[REVIEWS] Beyoncé: Lemonade

As many have expected, Beyonce has done it yet again, landing at #1 with her latest release. After drawing millions to HBO and Tidal just a week ago, she released her new visual album, Lemonade, to iTunes, Amazon, and other digital retailers. The full release, while teased for a short time, was as much a surprise as her last visual album, the self-titled "Beyoncé". It stands as her 6th album release to hit #1 in it’s first week of release, selling nearly 500,000 copies, and reaching 653,000 equivalent album units, according to reports from Nielsen Music.

 

"Lemonade" takes fans on the journey of a woman whose relationship has gone through turmoil; she was cheated on, and is now on her own path of discovery and healing. Sure, the subject is nothing new to anyone whose been in a relationship in their lives, but her approach is what is ultimately grabbing fans, and even those who haven't necessarily been fans. Starting with the album opener "Pray You Catch Me", which details her realizing her man is indeed cheating, the album takes you on an emotional roller coaster of ups and downs with tracks like "Hold Up", where frankly put, she's just ready to tear some shit up (and she does just that in the accompanied video), “Don’t Hurt Yourself”, which expresses her angry side, and “Sorry”, where she visits the feeling of apathy, but ironically is getting even. She shocks with lyrics like “I don’t give a fuck, chucking my deuces up, suck on my balls, pause, I’ve had enough, I ain’t thinkin’ bout you”. 

 

The wow-factor doesn’t end there. Beyonce strikes gold with practically every track on the album, including “6 Inch” featuring The Weeknd, “Sandcastles”, “Freedom” featuring Kendrick Lamar, and the country inspired “Daddy Lessons”. The album closes with the politically-charged “Formation”, which debuted to the world via this year’s Super Bowl. 

 

Beyonce definitely did her thing with this release, but she wasn’t the only one in the driver’s seat when it came down to writing, production, and so forth. A lot of hands went into making this masterpiece. Samples and elements were used from a number of artists, including Soulja Boy (“Hold Up”), Led Zeppelin (“Don’t Hurt Yourself”), Isaac Hayes (“6 inch”), Outkast (“All Night”), and more. The overall eclecticism is quite amazing, and I’m sure it has a lot to do with why the album is doing so well. 

 

Naturally, even with sales having done so well already, there’s still some backlash in a sense over multiple things, with the most being about the album’s subject matter. Is it really about Beyonce and Jay-Z cheating? They’re relationship has been pegged by many as doomed from the start. It didn’t necessarily help that fashion designer Rachel Roy see mingling implicated herself into the midst of it all, based on a post to Instagram following the album’s release. Many wonder where the truth lies, but at the end of the day, it really doesn’t matter. Regardless of it all, the good music shines through, and the “Lemonade” is good indeed.

[REVIEWS} Music Soulchild: Life On Earth

It's no wonder Musiq Soulchild has stood the test of time, through the many changes in the R&B climate throughout the years. Indeed, a lot has changed over the years. Gone are the days of anticipating releases from your favorite artists, because many seemingly shift their focus in response to the fickleness of the industry. As much as you want to blame it on the industry, the fact is the blame lies with the artist. Many have become fixed with trying to fit with the times, and they ultimately lose ground because they're not being authentic. Only a select few artists manage to do their own thing, no matter what, and Musiq Soulchild has remained consistent with that. While he has made subtle changes since his beginning, it hasn't been because of strategy. His changes, growth, and elevation have all been natural, and those things speak volumes to why he's been here so long.

 

With Life on Earth, Musiq’s signature sound remains intact, and without being predictable, he shows us just why we originally feel in love with that sound. The album fuses together many different elements of R&B, Hip-Hop, and Jazz, and he manages to take you on a journey through love and life. There truly is something here for everyone, young and old. Having already struck a chord with tracks like “I Do”, ‘Part of Me” featuring Joi Starr, “Heart Away” and “Alive and Well”, he’s well on his way to having a classic LP on his hands. Other songs gaining momentum include “Far Gone” with Rapsody, “Wait a Minute”, “Who Really Loves You”, and “Changed My Mind”. 

 

In reality, I could go on and on about how good the tracks are here, but I think everyone gets the picture. It’s clear that he’s put in a tremendous amount of work with making this album what it is, progressively building his catalog, and his overall brand. Some things that have changed are producers, and his label situation. Following a long-standing recording relationship with Atlantic Records, Musiq is now a part of E-One Entertainment and My Block, with much of the album’s production being handled by Warryn Campbell and Taalib Johnson. What pleases me the most out of everything is that through it all, he has remained true to himself. Typically, when artists change label situations, things go awry because they don’t know how to connect with the artist, or don’t have any idea how to tap into their particular style. Surely, that wasn’t the case here. All parties played their respective positions, and it made way for a great album. Despite the things that have grown popular in music over the past few years, he continues to do him, and that shines throughout Life on Earth.

[REVIEWS] Natasha Mosley

I must say that I’m rather impressed with the debut from R&B singer Natasha Mosley. Atlanta has been a breeding ground for some of the best in hip-hop and R&B, and that trend continues with Natasha and her debut. 

On “Rose Hall”, Natasha offers seventeen of what seem to be her best works in song. I, for one, can be very particular about the number of songs on a debut album, and I have my own thoughts on marketing an album for a newcomer, but this album is definitely well thought out, and well crafted. What strikes me the most about Rose Hall and the content is the fact that Natasha sounds like someone who’s been here for a long time. The love songs here strike me as those from someone who has had a lifetime of heartache, heart break, and pain. She pours her all into each track, and it can be heard rather clearly as you listen. R&B has gone through a bit of a lull; ok…a LOT of a lull, over the past few years. There’s so many people out there making music, particularly R&B, and frankly, it all sounds the same. Mosley, on the other hand, is carving her own lane, and it’s pretty refreshing. 

The album kicks off with ‘Over”, where she’s asking whether the relationship has any chance of making it, despite the fact she messed up. Right out the gate, she’s showing her vocal prowess and full range. It then leads into ‘I Want You” and “Love Me Later”, followed by the album’s lead single, “Anything”. Favorites on the album, for me anyway, include the aforementioned, along with “Kiss Goodbye”, Don’t Go”, “Never Be the Same”, and “Team Me”. 

Natasha Mosley is definitely one to look out for. The monotony in music has gotten pretty bad, making “Rose Hall” a breath of fresh air. 

