[Music] Meelah: Giving It to You

Photo: Nathan Pearcy | MUA: CJ | Hair: Tiffanie W.

Imagine our excitement in the opportunity to interview Meelah from R&B Divas! To say I love her music is quite the understatement. I've honestly been following Meelah since her days in 702, even before "Steelo" when they were featured on This "Lil' Game We Play" by Chicago quartet Subway. R&B fans immediately took to the girls, and the rest as we say was history. 

Unknown to anyone at the time, It would eventually become her-story! 702 enjoyed worldwide fame and success from two top-selling albums, and had the opportunity to tour the world and do just what they loved. The fun and fame definitely came with a price. A conglomerate of surmounting issues led to the girls separating following the underwhelming success of their third album, "Star". Rumors were swirling that Meelah was the cause of it all. With the group now dissolved, Meelah was left to pick up the pieces and move forward as a solo artist. 

Of course, life was happening all at the same time. Throughout the years to follow, Meelah began a relationship with musician Musiq Soulchild. They were blessed in their union with a beautiful son. Meelah would soon learn that her son was born with a form of Autism. In this exclusive Q&A, you'll learn first hand how her son's diagnosis has become not only the biggest blessing in her life, but also the lives of other special needs children and their parents. Meelah takes us into her hectic world, which includes advocating for special needs and Autism through her new foundation P.R.O.U.D. (Parents Reaching Out to Understand Development Delays), and marketing & promoting the release of her new solo album. By far, it's not easy. Matter of fact, it's hard as hell, simply put, but somebody's got to do. Meelah definitely seems up for the challenge. She's been making so much noise out in the community and people are surely recognizing. She will soon be honored by Beauty In Beauty Out for her contributions to Autism research and for the help she's been able to provide. We talk about all of that, plus we get the scoop on R&B Divas: Atlanta, her new single with Musiq Soulchild, and the possibility of rekindling that Missy & Timbaland flavor that 702 was so connected to (ok...I was really begging for that one..lol). 

 

At any rate, you don't want to miss out on this interview. 

 

Urban Grandstand Digital: Good morning to you and thank you so much for your time this morning. This is huge for me because of who you are, but I’ve been a huge fan of your music since the beginning, so I truly appreciate you. 

 

Meelah: Oh wow, thank you so much. I appreciate that and you for having me. 

 

Urban Grandstand Digital: There's a number of things I want to cover in our short time today. I most definitely want to touch on your foundation, your cosmetics with Revel, R&B Divas and reality in general, and your new single and pending album. 

 

Meelah: OK…

 

Urban Grandstand Digital: So to start, I find myself listening to your music almost daily, especially when I’m running. I’m playing Steelo, Where My Girls At, and Beep Me 911. How does it make you feel that the people from our generation are still following, and twenty years later, they’re still listening to those songs from you? Like, my son is eight, and even he is hip to it now because I play it so much. I feel like my parents sometimes in the sense that maybe I can’t let go of the past (laughing), but I’m truly stuck in that Missy-Timbaland-702 era. So how does that make you feel?

 

Meelah: Well first of all, let me just say thank you so much. My gratitude is infinite. I really appreciate you just keeping it going, and allowing your son to be privy to that era. it’s something that he can continue on with his generation. It’s kinda cool. It makes me feel great, and very humbled. I count my blessings. I’m appreciative to people like you, and to God for allowing me the opportunity to have that moment with 702. The fact that people can still rock out to it and run on the treadmill to it (laughing). That makes my heart smile. To have been a part of something like that, it is nothing short of amazing. 

 

Urban Grandstand Digital: I thought Star was so underrated in the sense that there was such a lack of promo from the labels. Why do you think there was so little promotion?

 

Meelah: Now that I don’t know. You’d have to find Kedar Massenburg and ask him. I don’t know. It’s very disappointing when I think back to that time. I do recall that being one of my primary concerns, making sure this album got the promotion and marketing that it needed and deserved. I just recall feeling like, listen..this is an excellent body of work and I hope that the label does they're job, but they didn’t. I don’t know why. I think maybe it was a budget thing. Maybe we had exceeded our budget paying out the big bucks to the A-list producers. Pharrell blessed us with “Star” and “I Still Love You”. It was really a good record. But you know how it goes though. When you hit that budget, the label is like OK it’s a wrap. I guess it was maybe a financial thing. It saddened me, but hey, life goes on. 

 

Urban Grandstand Digital: Looking at the history of girl groups, when they part or go their separate ways, there’s always one person who catches the fire and storm. They get the blame. Why do you think it was directed to you? Not even that it was true, but the word was always that the group is splitting because you wanted to go solo. Why does that come back to you?

 

Meelah: Well in the history of groups period, you’ll find that whomever the lead singer is, they catch that flack. I think that’s inevitable that the front person, if you will, catches that. It’s sad and unfortunate, because there’s always so much more. If people would take the time to think about the breakdown of 702, I came into the picture with 702 after it was already formed. They were a family group. Here comes this girl out of nowhere, and all of a sudden she’s designated the lead singer. I don’t even know if that was originally the plan, but song after song after song…I was doing lead. There were songs that were done before I came along, and all of a sudden my voice was put in place of someone else, so naturally, that in itself is going to create tension and animosity. Then voila, I’m suddenly the lead singer. Then it’s like, the demise of 702 is her fault because she wants to be solo, and that’s just not the case. I was put into a family group and I went through a lot of stuff, but I’ve taken the high road all these years, and chose to continue to be political about it. People don’t know the real reason why 702 only had three albums. I don’t dwell on the past. I’m grateful for now, and I’m grateful I still have an opportunity to use my gift. So that’s what I’m doing. 

 

Urban Grandstand Digital: I think we all appreciate you taking the high road, and we will talk about that very road when we get around to R&B Divas Atlanta

 

Meelah: (laughing)

 

Urban Grandstand Digital: But I hope at some point, we do get that full story about 702, just because I follow…

 

Meelah: I’ve talked about it, and I don’t want to throw anybody under the bus, but to clear my name, and so people understand that Meelah didn’t leave the group to go solo, I do at times go into it. At the end of the day it doesn’t matter though because people are going to think what they want to think anyway. 

 

Urban Grandstand Digital: Exactly

 

Meelah: We had two successful albums, and the third one could have been just as big. It didn’t happen that way. It’s either third time’s the charm, or three strikes and you’re out. That album was the third strike for me, and I’m just like, hey, I get to do it all over again by myself. The girls aren’t pursuing music anymore. I’m still pursuing music, and I’m just grateful that I’m able to do so. 

 

Urban Grandstand Digital: Now moving beyond all of that, I remember going to a Faith Evans show, and you were doing backup. What brought that experience on? 

 

Meelah: At the time, we were under the same management umbrella, and it was just like, we don’t want to give this check to somebody else. Why not keep it in the family. Hey, why not! That’s how that started. It’s still music, I’m still singing and dancing, and I’m getting paid. 

 

Urban Grandstand Digital: I want to use this as a segway into your foundation. You've been very vocal about your son being diagnosed with Autism. How hard was it for you to make the decision of sharing that with the world? You have so many critics, and people with things to say and opinions. 

