, and Angie is backed by some of the most powerful names in entertainment, including Walter W. Millsap III of Conjunction Entertainment and Marv Mack of TopNotch Music. It also must be noted that her new management is working diligently at reversing the damage of past relationships.
Even without having a thing to prove, she still shows the world that she’s still a prime contender to anyone who thinks they can trump her. Her new allegiance with Conjunction and TopNotch will prove to be profitable, and not just financially. Stone has gone practically unnoticed with her last few releases, despite having released some of the best music ever. Her notoriety is sure to increase this time around, as she’s with a crew who values her input, and trusts in her talent.
[REVIEWS] Jooba Loc: Only Way Out
With so much new music dropping these days, it’s a little difficult to find anything that stands out tremendously. No doubt, it’s a good thing that we’re seeing more music these days from our favorite artists, yet it’s a little unconventional in the fact that many artists are over-flooding the industry with so much and doing very little in the effort of marketing and promoting. I believe many will agree that the quality hasn’t necessarily been there either, which is what makes the new mixtape release from Jooba Loc so special.
Fronted by none other than Snoop Dogg, Jooba Loc has undeniable star power, and it’s evident in Only Way Out. As the flagship artist for Snoop’s Doggystyle Records, the bar has been set high for him to show and prove, and he’s doing just that with tunes like the infectious “Fallbacc”, “One Way Out”, and “It’s Bedtime”. The album flows quite well in general, making it much less like a mixtape, and more like a full-fledged album release.
Support is high for Jooba, with guest appearances from west coast luminaries like Daz Dillinger, Kokane, and Snoop himself.
As someone who likes to look at the overall picture, I’m eager to see how it all plays out in terms of full artist development. I think the possibilities are endless with his current situation. Snoop has a proven track record in regard to development, and Jooba seems to have the personality to take it next level.
“Only Way Out” is available via iTunes and other online retailers and sites. Check out our stream of “Only Way Out” below.