[ARTIST] Wyclef Jean

The music that Wyclef Jean has written, performed, and produced — both as a solo superstar and as founder and guiding member of the Fugees — has been a consistently powerful, pop cultural force for over two decades. In 1996, the Fugees released their monumental album The Score, which inspired notoriously prickly rock critic Robert Christgau to write: “so beautiful and funny, its courage could make you weep.” The album, created in Wyclef’s studio in his uncle’s basement in New Jersey, hit No. 1 on the Billboard chart, spawned a trio of smash singles (including their indelible reinvention of Roberta Flack’s 1973 ballad “Killing Me Softly”), and is now certified six times platinum. But Wyclef, a child prodigy with a wealth of musical influences from jazz to classic rock to reggae, resisted the pressure to duplicate the sound and style of that masterwork. Instead, he launched himself as a producer and solo artist whose work drew from an innovative and eclectic palette that included elements of pop, country, folk, disco, Latin, and electronic music.

“I just keep moving,” he says today. “If I didn’t keep moving after The Score, y’all wouldn’t have had the biggest pop song of all time.” Wyclef is referring to Shakira’s chart-topping single “Hips Don’t Lie,” which he co-wrote and is featured on. That 2006 blockbuster climbed to No. 1 in 20 countries including the U.S. — a crowning achievement atop a nearly unprecedented run of hits that include Wyclef’s own “Gone Till November,” “Ghetto Superstar” (Pras feat. Wyclef Jean), Carlos Santana’s No. 1 single “Maria, Maria” (featuring Jean and Product G&B) and the late Whitney Houston’s “My Love is Your Love.” “The only record that captures Whitney, her daughter [Bobbi Kristina], and Bobby Brown all on one song,” Wyclef says of it.

Wyclef has been rewarded for his creativity and adventurousness with three Grammy Awards, a spot on the cover of Rolling Stone’s special “Top 50 Hip Hop Players,” and the opportunity to make music with such legends as Michael Jackson, Queen, Mick Jagger, Paul Simon, Earth, Wind & Fire, Kenny Rogers, and Tom Jones. As a solo artist, he has released six albums that have sold nearly nine million copies worldwide, including his 1997 debut The Carnival and 2000’s aptly titled The Ecleftic: 2 Sides II a Book, which even turned wrestling superstar/action hero The Rock into a pop star with the international hit single “It Doesn’t Matter.” Through it all, Wyclef kept an ear cocked for new talent. He helped launch Beyoncé´s career with Destiny’s Child’s early hit “No, No, No.”

While it’s been six years since his last studio album, Wyclef has not abandoned his dedication to sonic excursions. His new album, the upcoming Clefication, features contributions from Afrojack, Emeli Sandé, and multi-platinum DJ/recording artist Avicii. In fact Avicii is responsible for Wyclef’s new album’s title. “It’s a nickname he gave to me,” he explains. “We were in Stockholm recording and he said, ‘We need some ‘Clefication.’ Now when I’m in the studio with other producers from his generation, they’ll say, ‘Yo we need some ‘Clefication’ on the vocal before I swag it up.’ It’s the human application of music.”

The first product of Wyclef and Avicii’s dynamic chemistry, the reflective electro-acoustic ballad “Divine Sorrow,” instantly blew up on YouTube when the lyric video was posted last November, racking up four million views and reminding people that Wyclef Jean can still astound people with his music. When an era-defining superstar takes time between albums, people often wonder if the artist has perhaps retired, but Wyclef has never stopped making music. “Every day when I wake up, I go into the studio and record,” he says. “There’s always a guitar and a piano nearby. I’m always writing, that’s my survival. I don’t go to a therapist. My therapy is when I pick up my guitar and sing.”

One couldn’t blame Wyclef for wanting to take time away from the spotlight given the whirlwind of press, good and bad, he received after announcing that he was going to run for president of Haiti in 2010, the summer after a massive earthquake killed over 200,000 people. “It felt like something I needed to do at the time,” he says. Wyclef flew home to help and saw the devastation firsthand. “Haiti was in dire need and I wasn’t going to go down in history as just another musician who did nothing and just hid behind the songs,” he says. Born in Croix-des-Bouquets before moving to New Jersey at age nine, Wyclef has always kept very close ties to the Haitian people and continues to provide aid and consultation. His love for his native country was reciprocated by many and questioned by others. “I stepped into the fire,” he says. “People took shots at me, of course. But it’s better to be right than popular. And history will always reveal the truth. You can’t live for the fakeness or you will just be erased from time.” However, the fury and the frenzy of the election left him depleted. “When I got back to New York I was out of my mind,” he says. “I had just had a really tense experience. I thought I could change policy and legislation there, but coming back to America — yo, it hit me. I was like, ‘Man, what am I gonna do?’ I was at the height of my musical career. Nobody could stop me. I was moving like a bullet as a producer.”

“Divine Sorrow” addresses the experience, in part, in its lyrics: “Dearie blossom I’m going down to old rock bottom / I know the love in your heart was true / I thank you for the joy that follow.” “For me, ‘Divine Sorrow’ was like my returning hymn to the world,” Wyclef says. “We embarked on a small European tour when I got back and, based off that, I decided I was going to go in…. and just start cutting some music. I felt the bug. The album bug.” (He also got the acting bug, appearing in a story arc on the hit ABC series Nashville in 2014.)

As big a comeback as “Divine Sorrow” has proven to be, one should not count on Clefication being an entire album full of ballads. “Do I have anything for the clubs?” he asks. You’re talking to The Carnival Man! I’ve done the biggest dance records of all time! We plan to put them on the dancefloor more so than ever. I’m also working with DJ Khaled. We go back 20 years. The chemistry is insane. We know people want that dancefloor bounce from us — that hip hop thing.”

Which leaves only one question. How long can Wyclef keep it up now that he’s back at his old velocity? “The forties are the new youth of hip hop,” he says with a laugh. And while he hints that the Fugees crew are all on good terms, and he doesn’t rule out a future reunion with Lauryn Hill and Pras, right now, Wyclef is trying to reckon with his past and write a new chapter. “The music I’m making, it’s sounding like the ‘90s meets 2015,” he says. “It’s very authentic and all about the vocality, making people feel and reminisce off of that sound they love but combining it with new sonics.”