 

 

Photo: Nathan Pearcy | MUA: CJ | Hair: Tiffanie W.

Meelah: It was very hard. It took a minute. I’ve been approached to do reality tv for quite some time, and I kept passing up the opportunity. i wanted it to be the right platform. I wasn’t always sure that when I did choose to do reality my son and his condition would be at the forefront or be mentioned at all. I didn’t know if I wanted to do that because some things you do want to keep private. But after praying it out, and seeing the bigger picture and understanding my purpose, I realized that he is the way that he is so that I can share because I do have this platform. I’m happy I made the decision. I feel that God blessed me with my son to be able to encourage and uplift other parents. It’s not about just singing and selling units. I realize that in my daily walk and being a human being. It’s more than being platinum. It’s a bigger purpose now. I thank God that I see that. So I made the decision, and I realize that it was a good thing. Yes, people are going to have something to say. But I get so many people that come up to me randomly, and I forget sometimes. They walk up to me and thank me for sharing my story. I have so many people on social media sharing their stories about their special needs children. Some parents have more than one special needs child. You just realize like, wow, you feel like you’re going through so much, then here’s all these other stories that make you say wow. My son is going through just a percentage of what some other parents’ children are going through. It just really touches me. That’s one of the reasons why I chose to establish my foundation P.R.O.U.D. (Parents Reaching Out to Understand Development Delays). It’s like, it’s breath-taking. I try to respond to everybody on social media about their children. For me, I sleep so well at night. Forget all the negativity, like, the fact that these parents thank me, and say I motivate and encourage them, it speaks volumes. 

 

 

Urban Grandstand Digital: I think it’s definitely very encouraging, even for me, and I’m not dealing with a special needs child. I do have several friends who are, and one in particular is going through so many struggles to get assistance and be able to move forward and work. It’s so much for her, so I can only imagine. But seeing you not only deal with it yourself, but then take the time to help and encourage others, it’s nothing short of encouraging. 

 

Meelah: Well thank you. Like you said, getting assistance and having people to understand and see the things you see is tough. Thankfully, I’m in a position that I’m not on a fixed income and I have a support system, but it’s still tough. These things are expensive; the bills. the services, the private sessions your children need for their development. It’s costly. Insurance or no insurance, it’s a lot. I want to help in any way I can. I want to do stuff for parents to just let their hair down. It’s a lot. Then with working parents, I can only imagine. It’s not easy. And although I may not have a 9 to 5, just getting back out there and promoting myself as a new artist pretty much, it’s a struggle. It’s not easy. Having to win the people over as an artist and then be a special needs mom on top of it. Making sure he’s good because he’s my number one, it can be very trying, but now I’m doing it all for him. I’m good. I have my days where I’m tired of the hustle, but God didn’t bring me this far to give up. 

 

Urban Grandstand Digital: How does the average family get involved with your foundation? Is it based out of Atlanta, or Vegas since that’s where you’re from? How does someone across the world needing that support get involved?

 

Meelah: Right now it’s based in Atlanta. It’s very new. I’m really new to this. I’ll be honest. It’s in the making. I’m now putting together a team that specializes in non-profit. I’m very new to this, but I’m doing everything I can to make it a global operation. There are children across the nation that need assistance. I’m looking forward to doing more in my home city of Las Vegas. Right now, I’ve only had one event in Atlanta. I have something coming up called “Walk in My Shoes” which i’m doing here in Atlanta. It’s basically me sharing and giving back to special needs moms. I would like to include the dads, I got something else for y’all, but’s it’s about the moms right now (laughing). So I’m giving away shoes, brand new shoes, and shoes that I’ve worn maybe once or twice. I have over a hundred pairs of shoes and they’re just looking at me (laughing). So it came to me, and I just want to give back. I know it’s not easy, and we have a lot of single moms doing this. I respect their struggle, and the name [Walk in My Shoes] just came to me. The idea was literally and figuratively that people don’t think, or understand the magnitude of raising a special needs child, so before you open your mouth to judge, walk in my shoes. 

 

Urban Grandstand Digital: I appreciate you elaborating on the concept of it all. 

 

Meelah: Yes, i’m definitely doing things annually, but also throughout the year for both the parents and the kids. I just want to do my part. All the proceeds go to Autism research, and any and everything we can get and donate to special needs parents who may be on a fixed income and just need a little assistance. 

 

Urban Grandstand Digital: So moving forward, let’s talk about R&B Divas. How did this all come about for you? Obviously, you had the connection with Faith Evans and her being one of the creators. 

 

Meelah: Yes, but actually, it had nothing to do with her though. One of the EP’s  (executive producers) approached my management and myself about the show. My manager, Cory Taylor, brought it to me and at first, I was a little iffy because it was reality TV, but the more I thought about it, it made sense to do something capturing the lives of singers and what we have going on, as opposed to being something ratchet USA (laughing). But as you know with reality TV honey it’s going to be a little bit of drama. That’s what entertains the people I guess. That’s what brings the ratings. I will say that at this point in my career, I need some type of television platform. Let’s just be honest. That’s just what it is these days, especially if you’re an artist like myself that came out a while ago, and hasn’t been on the scene. It’s like free advertising. It’s kinda like a new record deal. Reality TV, that just is what it is. I just wanted to make sure I did the right thing. I said OK, I’ll go ahead and give it a try. 

 

Urban Grandstand Digital: Getting back to that high road…I think a lot of people can appreciate you taking the high road a lot. 

 

Meelah: It’s hard…(laughing)

 

Urban Grandstand Digital: But you still present yourself in a classy and dignified way. I know you watch reality TV like everyone else. It’s so much drama, and a lot of it is so unnecessary. You just get the feeling that people are not taking advantage of the platform in the way that it was designed. 

 

Meelah: Exactly. Listen…I’m not perfect. I’m not here to judge. I can’t point fingers at who is doing what and how they do it. Clearly, I haven’t been 100% at all the decisions I’ve made in my life, however,  it’s not always easy. Unfortunately, these shows are designed to sometimes put you in uncomfortable situations. R&B Divas wasn’t necessarily scripted per se, but there are times you’re faced with things you wouldn’t do in your real life. and you have to figure out how to mix and mingle and intertwine and make it work for you. I’m human, and I do have a sassy and fiesty side. I do have a side of me that sometimes just wants to snap (laughing), but that’s just me being human. I realize at the end of the day that I’m not a reality star. I’m a singer who has sold millions. I’m doing this for my music, to brand myself, and to create an empire. I don’t want to be the next chic that’s punching, throwing blows and bottles and wildin’ out. I don’t have time for all that, I have a kid. You know, and I’m not the only one on TV who has a kid, but for me, that matters. It’s kinda crazy James, because you know, I’m a little bit boring for reality TV according to what these folks want to see (laughing)….

 

Urban Grandstand Digital: But you’re really not though (laughing)…

 

Meelah: Well, you know, it’s crazy. It’s a political game. It’s a game, you just got to know how to play it. I’d rather be boring than be crazy and doing foolish things. 

 

 

Urban Grandstand: I agree with that. I think though, that one of the best things about this season is the new music that you have out there. I mean, we got three singles this summer. So it makes me think the album is right around the corner. Is that true?