[ARTIST] Teedra Moses

Teedra Moses was born and raised in New Orleans, Louisiana to a gospel singer mother, Shirley Moses. She later moved to Los Angeles, California with her mother and three siblings after her parents' separation. 

Prior to becoming a recording artist, Moses worked with her best friend Nonja McKenzie as an assistant wardrobe stylist for artists such as Will Smith, Kelis, R. Kelly, and No Doubt. It was after breaking her leg on a video set that Moses decided to follow her heart and begin making music.

Following this epiphany, Moses teamed up with producer, Paul Poli and signed with the Number 1 Indie Record Label, TVT Records to release her debut album Complex Simplicity in August 2004. Complex Simplicity included fourteen tracks all self-penned by Moses with dominant production by Poli; which lead to the well deserved executive production credit by both Moses & Poli. The album underperformed on the U.S. chart, debuting and peaking at number one hundred and sixty-eight on the Billboard 200. However, the album was “Critically Acclaimed” and otherwise found success on the Top R&B/Hip-Hop Albums, the Top Independent Albums, and the Top Heatseekers, reaching number twenty, number eleven, and number ten, respectively. 

In addition to executive producing and penning all the lyrics on her own project, Moses has written songs for other artists including Nivea, Christina Milian, Mary J. Blige and a host of others. She was featured on and co-wrote two songs from Raphael Saadiq's 2004 album Ray Ray, "Chic" and "I Want You Back". Her songs have been showcased in the Logo series Noah's Arc as well as in the HBO hit show Entourage, movies such as Never Die Alone, Beauty Shop, and Be Cool. 

 

Teedra Moses Links:

[Facebook] [Official Site] [Twitter] [Instagram]

UGDigital Issues featuring Teedra Moses:

[ARTIST] DJ Mustard

Los Angeles native, DJ Mustard, is quickly becoming one of the most sought-after producers in the business. He has produced chart-topping hits for 2 Chainz ("I'm Different"), Young Jeezy ("R.I.P.") and Tyga ("Rack City"). Complex has also taken note, naming DJ Mustard one of their "25 New Producers To Watch Out For." While some have dubbed his signature sound as "ratchet," Mustard describes his beats as "undefinable." Says Mustard, "I just want people to hear my music and feel good; go to the club, dance, have fun, and get home safe…none of that gang-banging stuff." 

The New York Times has praised Mustard's sound, stating "it's made for some of the starkest and most vibrant hip-hop of the last year or two…booming and square, like well-sequenced jabs with no need for combinations." Mustard has not only been been inspired by his native L.A., but also looks up to producers such as Dr. Dre, Swizz Beatz, and Timbaland. He is currently working on YG's upcoming album, as well as singles for Ludacris and B.o.B.

 

MORE INFORMATION

www.djmustardonthebeat.com

 

[NEWS] Multi-Genre Songtress Alyson WilliamsReleases First-Ever Christmas Song

Photo Credit: Nu Vybe  

Photo Credit: Nu Vybe  

Celebrating over 25 years in music and entertainment, multi-genre songtress Alyson Williams releases her first Christmas single, “Happy Holiday” and her first recording in ten years. Written by Williams and produced with longtime collaborator Herb Middleton, the single also features acclaimed saxophonist Dean James. “I’ve always wanted to do a Christmas album, but was never able to record it,” says Williams. “With all the acrimony, vitriol, and hateful messaging during this Election season, we decided to release a single for the holiday and follow-up with an album next year,” explains Williams. She was inspired to write “Happy Holiday” on Election Night, Tuesday, November 8th.

 “After an extremely rough night of watching and waiting with the rest of the world, I realized that before I dozed off to sleep I had to compose a song,” says Williams. During that night, she heard the gentle voice of her mentor, Dr. Maya Angelou saying ‘Baby, use your words, find my words,’ which prompted her to use excerpts of Dr. Maya Angelou’s poem, ‘Amazing Peace’ in the spoken word portion of ‘Happy Holiday.’ “When I looked closely at the lyrics, I realized that I had written a song that had all of the makings of a modern day holiday classic.” With “Happy Holiday,” Williams’ R&B and jazzy vocals reflect the traditional sounds of a Christmas classic: Gathered round the table family is everything/Jingle bells familiar smells all the things the season brings/Shiny lights red, green, blue and white Moma’s sweet potato pie/These are the things the holiday brings, things that make your spirit sing.“In a world full of turmoil and strife, true beauty will always find a way to rise above and show us a ray of hope,” Williams continues. “We must all spread love throughout this holiday season and beyond and continue to be inspired. What the world needs now is love, peace, and understanding. I feel doubly blessed to be able to see the creative process work in real time.”

 

Take a Listen: “Happy Holiday”

https://soundcloud.com/nuvyberecords/happy-holiday-alyson-williams-feat-dean-james

 

Itunes

https://itunes.apple.com/us/album/happy-holiday-feat.-dean-james/id1179758169?i=1179758217

 

Amazon.com

https://www.amazon.com/Happy-Holiday-feat-Dean-James/dp/B01MSR1LJQ/ref=sr_1_3?s=dmusic&ie=UTF8&qid=1480687674&sr=1-3-mp3-albums-bar-strip-0&keywords=alyson+williams

[Music] Penny Shaw: The Art of Integrity

For all the interviews I do, there’s always an artists who sticks out like a sore thumb, and Penny Shaw stands strong in that bunch. I’m so proud, beyond words, to have the opportunity of presenting him to you and the ever-growing audience here at U.G. Digital Magazine. Much like we’re selective in regard to what we cover and present here, he’s an artist of the same nature. In an industry that has become saturated with nonsense, Shaw stands mightily on his own level. He’s taken the time to build a brand, not from what he’s been surrounded by, but what he, himself, wants to see from an artist. His brand is based on what he wants to represent, how he wants to be remembered, and ultimately, what he represents in life. As the title suggests, it’s all in the Art of Integrity.

 

Never is it about bashing anyone here, but I will be honest though. Integrity in this business is at an all-time low. There’s so many who conform based on what the rest of the crowd is doing, and it’s beyond refreshing to come across an artist who, although they want popularity, is not willing to budge against their own beliefs, style, and character to attain it. What also reigns clear, not only from this conversation, but just from looking at his journey is when you’re free and willing to be yourself, the popularity is inevitable. Penny Shaw is coasting at an all-time high, and as he puts it himself, he hasn’t even reached the pinnacle yet. Trust, it is coming though. It’s only a matter of time.