 

Meelah: The album is definitely around the corner. It’s been around the corner for 5 years (laughing), but it’s definitely around the corner now. Yes, I’m just such a perfectionist, and I’m so picky. First of all, the climate of the industry is so different. every time I’m putting something out i snatch it right back, I just feel like I want it to be right, and genuine and pure. I want it to be good quality music. I keep going back in the lab, but I think it’s a good thing. 

 

Urban Grandstandstand: So can you enlighten us on the single you have with Musiq Soulchild? 

 

 

 

Meelah: Yes, it’s called “Give It to You”, We shot a video for it a couple of months ago to give people a visual. I’m really excited about it. We co-wrote it together. We were in the studio just vibin' out. He was helping me get back in my groove, if you will. We were experimenting together. We did seven songs, three of which were duets. Of the duets, that was just the one. It was something special about it. The more I listened to it, I felt like it was a single. It feels good. We wanted to show the evolution of Meelah as a grown woman, yet have appeal for the youth so it won't be too Urban AC. You know, I don’t want to be too old lady (laughing). You know the kids today are a mess. I want it to feel good and be sensual and sexual. Clearly, there’s connection with Musiq and myself, so we wanted to build on that, be classy and tasteful, but still be about love making, and still enough groove for the youth to bob their heads and it be current. 

 

Urban Grandstand Digital: There’s a lot of people who are really feeling that track, and they’re looking for that album to follow. Do you see that happening this year?

 

Meelah: Lord, we already in October. The plan was to break y’all off before 2015. If not a whole album. at least an EP. I feel like I owe the fans at least that before 2015. I’m really excited. I’ve been working with Musiq of course, and TC, who writes most of Tamar’s stuff, and works with Brandy. I’m just excited. Hopefully, I’ll get back in with Missy Elliott. We started some stuff together that’s really incredible. 

 

Urban Grandstand Digital: Now you know when you say that, it puts me back in my element of Missy and Timbaland (laughing)

 

Meelah: I know (laughing), 

 

Urban Grandstand Digital: I’m just like please take us back to that, even if just for a minute. I can’t be the only one who wants that (laughing)

 

Meelah: Yea, you know it’s funny because she and I talk about that all the time, and I’m like Miss, we can not ignore the people. Y’all got to give us that sound again. Missy and I have really good chemistry in the studio. It’s just something about the sound that we create, which was a lot of 702 sound that the fans miss. I think it’ll be really familiar and it’ll be good to recreate that, so yeah. I’m working on it, I got y’all. 

 

Urban Grandstand Digital: When I tell you that I’m waiting patiently, it’s crazy. I know people think I’m crazy when they look at my twitter and see me tweeting the songs from “Welcome to Our World” and “Beep Me 911”, I know they’re asking why is this dude tweeting this stuff (laughing)

 

Meelah: That’s ok. You know they be coming for us, calling us oldies but goodies. Trying to label us and categorize us. It’s all good. We made some of the best music, and I still look 25. Try it! (laughing)

 

Urban Grandstand Digital: Now I really want to talk about Beauty In Beauty Out. How did you get involved and then it comes to them honoring you?

 

Meelah: Well you know, my new PR firm that I’m so excited about, Amirakal Marketing, actually is the marketing behind BIBO as well. it was like a no-brainer. BIBO is held this year in Las Vegas, and last year it was in Atlanta. It’s encompassing your beauty inside and out, and focusing on people that do things in the community. It made sense, That’s Meelah. I was really honored and humbled. I’m excited it’s in my hometown. I’m excited to be recognized. I was born and raised in Las Vegas. Although I don’t live there currently, any and everything I can do in my hometown, I’m all for it. When we realized it was in Las Vegas, it just made sense. The creator, she’s amazing. I’m so grateful that she even honored what I’m doing, and is giving me the title of honoree. To be recognized, and they recognize not only your talent, but also the things you do. They take a look at the things that aren’t necessarily the forefront of your craft, and I really appreciate her for that. I can’t wait. 

 

Urban Grandstand Digital: I think it’s amazing to be involved, and the things they are doing to encourage people is beautiful, so it has to be big for you to be a part of it. Obviously to be recognized for your talent and things you’re doing is huge. 

 

Meelah: I think what gravitated her to my story is seeing what I'm doing as an Autism advocate. I think she appreciated the fact that I am vocal about my son’s condition, I am sharing my story, and I am compassionate about it. It’s not just Autism either. I stand up for special needs across the board. We have a lot of special needs and autistic children in the african american community, and we don’t talk about it. 

 

Urban Grandstand Digital: That’s the thing right there. I think the reason so many people are gravitating to you and your story is the fact that there are so many people who deal with it, but they just don’t talk about it. But how can others learn from it if no one shares? it’s good that you, and others like Holly Robinson Peete are sharing that.

 

Meelah: I’m not coming down on those who don’t share their story because I do understand. I was at that point at one time in my life where I didn’t want to share. I felt like no, this is my family and my son, so I get it. Thankfully, there are people like myself, and Holly Robinson Peete, and Toni Braxton, DL Hughley and his family, and Tisha Campbell. These are the people who helped me, and gave me strength to open up. 

 

Urban Grandstand Digital: I think it’s good that you’ve chosen to share it, and obviously that goes back to why you’re being honored. 

 

Meelah: It feels great. I mean, who knew! God is just real…I tell ya. He’s amazing. Very clever. 

 

Urban Grandstand Digital: It’s amazing the things we end up doing that we never expected to be doing. 

 

Meelah: Oh yes, exactly. That’s why I say I understand now. I get it. Now I get it. 

 

Urban Grandstand Digital: Are there any final comments at all?

 

Meelah: I think we talked about everything. The new single, the video on youtube, and it’ll be on VH1 Soul and Centric soon. It’s also on my instagram and in my bio. Follow me on social media, at ItsMeelah. Thank you to everybody. 

 

Urban Grandstand Digital: We’re definitely following already. I’ve sent some tweets here and there while watching Divas (laughing)…

 

Meelah: Oh wow, that is too funny. Look…that’s been you (laughing).. Thank you. And you know, I don’t know whether or not I’m returning to R&B Divas, so if you don’t see me, I’m sure you’ll see me on your television soon. 

 

Urban Grandstand Digital: Now that’s funny because seeing as how we talked so good about R&B Divas, I threw that question out the window. Figured I didn’t even need to ask. 

 

Meelah: But it’s no shade. I don’t know if they’re going to have me back, and it’s ok. You know, and I’m going to put it on record. They’re trying to decide if they want Meelah back or not. If they choose to have me back that's good, and if not, that’s cool too. The people have spoken. According to what I get everyday, they want to see me back, But I don’t know what they’re going for. They may want something more than the high road James. 

 

Urban Grandstand Digital: I think that’s what it is. It has gotten so out of hand. You see these shows that don’t want the high road. They want what you call Ratchet USA (laughing)

 

Meelah: Yes, they want people to turn up and act a fool, so it’s OK to have an opinion, I don’t know, maybe people’s eyes were closed. I clearly was not mute. I clearly had an opinion and I’m very vocal about things I don’t agree with, but I just do it in a laid back classy way. It may or may not be enough. In any case, I may or may not be returning. But you’ll see me on something very soon. I love the camera and the camera loves me (laughing). Thank you everybody for supporting me on R&B Divas. and hey, we’ll see if y’all see me again.