 

In our exclusive, we talk, not just about the simple stuff, but we really get into his mind about his journey thus far in the industry, and how Ill City Blues has put him on that level that so many aspire for. He talks openly about the work he’s putting in as an independent artist to build his brand, who inspired him from his own neighborhood of Queens, the unity he’s built among his team that is ultimately pushing him to the top, and so much more. I’m proud of this feature because among everything, Penny Shaw represents the type of artists that I as the publisher LOVE to present here. His artistry and character is what I envisioned in the artists that we would spotlight with U.G. Digital. Hopefully, you all love his story!

 

With that being said, I present to you: Penny Shaw: The Art of Integrity.

 

U.G. Digital Mag: Again, I appreciate you for your time. I love how different you are from everything else out today. I talk to a lot of people in general about the changes in hip-hop. I’m almost 40, and I never want to sound like my parents, but I feel like a lot of the direction hip-hop has gone, I struggle to get into it. The good thing is there are a number of people like yourself who are taking it back to the roots and the essence, if you will, and they really have something to talk about. I believe you’re one of those artists. How difficult is it for you to remain different, and be yourself, given the climate of music?

 

Penny Shaw: I appreciate you saying that. At one point, it was really frustrating for me. To take a step back, everything that’s on the radio that’s popular, it has a certain sound to it. The way rappers are flowing, it’s almost a copy of someone before them. I think maybe two years ago, it was frustrating. I questioned if I was taking the right path. It felt right, but it’s like everyone else is doing something different. I guess you just kinda navigate through life. With my last project, it was really about finding myself, going through a slump, and just getting through it. It helped to find myself. I’m so comfortable right now that it’s not even funny. I’m comfortable with what I do, and I understand a lot of people who are pushing the envelope and doing different things, it won’t be the most popular immediately, but in the long run people will look back at my catalog and understand that this kid is rapping about what his life is really like; the things that others are scared to talk about.

 

U.G. Digital Mag: I’m glad you touch on popularity. To me, what you have should be revered a bit more. You think of the artists like Kendrick Lamar, and I place you at that level. I think in the beginning, people weren’t necessarily leery, but they didn’t tap into Kendrick Lamar the way I thought they would have. Now, obviously, the world is behind him. I look at J. Cole, who I feel still doesn’t really get what due to him, but I feel like he’s one of the dopest out there. Does it bother you, knowing that it takes so long for people to catch on, or they sleep on what you have due to the differential content? You speak of being comfortable, but is there ever that part of you that wants to tailor your music to what people have grown accustomed to in hip-hop? Even relating it to our mag, there’s certain things that I’ll admit to watching, but you’ll never find that type of content in our pages because of what I feel like I want to offer the reader. It makes us suffer a bit in comparison to all the other digital mags, blogs, and such, but for me it’s the principle, and it’s non-negotiable for me.

 

Penny Shaw: That’s a loaded question in itself. A lot of it is somewhat perspective man, because I definitely agree. A lot of people around me, they say people really slept on me. Even when I do shows, people come up and ask if I’m signed, and I say I’m doing it all myself. That’s technically the reason why I incorporated the name Penny, because it’s often overlooked. I said OK. This is a lot of people where I come from, so I’m going to embrace this and speak for them people. It’s really perspective because if you take a Kendrick or J. Cole, they may not get the props I feel they deserve, but it’s perspective because J. Cole is doing a million with no features. His fan base it crazy. Kendrick Lamar with the Grammys, I mean, he has a couple classics. Some people are lucky if they even get one. I feel like longevity-wise, they will get theirs. I’m not too worried. I’m not going to say I want to be underground forever. I want people to hear my music. I’m not one of those guys who wants to sit underneath, but I’m not willing to do certain things just to get there.

 

U.G. Digital Mag: You also mention doing it all on your own. I look at artistry, and I feel like independence should be the goal. I know that’s backwards considering how most begin, but I do believe that. I look at the big picture, or grand scheme of it all. There’s a lot more money to be made, and a lot more respect to be gained. There’s a lot that goes into being independent obviously, and a lot of artists are not ready to put in that kind of work. Where do you sit in regard to that? Would you want to be anything aside from independent? Would you sign to a major label, or any label for that matter?

 

Penny Shaw: I always say I will never rule anything out of the equation. I was good at writing music, and making songs. I didn’t realize that for as long as it takes you to make you a song, you need to push it for just as long, if not longer, just for it to make it. Nobody will hear it otherwise. So myself, and one of the guys who also produced my project, he owns the studio that I record at. So it’s myself, him and this dude is a jack of all trades. He’s a producer, he does mixing, videography, and one of my other boys is into videography. So it’s really me and my peoples. We’re doing this, and they’re like “we’re going to make this work”. These guys are helping me. I would say independent artists, not even just making music but pushing yourself independently, it’s frustrating as hell. Sometimes it’s like, I don’t want to do this. I don’t want to email this person, or take care of these logistics. At the end of the day, if the right deal comes to me, then it’s really like, I’ve been paying for this, that, and the third. You need to be able to offer me better. I should not be able to do your job better than you.

 

U.G. Digital Mag: That’s perfect in that sense. Should the opportunity come along, you know immediately if they are trying to play you because you’ve already been doing it yourself, and doing it well I would add. With everything you’ve done already, you’ve built a massive amount of success alone. There’s not much they can offer you that you haven’t already provided for yourself.

 

Penny Shaw: Exactly. And it’s really just the dollar amount. That’s really it.

 

U.G. Digital Mag: I think the setup you have is perfect. You have a massive amount of success already, and it’s only going to get bigger.

 

Penny Shaw: Definitely. I’ve just been blessed. I don’t even think I’ve reached anywhere close to my potential, and I’m still being blessed with so many opportunities. Even artists that are “so-called” bigger or more popular, they don’t get some of the looks and opportunities. I’m just blessed that people look to me and my music for certain things.

 

U.G. Digital Mag: Obviously, you come from Queens, and there’s so many artists from there. You have L.L., you have Run DMC, and so many others man. Who were those artists that you listened to, and not so much emulated, but moreso who you looked up to? Who is or was doing it where you want to get to their level?

 

Penny Shaw: Queens has a long list of artists man. I would say I didn’t necessarily grow up to them, but I’m a student of the game so I went back to all the classics. Actually, they just put up Phife Dawg Way around my neighborhood, right where A Tribe Called Quest was from, so I had to go back and listen to them. They’re one of my favorite groups. Mobb Deep, but my biggest inspiration from Queens is Nas.