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[Bringing the Funny] Roy Wood Jr.: An Urban Grandstand Digital Exclusive

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There’s so much going on in the city as we lead up to the weekend! Of course, the Cleveland Cavaliers are having their opening game tonight, but in the midst of all the madness and excitement, there’s another major showing going on! Comedian Roy Wood Jr. has made his way into the city, and is performing the entire weekend at the Cleveland Improv! Naturally, we had to catch up with him before his first show to get the rundown on everything he’s got going on, and just what he’s got planned for his weekend run. He also throws in a few words & updates on the hit TBS sitcom Sullivan & Son, which recently wrapped up its third season. You’re definitely in for a few laughs with this exclusive. And if you’re in the city, you definitely don’t want to miss out on the show! You can purchase tickets at www.clevelandimprov.com

 

 

Urban Grandstand Digital: I really appreciate your time this evening before your show.

 

Roy Wood Jr.: No man, I appreciate you reaching out to make a little magic. It’s a symbiotic relationship, we both benefit…

 

Urban Grandstand Digital: It’s definitely good to talk, with you being here in the city this weekend. Have you been downtown in all the madness going on for the Cavs opener?

 

Roy Wood Jr.: I just left that chaos! Good lord! Y’all don’t play around here.

 

Urban Grandstand Digital: I was just down there myself

 

Roy Wood Jr.: We were over in front of the House of Blues. Everybody’s out there and it’s all love and excitement.

 

Urban Grandstand Digital: So you’re at the Improv tonight….

 

Roy Wood Jr.: Yea man, you know what, I’m here all weekend. I’m at the Improv through Sunday! Tickets sales are good tonight, considering I’m up against some dude named Lebron (laughing). I never heard of this gentleman, but you know….

 

Urban Grandstand Digital: The tickets are definitely selling good, but then you do a good job with your shows when you’re here, so it makes sense.

 

Roy Wood Jr.: You know, all I’ve ever tried to do with my comedy is drop in a little truth here and there, and hopefully those that appreciate it will come out to see it. So far so good! I’ve been able to build a quick 16-year career off this.

 

Urban Grandstand Digital: I love the fact that aside from your career in comedy, you have a degree in Journalism. Do you have thoughts of moving back to that?

 

Roy Wood Jr.: I don’t feel like I’ve ever really left it. I feel like I’ve always been dabbling in it to some degree. I did morning radio for over a decade, and I still dabble in afternoons in Atlanta. That’s been a great foundation for writing and how to present my thoughts, and also how to analyze the world. Now that I’m foraying into a little bit more of the sports world, and doing things for Yahoo! Sports Radio and ESPN, there’s still a journalistic element to the presentation of the information, even if it’s funny there’s a certain way to tell the story and shape the script, so in that regard I still consider myself a Journalist. They don’t teach you the fundamentals to comedy in Journalism school, but I definitely feel like to some degree, I’ve learned a lot about how to properly present stuff. As a comedian, all you’re doing is reporting on the world, or reporting on your life.  It’s no different.

 

Urban Grandstand Digital: I can appreciate the fact that you ventured over to Yahoo! Sports. How did that come about?

 

Roy Wood Jr.: You know what happened man, it’s basically a situation where I play in this cover 5 league. It’s like a football pick. It’s not really fantasy football, it’s not fair to compare the two, but there’s a radio show, Steve Czaban Morning Show over on Yahoo! Sports Radio. They do some things with cover 5 as well. I was doing a cover 5 league for the Sullivan & Son television show that I’m on TBS. So I connected with the guy who runs cover 5, and he asked since I was doing it for the sitcom, if I wanted to call in on the radio show to promote it. Of course, I said hell yeah. I called in once or twice and we hit it off so we then figured out an idea for a segment for me. I do it every week, and it’s called ‘Guaranteed Ass Whoopins of the Week. It’s literally just the most asinine possible scenario you could think of for a game. That’s pretty much all it is. It’s fun and it’s just something I enjoy doing. I love talking sports and just shooting the breeze, and I do a video for it as well. That’s the really cool part of it.

 

Urban Grandstand Digital: I just love the fact that you dabble in some of everything and do a number of things. I think it’s awesome.

 

Roy Wood Jr.: I appreciate it man. I just feel like there’s no one recipe anymore. I learned back in ’06. I got blessed with an opportunity to do David Letterman. Up until that point, we [comedians] were always sold the dream that all you had to do was make it to Letterman, or Leno, and then you get a career and everything is great after that. I did Letterman and it was a blessing, but I still stayed with my momma for almost another year. There’s nothing overnight about any of this. Even the guys doing Letterman and getting mileage out of their appearances, it was just a much different landscape. People’s attention is divided, so my focus should be divided. That’s the only way I’m going to have a chance at reaching everybody.

 

Urban Grandstand Digital: You’re a perfect example though, of working hard and achieving your dreams and goals.

 

Roy Wood Jr.: That’s it. You just bust your ass and figure out a way to survive in the meantime. If you have the ability to endure you’ll outlast anyone else in your industry. Most people aren’t really in it for that long haul. They claim they are.

 

Urban Grandstand Digital: Sullivan & Son is hugely popular man. Obviously, it’s in the third season, so everyone’s doing something right. What do you think it was that made it stand the test of time?

 

Roy Wood Jr.: I think what gave us a little bit of mileage with that was the honesty, and writing. The writing reflects real life and real conversation. I think that’s been the main thing a lot of people connect with in terms of our fans. If you look at our show in comparison to a lot of other shows, it’s definitely more of a traditional feel and a throwback in a sense to the sitcoms of yesteryear, you know…of the 80s and 90s, that had a totally different vibe to them. I believe our show fills a void while updating the dialogue and the situations to reflect present day America. I think that’s something any and everybody can relate to. There’s more minorities on the show than there are white people on the cast; and you know, let the census tell it that’s the way America is going too (laughing). Lots of things going on, that ultimately will help us stay at that forefront.

 

Urban Grandstand: So what direction do you see the show going in? Obviously, it’s at an all-time high in terms of popularity. What direction do you see it going?

 

Roy Wood Jr.: I think it will definitely hash out more of the love storyline between Steve Byrne and Valerie Azlynn. They’ve added a love interest now, after three seasons. We’re still waiting to see if we’re going to get a fourth season. We finished our third season at the top of September, and I think the numbers will support a fourth season, but the bureaucracy and negotiations of that is stuff that I’m not privy to, so who knows how that works. But the ratings and fan support suggest we would get another season. I don’t see why we wouldn’t.

 

Urban Grandstand Digital: Well like I said in the beginning man, I greatly appreciate you for your time today. Do you have anything big planned for your shows this weekend?

 

Roy Wood Jr.: Man, I just want Cleveland to come out and laugh. This is one of my favorite cities to perform in. Top two or three for sure. I’ve always had a blast here and it’s always been a good time. I don’t expect it to be anything different. I’m anxious to get on stage and see how everyone is doing and get the jokes flowing.

 

Urban Grandstand Digital: I’m usually there on Friday nights, which is usually the toughest night in terms of crowd and audience, but as long as the comedian on is cool, there’s usually no problem. I’m looking forward to seeing the show.

 

Roy Wood Jr.: That’ll be dope! I’ll see you when you get down there…

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[MUSIC] Tracey Lee: The Journey

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It’s interviews as such that make me love what I do. With this feature, we are blessed with the opportunity of catching up with rapper Tracey Lee! Despite the fact he’s been away from the limelight for 16-years, anyone who was a hip-hop fan throughout the nineties knows just who I’m talking about. Tracey Lee was in the same circle as most of the biggest artists of that era. His debut album, ‘Many Facez’, yielded the huge singled “The Theme”, and “Keep Your Hands High” with The Notorious B.I.G.. Despite the level of success Tracey reached with this album, the shift of the entertainment industry as a whole resulted in his dropping from Universal Music.

 

With this feature, we’ll actually serve multiple purposes. First, we’ll see how he was able to miraculously turn his life around after losing his record deal, and being kicked out of his mother’s home as a result. The biggest triumph in it all is the fact that he earned his Juris Doctorate, and has since become a licensed entertainment attorney. Tracey is definitely leading the pack, as this is the first time you’ve seen any rapper become an attorney. Not only that, but he’s now making a triumphant return to music. It’s definitely a new site to see a practicing attorney in the scene as an artist, but that is the beauty it. This is a piece that will show artists what they can do in the face of defeat. It also shows them what they can do when they take control of their lives in the right way and apply themselves. Tracey has negotiated contracts now for some pretty powerful artists, who you’ll learn about later in the article, but what’s amazing is now he can now 

negotiate is own future projects, should he ever go that route. At this point, that isn’t even a thought. In addition to his law practice work, he’s running his own companies alongside his wife, and ultimately showing other artists that it can be done.

 

In our interview, we talked about everything from his deal he had with Universal, to being dropped, kicked out, and going back to school. He also talks about starting his family, having his first child, and his ultimate return to music. He lets us in on the very things he took for granted as an artist signed to a major label, that now he’s most certainly up on, and trust that many other artists are in the same boat. A law degree will surely clean that all up though. Knowledge is definitely power! With a more mature style, will he be accepted in today’s climate? Is his law degree a benefit, or disadvantage? He’s telling it all with no filter. We’re taking you through Tracey’s journey, right here at Urban Grandstand Digital.

 

Urban Grandstand Digital: What’s been going on man? It’s been a long time since you’ve been out there.

 

Tracey Lee: Oh man, a lot. I guess when I left Universal, which was in 2001, I was trying to figure out my next mission and purpose. The trials and tribulations of the music industry took me to law school. I got my law degree in 2006.

 

Urban Grandstand Digital: So this was in entertainment law?

 

Tracey Lee: Yea, well when you talk about a JD (Juris Doctorate) you talk about all aspects, but I decided to concentrate on entertainment once I became a licensed Attorney. Entertainment is where I came from. It’s a natural progression. It was not only to protect myself in future endeavors, but also those behind me.

 

Urban Grandstand Digital: It’s funny talking about a Juris Doctorate because at one point, I started on a path of doing the same, but I opted to just go for my Masters in Journalism and keep that going. I think it’s outstanding that you did it though. Like you said, it helps as far as learning the business and dealing with the snakes.

 

Tracey Lee: Absolutely, and trust me, I had no intention on becoming a lawyer. That was the furthest thing from my mind, but because of the situations I put myself in, I knew I had to wake up and be smart about it.

 

Urban Grandstand Digital: So have you started practicing law now that you have the degree in hand?

 

Tracey Lee: Actually, I’ve negotiated a few contracts. I worked with Eric Roberson, who is considered the number one independent R&B artist. I still negotiate his contracts, or production agreements to be more specific. Algebra Blessett, I also negotiate for her as well.

 

Urban Grandstand Digital: Man. Algebra Blessett! Absolutely love her music. She’s someone we’re definitely looking to connect with for the magazine.

 

Tracey Lee: That’s what’s up. That’s my sister. We go way back, and we’ve done things musically together. Now she has me for her legal stuff. I’ve also done some work with Kelly Rowland. So it’s like, in the midst of being an artist and being creative with the music, I still use my skill set as a lawyer to pick and choose who I deal with in the industry. I also use it to school younger cats who are trying to get in the game. They need it the most because they are the ones who get miseducated and misguided the most about the music industry. I was one of them.

 

Urban Grandstand Digital: I would think; though, that when you’re in negotiations, the last thing anyone would expect is that you know contract law, and are actually an Attorney.

 

Tracey Lee: Right, but you know, hopefully and prayerfully, through interviews like this and exposure I look to get in the next 6-months to a year, people will begin to realize that I’m a lawyer. This could also make things more difficult for me though. Now, they know they can’t just sell me anything.

 

 

Urban Grandstand: So where are you headed in returning to music?

 

Tracey Lee: Absolutely. Truth of the matter is I left it from a commercial perspective, but I never stopped doing music. I have tons of songs I’ve done throughout the last 15 or 16 years. This now is my first independent release. I’m a partner with my wife, Left Entertainment. I feel like this is God’s gift. This is the gift he gave to me to profess, perfect and put out into the world. So I release the ESQ Revelations. It’s a culmination of the last 16 years, basically telling the story I’ve been through, the journey I took, why it took me so long, and the purpose here moving forth.

 

Urban Grandstand Digital: So obviously, the last time you were out there was with Universal, so you were with the majors. What will be the biggest difference now in the fact that you’re independent, and the biggest benefit? I for one think it’s so much better to be independent when you’ve been in this for so long.

Tracey Lee: No question. One of the things I’ve discovered being independent are some of the things I took for granted being on a major. It was more of the administrative aspect than the creative aspect. Things like registering every song with BMI so that you keep tabs on your spins. Making sure you have all codes in place, UPC codes, ISRC codes, and making sure these things are in place so you actually get paid for your work when somebody is playing your record. These are the things I took for granted, but with that said, I don’t mind doing the work. I know now that I control everything that happens. I understand where all my streams of income are coming from.

 

Urban Grandstand Digital: Not only that, but when you put it in someone else’s hands to do, they tend to slip up when they don’t benefit. By you doing it all, you know it’s done, or if it’s not done then you know why you didn’t get a check.

 

Tracey Lee: (laughing) Exactly. I can’t point the finger at anyone. Being signed to a label gives you the wiggle room to play the blame game.

 

Urban Grandstand Digital: How has it been returning to the forefront of music? It’s been a long time since people have heard from you.