 

U.G. Digital Mag: Surely he’s one of the dopest out there man.

 

Penny Shaw: Yea, most definitely. It’s funny because usually you had to pick which one, between Jay-Z and Nas (laughing). It was like, I remember being more partial to Jay-Z. I don’t know if I even understood what he was saying. I think I just liked it at the time. As I grew up, and understanding more about Nas, I realized his poetic flow was so intricate. I would say he inspired me because of his career, ups and downs. He pushed the envelope, whether it was with the Damian Marley album, or the song with his pops, but he did a lot of things to push his creativity forward. I really respect that.

 

U.G. Digital Mag: I look at him and Jay-Z both. Jay has clearly been out there, but so has Nas. 1995 and 1996, it was my first year of college, and I can remember Nas had out Street Dreams, and If I Ruled the World with Lauryn Hill, and that was like the introduction to him for me. It made me go back because he definitely had hits before that moment. Even just until that point, that was 25 years ago. Like, he’s done so much, and inspired so many. It still sounds fresh, even when you listen to him now. He’s not dated, but he still sounds fresh. I would also lean more toward Nas, looking at how he has maintained through it all.

 

Penny Shaw: Listen man. 25 years. I heard that artists are lucky if they get to two major albums.

 

U.G. Digital Mag: Definitely, because tapping back to the independent side, there’s a lot that you know because of your independent status, and most artists have someone doing those things for them. So when it comes down to sales being low, or people not knowing what they’re doing, or the labels don’t stay behind them, it results in them falling off. Keeping it real, many don’t get past the first album. For the time you’ve been here, and looking at careers of artists like Nas and Jay, it says a lot to be here and have that longevity. It’s hard out here artistically, especially as an independent because you’re fronting the money before you get any money. It takes time to put it together, and promote it, and it’s not cheap.

 

Penny Shaw: Right. It takes money to make money.

 

U.G. Digital Mag: So where do you see things moving? You’ve had a number of projects out. You get a lot of accolades for Ill City Blues.

 

Penny Shaw: We put it out in March, and we kinda just let it run. Then August and September I was basically doing shows in the Northeast. We did a few shows in New York. We went up to Boston and opened for Ras Kass, and I was able to go to D.C. and do this huge music festival they have called the H Street Music Festival, which brings thousands out. During that time, we’re filming all these videos. We just launched the first video, Questions, a few days ago. We haven’t even started our run for Ill City Blues yet. It’s just the first of many visuals we’re putting out. This weekend, I’m actually having my own pop-up shop in New York because we’re launching some merchandise to further my brand a little bit. So at the end of the year, I’ll have my own pop-up shop in Harlem. We’ll launch the merchandise and I’ll do some performances. I just want to expand the brand a lot more and promote a lot of this music, and give people a different angle of viewing it as well.

 

U.G. Digital Mag: So for the pop-up shop, what’s your big picture?  I’ll precursor that by saying that there could be a lot I just don’t understand in it all. Do you see a profit from that, or do you expect to see a profit at all?

 

Penny Shaw: I guess it depends on where your shop is, what you’re selling, and your venue. I’ve seen cases where it costs tens of thousands to get it. I do a lot of other people’s events, and go to different cities, so once a year, I throw my own event and push our own brand the way we want to. For this, it’ll be a real intimate performance. For anyone who has come to my shows, I don’t just get up and do things the way you hear it on the CD. I switch it up. We’re doing it at art galleries. Some of the painters I’ve connected with, we’re putting their work up on the walls. Everyone I’ve had relationships with, and really it’s for the brand. I want to connect with people. Of course, you want to be profitable at the end of the day, but its one thing to be profitable for the moment, and another thing to think long-term.

 

U.G. Digital Mag: I would imagine this will affect things long-term.

 

Penny Shaw: Exactly. You may take a hit in the short-term, but you come out better in the long run. It’s about how you look at it and what you want.

 

U.G. Digital Mag: Again, I look at the love and respect you get. What’s next for the project?

 

Penny Shaw: We just dropped Questions. We’ll probably go into four more videos. We’re heavy into the visuals, and we’re really creative. Around the spring time, I want to do another batch of shows around the east coast, but perform the project in full for cities where I have a big supporting fan base.

 

U.G. Digital Mag: That’s like the dopest thing when an artist can come and perform every song from a project, especially when one song plays off the other and it’s like a story. Lately I’ve seen a lot of artists doing that. Notably, being based in Cleveland, Bone Thugs is from here, and lately they’ve been in that mode of basing their concerts off one entire album and performing each song from that project.

 

Penny Shaw: Definitely. I always tell people, everyone is different. I try to create moments. For the pop-up shop, I’ll do a special performance for that. I don’t want to do the same shows for people, so when I come back in the spring, it’ll be a different look. I just want people to come out and get their money’s worth, and get something different each time, and not expect the same thing.

 

U.G. Digital Mag: You sound like someone who enjoys crowd interaction and participation. Are you partial to smaller, more intimate sets like The House of Blues, or do you prefer the larger scale arenas?

 

Penny Shaw: I’ll be honest with you, it really doesn’t matter. I just realize performing is one of the best ways for me to connect with people. My visuals have been one of my strongest assets. I like to get out there and talk to people, take pictures, and have these memories.

 

U.G. Digital Mag: As far as touring, what type of line-up is set so far?

 

Penny Shaw: Right now, I’m focused on the Northeast. January 6 I’ll be in D.C., and as far as doing the project in full, I’ll start in New York, then New Jersey, and that whole Tri-State area.

 

U.G. Digital Mag: That’s cool knowing where your best places are to perform, but obviously, you’ll know that as an independent.

 

Penny Shaw: Definitely.

 

U.G. Digital Mag: In terms of final comments, you have a lot of people who read these because, they too, are artistic and want to do this for a living. What type of final comments do you have for them?

 

Penny Shaw: To anyone out there pursuing music, or anything, you have to keep going. There will be ups and downs. The frustrating moments are what take you to the next level. Push through it when it’s something you want to do. When I get frustrated, I know it’s just GOD testing me and preparing me. I’m not too much of a religious dude (I know I just sounded like it… laughing), but that’s really just how I think. As far as the project, I just want everyone to listen to it, and know that this is a project you can go back and listen to and pick up something new each time. It’s intricate and we put a lot of thought into it. If you don’t get it by listening, the visuals will help you. We just want to paint a full picture and give a full 360 video for us to connect.