 

Tracey Lee: I’m not gon’ front. I’ll keep it all the way 100. It’s been an uphill battle. You have your naysayers, asking why they should listen or give it a chance. I run into that a lot, but I have faith. I have the utmost confidence that once you do put your ear on the music it’ll blow you away. But here’s the other challenge. The music game has changed, not only from business, but the creative aspect. I have not assimilated with the new sound that is in the commercial market place. I’m from the old school, for lack of a better term. I’m from a school where the sound was different; it wasn’t synthesized, and it was more live instrumentation. It was more boom bap. More kicks and snares. More breaks. These are the things I bring to the table now, which may seem newer to the new generation, but it’s really an adaptation of the old sound, and the old way of doing things. Even from a lyrical standpoint, I’m not simplistic at all. I take pride in owning my craft as a lyricist. I take my time with everything I say. I’m not degrading women. I’m not fornicating, and I’m not selling the youth on an idea of drinking and drugging as a lifestyle. I’ve grown and matured. I’ve lived. I’m not saying I’m a saint, but I lived through that. There’s a new message out here.

 

Urban Grandstand Digital: It’s great because that’s what you and I want to hear with hip-hop, but do you feel like it puts you at a disadvantage because with everything you’re not doing, everyone else is doing it.

 

Tracey Lee: It’s interesting that you say it. It’s like the glass half empty, glass half full. Some people say it’s a disadvantage, but I think it’s an advantage because now I’m doing something nobody else is doing. I’m giving you a message. The majority of people will say it’s a disadvantage. Matter of fact, in the gym today, this cat that bought my album said “I love it, but you know some people say it’s ten years too late”. I’m like, who dictates that it’s ten years too late? Is it because you haven’t heard from me in a while? Have you even heard the music to make that determination? Nine times out of ten, you haven’t heard the music. You’re just going on the surface.

 

Urban Grandstand Digital: I think with anything, you have people who criticize and speculate. It’s just like with Urban Grandstand Digital! We don’t cover when Drake and Chris Brown are fighting, and stuff like that, because to me, it’s supposed to be about the art form, and the talent that’s being presented. All the other stuff is a distraction. But to many, that places us at a disadvantage because society wants to hear the drama and see the madness.

 

Tracey Lee: But actually you’re working at an advantage. Now we have some place to go if we really want to get into the culture and get a different perspective.

 

Urban Grandstand Digital: People that you’ve worked with in the past, like Busta Rhymes, do you find that there is support from them with your return? And I only mentioned him because actually, a few days ago I was listening to the track you’d done with him in the late nineties.

 

Tracey Lee: Not yet. I haven’t run into Busta, or anyone I was affiliated with in the past. That’s just because I haven’t been on the scene. I’m sure when I do see them, it’ll be love. People will be caught by surprise. A few may say what is he doing here? That’s what I look forward. I want to see these people’s faces. I know there are probably some naysayers that counted me out, and it’s funny that when I run across people and hear that I’m a lawyer now, and the reaction you see when they hear I have a new album, this is almost like an oxymoron. It’s definitely a novelty. They’ve never seen anything like this before. I’m looking forward to the reaction.

 

Urban Grandstand Digital: So talk more about the new material:

 

Tracey Lee: It’s a combination of the music I grew up on. It’s definitely hip-hop. It’s definitely boom bap. It’s heavy percussion, sample driven, and a mature sound. It’s live instrumentation and background vocals. Heavy lyrical. It’s taking you on a journey of my life over the last 16 years. Getting dropped from the label, to going to law school, to trying to find my way, being flat broke, working at a furniture store in Atlanta. My mom kicked me out of the crib after I got dropped. She said you have to find your way. It’s about me growing up and maturing, and meeting my future wife. It’s about us figuring out what our journey would be together, and eventually having our first child. It’s my life, and I put it all on wax. If you go to my website, or iTunes, Amazon, and Google Play, you can get it. We’re just working now to get traction as far as radio is concerned, but that’s a whole different political game.

 

Urban Grandstand Digital: So what do we get next? What else is coming up?

 

Tracey Lee: Shows are definitely on the horizon. We’re in the process of building with a booking agent to see about venues, and who we can attach ourselves to along the same demographic. We’re also looking forward to speaking on panels, lecturing, and different things like that.

 

Urban Grandstand Digital: So I have to ask where Cleveland fits into the grand scheme in terms of shows?

 

Tracey Lee: Oh hey man, listen! If we can get there, I’d love to. Cleveland was a big deal for me. I’ve come there a couple times.

 

Urban Grandstand Live: It’s still a big deal too man. We would love to see you here though.

 

Tracey Lee: Absolutely. The entire Midwest was a great market for me. Y’all are a problem right now. Y’all got Johnny Football up there, Lebron James! It’s a lot happening.

 

Urban Grandstand: What else is going on that everyone should know?

 

Tracey Lee: I must reiterate, Tracey Lee ESQ, The Revelation! In all digital stores! Also on my website. TraceyLeeMusic.com. In addition, we run a company called Lleft Entertainment. We have a publishing side that my wife deals with! We have books out there for the kids. A few books! You can go to Nelsonpublishingbooks.com, or Lleftent.com. They make great stocking stuffers.

 

Urban Grandstand Digital: I think it’s great that you’ve come back and tapped into so many different things. I mean music, publishing and books, and law obviously! These things will surely keep you out there.

 

Tracey Lee: Absolutely. What we’re trying to do it tap into the black family and black culture. One of our biggest peeves is making sure these kids read. Put down the Play Station, put a book in front of your face and read. It’s a lot going on in society right now, and they obviously don’t care about us. We want to make sire we are taking care of our own.

 

Urban Grandstand Digital: Any final words at all?

 

Tracey Lee: We covered Lleftent.com, traceyleemusic.com, nelsonpublishingbooks.com, Facebook under Tracey Lee Fanpage, Twiteer at @traylee, and I’m on instagram at @traceyleeesq and besides that, thank you for the opportunity to get our voices heard. I want to tell the people that when they’re introduced to new music, don’t be afraid to press play!

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[REALITY][ON THE SCREEN] Margeaux: Spreading Her Wings

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We all got to know Margeaux Simms through her role on VH1’s Love & Hip Hop: Atlanta. As we all learned throughout the past season, there’s much more to Margeaux than the typical drama and ruckus often displayed on the show. Margeaux is a budding talent in music, and she had the opportunity this past season of display her new single, “Start a War”, via the show. Since showcasing that single to the world, Margeaux has since put together a steady stream of music, and is now plotting the release of her new EP. We took a few moments to talk with Margeaux about her music career, which actually has span nearly a decade now, and her new EP, her time on Love & Hip Hop: Atlanta, and all the things she has happening throughout the next year. Through this piece, you'll see just how Margeaux is spreading her wings in her career, and how she's soaring because of it. 

 

UG Digital Mag: I have to thank you so much for your time today. It’s people like you who are allowing me to follow my dream of journalism. 

 

Margeaux Simms: Awesome. Thank you for having me. 

 

UG Digital Mag: This year has proven to be amazing for you. Congrats on the success of everything you have going on. 

 

Margeaux Simms: Thank you so much. 

 

UG Digital Mag: What has it been like for you to truly be pursuing your music? People really neglected the fact that you were doing music?