[The Stage] Coffee Shop

It’s always a pleasure to catch up with Shaneisha Dodson of Black Girlz Productions. Together with her amazing team of actors and actresses, she puts on some of the best stage plays the industry has to offer, and that holds strong with her latest production, Coffee Shop! Set to kick off in Houston, TX in January 2017, Coffee Shop will address the torturous effects of rape, not just on the victim, but their friends and families as well. The story gets pretty deep, and is definitely one the world needs to see. Following the upcoming Houston date, the play will then travel to Arkansas for another run. We caught up with Dodson to talk about the play and just what can be expected from the actors and actresses.

 

U.G. Digital Mag: As always, thank you for your time in discussing this project. The last time we spoke, I believe this project may not have really been on the horizon, or perhaps we just hadn’t discussed it. But I’m happy to join in on the promotion efforts. I’m excited about opening day. Talk about the basis of Coffee Shop?

 

Shaneisha Dodson: Coffee Shop centers around the owner, Carla, who hires a new stylist named Robin. Carla soon learns that Robin is being molested by her Step-father. The characters are completely opposite. The story opens a can of worms and forces them to walk in their own truth and talk about things that some people consider to be uncomfortable. I came up with the idea of Coffee Shop because so many people getting light sentences when involved with rape and sexual assault. I said we needed to bring this to the forefront to encourage people to speak out, and to show people what can happen if you do these things to people.

 

U.G. Digital Mag: I think it’s good that you touch on these things. You see it happen a lot, and many times people don’t get the charges that they likely should. Why do you think that this happens so much? Will the play get into the meat and potatoes of that?

 

Shaneisha Dodson: The story line does touch on that. It shows what happens in the case of four different victims. For one, it happened on a college campus. The officers of her campus said not to talk about it, and boys will be boys. He’s the star of the football team, and people are going to question you. So you have one person whose issues have been suppressed, and she’s been talked out of telling anyone. They try to make her feel like she did the right thing, but she ends up having years of pain. Then you have another character who ends up fighting this guy off, but it runs over into her personal relationships, so she doesn’t trust men at all. Then another character, it comes from her father, and she ends up pregnant, so she doesn’t know if the baby is her boyfriend’s or her father’s. So you have all these different things that come to light as far as why someone might talk and tell, and why they may take the secret to their grave.

 

U.G. Digital Mag: Obviously, with this story, when you deal with victims, you can go in many directions with what happens to them, how they deal with it, and ultimately get help. How deep does the story line go?

 

Shaneisha Dodson: You’ll definitely see it toward the end. You’ll see them pull themselves away from the world because they feel alone, and then you see the rebuilding process. The people around them blame themselves as well. You ultimately see them live normal lives in the end.

 

U.G. Digital Mag: It’s definitely a great topic to address. What other importance do you see in this story?

 

Shaneisha Dodson: It was important for me because I know people who have been raped. When I was a teenager, someone tried to rape me, and I was able to fight them off, but I know people who were not able to fight them off. It leaves a long term effect on people. I was a teenager, so I didn’t really realize how deep it was until I got older. I could have died. I could have been killed. What if I wasn’t able to fight them off? When you’re younger, you don’t look at how serious an issue is. It could have really gone wrong. It’s something that we need to discuss.

 

U.G. Digital Mag: A lot of us who look at this story, we know people who have been in similar situations. This will be something that proves to be helpful to so many. How does it help those who have not experienced it, or don’t know anyone who has suffered from it?

 

Shaneisha Dodson: I think it will help people to understand what’s going on, and how to not re-victimize those who have gone through it. I know someone who has a cousin who was raped, and when they get into arguments, it gets thrown in their face. It gets thrown in their face, and it’s not fair. They don’t realize the psychological effect it has. This will teach people empathy, and how to understand those who have gone through it.

 

U.G. Digital Mag: Looking at the full gamete, I think it’s amazing that you were able to put this together. Many of your story lines deal with things that help so many people. What is your ultimate goal for this play? How much further would you like to take this story?

 

Shaneisha Dodson: I would like to take it as far as possible. When you think about rape or sexual assault, it’s not something that people deal with in certain places. It happens all over the world. Our goal is to touch as many people as we can, to encourage them to speak out, and encourage them to get help. You don’t know the long-term psychological effect It can have on people.

 

U.G. Digital Mag: The actors in this play, you have an amazing roster. How did you go about selecting the final people to play the characters?

 

Shaneisha Dodson: I look for certain personality traits. A few people are new, but I also bring in actors and actresses whom I’ve worked with in the past. As I wrote the story, I was thinking of certain people for the roles, and I would reach out to them to see if they were interested. Everyone else, as we went through the auditions, if I saw he passion and drive, I selected those individuals.

 

U.G. Digital Mag: How was Houston selected as the opening location?

 

Shaneisha Dodson: This is where I live now. It’s a new city for me, and I wanted to reach out, get into the arts, and make new connections.

 

U.G. Digital Mag: What took you to Houston in terms of relocating?

 

Shaneisha Dodson: I had a younger sister here. Wanted to try a new area, and it was easier because I had family here.

 

U.G. Digital Mag: Many times with story lines like these, it makes you think of the area where it’s taking place. Houston is huge, so it should do well. I see you’re doing Arkansas as well. Will it go anywhere else?

 

Shaneisha Dodson: I’m still working it out, but having it my way, I would do as many as possible. April is sexual assault month. I would do college campuses if I could.

 

U.G. Digital Mag: Again, I think this is amazing. Bring me up to speed with Black Girlz Productions.

 

Shaneisha Dodson: Well we’re getting ready to do our annual scholarship announcement. Every year, I award a scholarship to a high school senior or college student, and people can always get info on our website. I’m working on a book. I’m working on a screenplay. I would like to transition into film.

 

U.G. Digital Mag: Realistically, that’s a natural progression. Many who start off with stage move into film.

 

Shaneisha Dodson: That’s true, you do see it a lot. That’s my goal.

 

U.G. Digital Mag: What type of timeline, in your mind, is there with you moving to film.

 

Shaneisha Dodson: I would say a couple of years. What I’m doing is working on the screenplays. I’m trying to build a catalog. Right now I’m on my third screenplay, and I have a fourth in the back of my head [laughing], but right now I’m on my third. I’m always writing. It’s a never-ending process. I jot down notes everywhere, and it keeps going.

 

U.G. Digital Mag: I love creative minds. I could never sit and write a play. I’d be writing forever. The stories you have really need to be seen and heard. I love the story of Coffee Shop, and I love that it’s in Houston and that we’ll be out to cover.

 

Shaneisha Dodson: We all have different gifts. Everybody has a gift. I can write forever.

 

U.G. Digital Mag: It’s definitely a gift for you. It hasn’t been so long since we spoke on your last project. In the eyes of everything else that goes on, that is no time at all. I feel like you put this together in record time, and that’s huge. It solidifies your status as a professional. Any final comments and thoughts of encouragement?

 

Shaneisha Dodson: I would say just keep up with Black Girlz Productions? We have done cast introductions so you can get familiar with some of the faces. We’ll be doing Q&A’s with fans. We’ll let people ask questions, and we may do some giveaways. Just keep up and you’ll see what’s going on with upcoming productions.

 

U.G. Digital Mag: Will the updates hit the website?

 

Shaneisha Dodson: They can always hit the website, which is www.blackgirlzproductions.com, and through social media. Instagram is @blackgirlz12, Twitter is also @blackgirlz12, and we have a Black Girlz Productions fan page on Facebook. Those are the best ways.

[NEWS] Dancing With the Stars: LIVE Comes to Playhouse Square...

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 Cleveland, OHDancing with the Stars’ newest Mirrorball Trophy winner and Olympic gold medalistLaurie Hernandez will join her partner Val Chmerkovskiy this winter in Dancing with the Stars: Live! - We Came to Dance tour. After winning a gold medal in Rio with the “Final Five” and an individual silver medal on the beam, Hernandez went straight to the ballroom to compete on Dancing with the Stars where America has fallen in love with #TeamValaur.Fans of the show have the opportunity to see the best dancers in the business, including season 23’s finalists Lindsay Arnold, Sharna Burgess and Val Chmerkovskiy, dance with two-time Olympic medalist Laurie Hernandez live in their hometowns this winter.Dancing with the Stars: Live! – We Came to Dance tour comes to Playhouse Square’s State Theatre Wednesday, January 25 at 7:00 pm. Tickets for the January 25 performance are $75, $59.50, and $47.50 and on sale at playhousesquare.org, 216-241-6000 and the Ticket Office.

This all-new production showcases every type of ballroom and modern dance seen on ABC’s hit showDancing with the Stars, including sizzling group performances, romantic duets, contemporary numbers and original pieces created specifically for the nationwide tour. Dancing with the Stars: Live!travels to Cleveland on January 25.

Captivating audiences across the country, Hernandez joins the hottest cast in dance including Lindsay Arnold, Alan Bersten, Sharna Burgess, Artem Chigvintsev, Val Chmerkovskiy, Hayley Erbert, Jenna Johnson, Keo Motsepe, Gleb Savchenko and Emma Slater*. Hernandez is known for her dazzling floor exercise routines and grace and artistry on the balance beam witnessed by the world this summer at the 2016 Olympic Rio games. Hernandez recently added the coveted Mirrorball Trophy to her collection of silver and gold Olympic medals.

"I am so excited to continue this amazing journey and join the Dancing with the Stars tour, " said Hernandez.  "I loved every minute of dancing with Val and all of the incredible dancers from Dancing with the Stars. I can't wait to be back on the dance floor with all of them, visiting cities across the country."

Tickets for Dancing with the Stars: Live! – We Came to Dance are now on sale. For up to date information and to purchase tickets, go toplayhousesquare.org, and VIP packages will be available through VIPNation.com, giving fans the chance to purchase premium tickets, meet and greet opportunities with the cast, exclusive merchandise and photo opportunities.

[ON the SCREEN] TRACI BRAXTON: DESTINY FULFILLED

We had the pleasure of catching up with Traci Braxton as she prepped for the return of Braxton Family Values this past week! We had a good talk with Traci, as she talked about the show, as well as her new album that she's been promoting and everything else going on in her life right now. Tracy's got some good things going, including the work she's doing with the United Negro College Fund and her efforts to spotlight Juvenile Rheumatoid Arthritis, the effects it has had on her family and her son being diagnosed, as well as how they have been able to conquer the disease. You're definitely in for a treat with this feature. 

 

Click HERE to access Destiny Fulfilled!

[On the Screen] Sierra Alston: She Got Game

We recently had the chance to chat with Sierra Alston, formerly of the reality show, She's Got Game!. Who would have thought that right after our conversation, she would exit the show in the midst of productions.

Not sure any of us saw that coming, Nevertheless, we had a pretty good conversation, and you can catch that interview below, right HERE at Urban Grandstand Digital!

[REVIEWS] LEGENDS OF SOUTHERN HIP-HOP: THE REVIEW

The Legends of Southern Hip-Hop

Cleveland | October 28, 2016

Words: James Johnson

 

Any Hip-Hop fan out there looking to see a good show should definitely consider seeing the Legends of Southern Hip-Hop tour. Currently traveling worldwide, the tour features a variety of artists who have garnered enough respect and success for their art and craft in music that they’ve been afforded “legendary” status. The roster is surely no joke when it comes to the artists who are being featured throughout. Each, in their own right, has built a fan following that is unparalleled in Hip-Hop, and most notably, they’ve been here for some time. They definitely aren’t your “flash in the pan” artists that seem to cycle through. Beginning with Pastor Troy, the list goes on to include Trick Daddy, Project Pat, Bun B; whose legendary status comes courtesy of both an amazing solo career and his duties within the also legendary group U.G.K., Mystikal, 8 Ball & MJG, and finally Juvenile. Scarface also jumps in on a few dates. Clearly, the list isn’t lackluster, and anyone attending this show is in for a spectacular treat.