 

Margeaux Simms: I’ve always been an artist, even prior to the show. I never talked about it on the show because it didn’t seem like the show promoted music so much. I felt like if it happened naturally, or if people googled me, people would find out. I had stuff out, and different projects, so it worked out. I’m glad the people who watched saw it and I was able to be introduced to them. I just happened to be on the show. I never wanted it to be like I was a reality star who suddenly started doing music. I think we see a lot of that. I did not want to cram it down anyone’s throats. 

 

UG Digital Mag: I think it’s good though. Thinking of the premise of the show, I’ve always felt as though that avenue should be there to pursue music. You’re one of the only ones I’ve seen capitalize off the situation in the right way. 

 

Margeaux Simms: Well thank you. I thought it was supposed to be about that, but that’s moreso just the title, and you get more of the love and drama. A lot of people like that, but when you have a small fanbase and you get on a bigger platform, you want it to happen organically. 

 

UG Digital Mag: Of course, everyone who has heard “Start a War” is looking for new music. It was clear that you were in acomfort zone and it was something you loved. People got that sense, and I know you have the new single, “Girl on the Left”. Can you talk a little about that?

 

Margeaux Simms: Yes. I waited on releasing it because with “Start a War”, people loved the song. I just kinda put it out. It was one out of many, and then I decided to do it on the show. I decided to put out singles because I had all these ideas for videos for each song. I’m excited for people to finally see it. 

 

UG Digital Mag: I think it’s a good strategy, putting out singles, but I think you’ll be that difference with people wanting to purchase a full album. I think people will love your music because of how different it is. 

 

Margeaux Simms: Thank you. I hope it does well. I hope people can take away from it whatever they want, and not over think it. I want them to be inspired to do their own thing. Everything you want to know about me, I put in my music. I rarely hold back anything. 

 

UG Digital Mag: When are you looking to release it?

 

Margeaux Simms: We’re looking at April for “Girl on the Left”. We keep pushing it back because I’ll do more singles, then want to do more videos. I don’t want to rush it. Putting out an EP for me is like getting a tattoo. It has to be perfect. Once it’s there, you can’t take it back. I want to feel good about it in my soul. 

 

UG Digital Mag: Do you feel like Love & Hip Hop was helpful in you getting your music out?

 

Margeaux Simms: It was a little helpful. I’ve met other cool music bloggers as a result, and they come up and talk about the music more than the drama. I can’t leave my house in New York without people approaching me, and it’s all about the music, which is good. In the marketplace, it’s more about being able to push what you do and get away from the story you weren’t able to tell. It’s reality TV, and there’s a part that’s not reality, yet, it’s trying to hold you to the character you are on the show. No on understands the psychology of it unless they do a show. When you think about it, it’s really deep psychology. I feel like reality TV is made up of genius producers who put this together the way they can market and manipulate the craft. I’ve learned a lot in business about how you can use that for yourself. 

 

UG Digital Mag: So let’s talk House of Margeaux (HOFM)!

 

Margeaux Simms: I studied design when I was in school, and I’ve always wanted to blend with fashion. Design is such an art form, and something has to give. I wanted to do that, and with music, doing my songs, and video treatments, I wanted all these amazing clothes in the videos that sometimes I couldn’t afford. I said I’ll just make what I see in my head. That’s how it came about. Then I decided to make a cool merchandise line for the music. I wanted people to know it’s really coming from me. I’m not just an artist on a big machine and now I have merchandise being sold to you. I wanted it to be organized, and I wanted people to know when they get into my music, they are also getting merchandise from me that I spent time to create and put together. HOFM is the merchandise. I showed at fashion week last year, but I just showed the merch line. I wanted it to be merchandise that people really wanted and can really get into. One day I’ll do a full collection out of it. I had more ideas I started to make while I was on the show, and then people started to ask for certain pieces. From there, I put them on the site and it took a life of it’s own. 

 

UG Digital Mag: I believe it makes your brand that much better because you’re so hands on and involved. It will do so well for you because of that. 

 

Margeaux Simms: You have to be involved, and be inspired. I have to be hands on. 

 

UG Digital Mag: What are your plans over the next year?

 

Margeaux Simms: For me, the next few singles will be released. I’ll drop the EP. I’ll be performing in Toronto and New York. I’ll also be going to Paris in August. I’ll be in New York working, and also put some things together for Fashion Week. That’s pretty much it. 

 

UG Digital Mag: I think it’s great that you’re involved in so much. Even with your involvement in SXSW. 

 

Margeaux Simms: Yes, it’s a huge platform. I’ve always wanted to be part of that. Meeting the other musicians and artists, and connecting with them is a great thing. The showcase I’m a part of is The Color Agent. It’s a great thing to see. 

 

UG Digital Mag: I’m glad you also mention being from Toronto. We’re seeing so many more people from there. 

 

Margeaux Simms: Growing up, I’d always hear people say there were black people in Canada, and we’d always laugh. We’d forget there are black people all over the world. We all come from the same places. There’s a lot of culture there. I can’t wait to perform there. 

 

UG Digital Mag: What are you most proud of about the way things have gone?

 

Margeaux Simms: I’m most proud of being able to show who I am, and for people to see that I’m an artist. I’ll always be an artist. I’m proud of fighting for my integrity. I can sleep at night. There’s nothing I did that I am ashamed of.

 

UG Digital Mag: Any final comments at all?

 

Margeaux Simms: I would say to read more. Seek the people you like and why you like them. Don’t believe everything you see on television. Be smarter, and don’t accept what’s given to you. Be your own leader and don’t take things for face value. Be your own individual. 

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[EXCLUSIVE] Mya: Smoove Talkin'

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We’ve literally watched R&B songstress Mya grow before our very eyes. We saw her come into this industry as a new artist, and she has since become a major force in the independent world. We all know how fickle the music world can be at times, and unfortunately, that can correlate to lower sales figures when in actuality, your core audience is definitely rockin’ with you 100%. As a trickle effect, the major labels may not be as supportive as they once were, and as an artist, it can leave you in a state of shock and ultimately become more difficult to release your projects. Mya has become that example of what can be done when you simply want more as an artist, and you believe in yourself and your product. In a few short years, she has taken the reigns of her career and is reaching amazing heights like never before.

 

Following a series of independent releases on her own label, Planet 9, Mya has dropped an extraordinary project titled Smoove Jones. Not only is she flexing her growth as an artist, but she’s showing the world that she is high-powered businesswoman. Taking from all she’s learned throughout her journey from others along the way, she’s now handling the marketing, advertising, promotion, overall vision, and so much more. We see so many artists who don’t make it after their time with the majors, but she’s showing that it can be done when the hard work it put in. Obviously representing how much Mya has grown musically throughout the years, Smoove Jones also represents her true independence in this music business.

 

In our exclusive with Mya, she talks about the process of putting this album together, the difficult, yet exciting parts of being an independent artist, and whether we could see her with another major label in the future. She also leaves us with some amazing advice for all the artists out there considering an independent route. So as Mya would say, sit back, recline, and sip some wine, because it’s time for a little Smoove Talk!

 

UG Digital Mag: It’s such an honor to be able to connect with you finally. Many of our loyal subscribers have been asking and requesting that we run a feature with you, and we, too, have always wanted to do this, so we’re tremendously grateful to you for your time.

 

Mya: Thanks so much for having me.