 

So was the case here in Cleveland, Ohio this past week. Like so many others, having attended so many concerts over the years and seeing so many artists, I’ve come to have a certain expectation in regard to energy levels, enthusiasm, and simply put, whether the artists is truly having a good time, or if it’s “work” for them. This has got to be one of the best shows I’ve seen in a long time, hands down. It was truly amazing because as each artist came out, they all went through songs that honestly, I had long forgotten about. It showed that while many of them have current hits and projects, they also have an extensive catalog of hits that will never die to their diehard fans. While each artist was truly amazing, as a spectator at any show like this, you can’t help but try and categorize each performer in regard to who gave the best show. They honestly all gave an amazing show, but I will say that 8 Ball & MJG absolutely had me nearly falling with excitement as they performed their verses on Three Six Mafia’s “Stay Fly” and their smash Bad Boy hit, “You Don’t Want Drama”. They gave a great performance and showed why they have such a strong bond with their fan base. Bun B went through a number of hits from himself as well as U.G.K, even performing some of the vocals made legendary by rapper Pimp C. Fans were so happy to see him come out, and their excitement multiplied exponentially when he performed their biggest hits, including the collaboration “International Player’s Anthem” which featured Outkast. While his set was short to some, it was just enough to show just why he is the legend many know him to be.

 

When it came down to overall energy, the award goes out to both Mystikal, and Juvenile. From start to finish, Mystikal danced all over the stage as he rifled through the lyrics of such hits as “Down 4 My Niggas”, “Danger”, “Bouncin’ Back”, and “The Man Right Chea”. Just as well, Juvenile went all out as he went through a small roster of his hits. The problem with Juvie is that he’s got so many hits and fan favorites that many left feeling bad that he didn’t hit on certain tracks. He did manage to hit on some of the best though, coming out to the huge hit track “400 Degreez”, and going through a list including “Ha”, “Juvenile On Fire”, “Back That Azz Up”, “Slow Motion”, and “Nolia Clap”. He closed his set with “Gone Ride With Me”, actually wanting to continue performing; only the power to his mic was finally cut short.

 

I really thought it was a great show, symbolizing the unity that exists in the music industry and Hip-Hop world. Together, everyone showed with this tour that good music never dies.

[BRINGING THE FUNNY] KOUNTRY WAYNE: RISE OF A KING

Here at Urban Grandstand Digital, we’ve made it a point to connect with many of the comedians who roll through the Cleveland city limits to perform at the Cleveland Improv. This week, comedian Kountry Wayne will make his way into the city with his hilarious routine. He’s made quite the name for himself through many of the videos he has posted throughout Facebook and YouTube, and his fan base has grown tremendously because of them. It’s all pretty remarkable, considering most comedians are super active on the digital front. We had the opportunity to chat with him about his upcoming show, what we can expect, and what his future looks like.

 

Check out our exclusive HERE!

[BRINGING THE FUNNY] LUENELL: THE COMEDIC GODDESS

It’s always great when Comedienne and Actress Luenell rolls into Cleveland. Currently, she’s here in town, performing at the Cleveland Improv. Regardless of how frequent we see her (she’s definitely here a lot), she always manages to give us something totally new, and in all, her performance is beyond amazing. Luenell has a way of capturing the audience’s attention commanding the stage like no other. What we’re most grateful about in it all is whenever she stops here in town, she’s always willing to sit down and break bread with us about her show, and all the other amazing things she has going on in her life and career. Today was much like any other when talking to Luenell. She has you laughing right out the gate, and it’s just an all around good conversation with someone you ultimately realize is just like you. She’s doing what she needs to do to move forward in this world, and having a little fun in the midst of it all. 

Check out our conversation HERE with the comedic goddess we all know as Luenell!

[BRINGING THE FUNNY] LUENELL: THE UGD EXCLUSIVE

Comedienne Luenell has literally become a household name in comedy in just a few short years. Of course, she not new to comedy. Getting her start more than 20 years ago, she's been working hard, appearing in a number of films, television shows, and comedy specials throughout the years. It wasn't until appearing in Katt Williams' American Hustle that many began to take notice. 

Luenell offers a brand of comedy that is unmatched with any other comic. She has become one with her audience, and they love her for her brute honesty. If you've seen Ny of her performances, it's clear that she's always top notch and gives a stellar performance. 

Luenell's is here in Cleveland this week, and it's turned out to be a big gift to the fans, bigger than usual! Beginning a string of 7 shows at the Cleveland Improv tonight, it's also her birthday! What an honor it is to know that she's spending her birthday in Cleveland with us! For us at Urban Grandstand Digital, it gets even bigger. We were blessed to be granted an interview with Luenell while she's here, and the experience and opportunity was far beyond measure. We talked about everything going on in her booking career down to what she had planned for her shows. Take a moment to check out the Q&A below. And if you're here in the city, check her out this weekend at the Cleveland Improv!

 

Check out the exclusive HERE!

[BRINGING THE FUNNY] COCOA BROWN: MORE THAN FUNNY

No stranger to entertainment, Cocoa Brown has been working for some time now, building her brand of entertainment and comedy. We’ve seen her in a variety of television shows and films. Most will immediately remember her from Tyler Perry’s For Better or Worse, but she’s done so much more in her time. At this point in her career, he goal has shift a bit. She’s focused now on proving to the world that she can master the dramatic role. Trust that she’s still doing her thing to make you laugh through her journey. Matter of fact, she’s here in Cleveland this weekend at The Improv, and I’ve already heard from a number of people that the show is off the hook. 

 

Cocoa takes a few moments in betweens hows to talk with us here at UG Digital about her journey into the world of comedy, her new role in American Crime Story: The People vs. O.J., her new fashion line, and so much more. It’s time for you to see just why Cocoa is indeed More than Funny!

 

[MUSIC] NOEL GOURDIN: CITY HEART, SOUTHERN SOUL

We recently had the opportunity to catch up with Independent Soul Artist Noel Gourdin, and what a great conversation we had. As an avid music follower, I’ve paid attention to a lot, not just with Noel, but music and artists in general. He’s released arguably some of the best albums music has seen in years, yet, we don’t necessarily hear very much about that. In my mind, that puts him in a very “elite” class with a list of other artists, and we talk a little about that. He’s done some powerful things in music with his releases, and this interview gives us the opportunity to spotlight that like never before.

He has a great story in the fact that his road has been bumpy along the way, but he has managed to see his way through it while doing something that he absolutely loves. We talk a lot about following your passions, and in talking to Gourdin, it’s clear that he’s indeed following his passion. He’s living proof that you can follow your dreams and come out on top just by believing in yourself. Gourdin talks to us about everything from his start in music nearly 15 years ago, to the things he currently has going on, including his latest release “City Heart, Southern Soul”, touring, the new project he has in the works, and his new radio show.

Check out his story HERE!