 

UG Digital Mag: So, getting right into Smoove Jones. I feel like this is some of your best work to date. Every artist wants to feel in their heart that they are not just progressing with the times, but progressing within themselves and their craft. What are your feelings on this body of work, in respect to progression?

 

Mya: I’m very proud of this body of work.  It was birthed from a very pure, free place with no pressure, no interference, no deadlines, just simply the love of music.  So to create from that space is progression itself. I have musical influences from the 70’s, 80’s, and 90’s throughout the project, with some complimentary hints of now with joints like “Team You” & “Spoil Me”. 

 

UG Digital Mag: Talk about the progression of your work in general. You’ve always brought your A-Game in terms of being sexy, sensual, and the overall theme of love with your work, even beginning with your single “All About Me”. I remember you doing “My Love Is Like Wo” and thinking damn, she is really taking us there. Of course, you did your thing in Chicago with the musical numbers there, and moving forward over the years, you seem to elevate. So now we’re at Smoove Jones, which is a Valentine’s Day release, and you seem to be at an even higher level. How did you plan for this project in terms of what you wanted to bring forward?

 

Mya: For this project, I just wanted all positivity, uplifting feel-good vibes, drama-free, elevation music, whether on the dance floor, in the car, at the club, in the living room, at work or behind closed doors. Smoove Jones is a radio personality & show who serves her listeners based on their special requests.  They have consistently said they don’t listen to the radio anymore and asked me for some “Real R&B.”  So they inspired me to create my own fantasy world and radio station. Somethin’ for the fans that have grown up with me over these last 18 years, you know? We grown folk now. (laugh)

 

UG Digital Mag: You worked with some pretty amazing people for Smoove Jones in terms of writing. Obviously Terry Lewis had his hand in things, Kalenna Harper worked with you on “Hold On”, a track which I especially love. How did you, and do you, determine who you want to work with for your projects? What were your plans, or expectations, in respect to Smoove Jones and what you wanted fans to get for the final outcome?  

 

Mya: I am always writing, recording, experimenting and practically live in the studio. Being an independent artist allows me a limitless playground to create.  Over time, I’ve worked with so many different people.  There’s really no one particular process to getting in the studio with folks.  We chop it up on the phone or email, set up a time, and take it from there creatively or they’ll send me something to download, I vibe to it in a completely different city, state or country… and we build from there.  For this project, I wanted to give more of an experience with musicality & R&B roots.

 

UG Digital Mag: What was timing in putting this together? How long did you work on this project?

 

Mya: There was no particular in timing in putting the project together.  With the exception of the intro, the outro & Coolin’, I’d recorded the other songs over the course of the last 3 and a half years which were just sitting amongst an archive of unreleased music. I handpicked what I thought would work best together for another grown & sexy themed project to complete the EP of the Planet 9 EP Series.  The Smoove Jones title came to me around October 2015, when I started going through pictures to assemble the 2016 Calendar… I said “That’s it…that’s the cover right there! That’s Smoove Jones. That is HER & that’s going to be the title of the next EP.” Now, the crafting of the calendar, the digital booklet, all of the paperwork, mixing, mastering, design, packaging, metadata organization & manufacturing of the physical CD was all done in-house through my label, Planet 9… I’d say it was at least a 2 1/2 month process.

 

UG Digital Mag: I’m not one who watches the charts constantly, but from what I can see in terms of your fans, the album is doing great. 

 

Mya: That’s great, because I certain don’t pay attention either.  I’m just happy that my music is in the universe having folks feel some type of way (laughs) and is being received well.  

 

UG Digital Mag: So let’s talk a little about the independent world. You’ve been independent for a number of years now. You’ve released a number of projects, which in my eyes have been quite successful, and you’re now on your latest which is doing phenomenally. What difficulties have you had along the way? How have those things gotten better over the years?

 

Mya: Well being independent and managing to pay for your projects & put them out into the universe yourself is quite a success.  But coming from the major label world, my independent projects might be looked at as a failure from some. Some of the difficulties have been not having enough time in the day to wear every hat. I enjoy the process and making sure the product is right, but damn it is a struggle trying to be 20 different people in one day (laughs).  And I often laugh at & even question myself… “like damn… you are either super passionate or you are just insane.” I guess the two go hand in hand. Difficulties… Well because I am not supported by a major budget which pays for marketing, promo, advertising, radio & TV time, the perception has been that I quit singing. But it’s actually been the complete opposite. I’ve never traveled, performed, recorded so much, pushed out this many projects or actually recouped & profited this much in my life… the way I have in my independent journey. There are many things that could be better, but many things that could be worse. But one thing that’s gotten better is my art, self love & knowledge of business that only doing time in the trenches can teach you. 

 

UG Digital Mag: I have the debate with artists often in regard to being independent, and I’ve always felt like it was so much better being independent, in terms of freedom, marketing and promotion abilities, and so on. I’ve always felt that nobody can sell or promote you better than YOU. Having been independent for a good deal of time now, would you go back to a major label deal? 

 

Mya: I will not entertain any traditional new artist deals.  Been there, done that.  I am however open to entertaining the proper partnership deal. 

 

UG Digital Mag: So back to Smoove Jones. What are your plans in terms of promo, touring, etc? Have you even had time to think of shows yet?

 

Mya: I’ve already done some spot dates prior to and during the release. I’m in rehearsals & live band rehearsals right now for a Smoove Jones promo tour. All dates can be found on myamya.com/events

 

UG Digital Mag: “Welcome to My World” and “Team You” have done amazing. Have you looked at additional singles at all?

 

Mya: I’m letting the fans decide what they want on radio and/or video. Now that they have it in their hands and they can live with it a little bit, whatever they say goes & will be. I’ve been listening.

 

UG Digital Mag: I applaud you for the work you have done with your career, transitioning from the majors to being independent. You’ve managed to stay afloat, taking full control of your artistry and product, and the results have been nothing short of amazing. What are you most proud of with your transition in music?

 

Mya: Thank you so much. Well I’m most proud of my faith, strength & resilience. I’ve discovered first hand that there are great lessons to be learned about self and life in every devastation, loss, change, etc.  The greatest gift in my life has been the gift of music and all of the wonderful possibilities it possesses.  I’m also proud to say I’ve finally arrived at the beginning of true artistry, craftsmanship & knowing what I’m made of which is a beautiful place to be, create & share from. 

 

UG Digital Mag: I always ask artists what type of encouraging comments they like to offer to fans who are looking to pursue and do similar things in music, but I open this question up to you in regard to other artists. Given the experiences you have had in music, beginning with the major labels, and ultimately becoming this major force in the independent world, what advice do you offer to other artists who are considering an independent route, or are in a situation where independent may be their only option?

 

Mya: Faith first.  Stick with it.  Love it by breathing it. Treat it like school. Do the work and calculate every year as a grade that you’ve passed. Graduation takes time. It may take years, it may not.  But usually great preparation for long term goals will & most certainly do.  Live smart & simply so that you may invest in YOU, the quality of your product, brand & presentation. The pay off is not now. The pay off comes later after you’ve delivered several great meals whether operating as a small restaurant or a large one. Go out and meet as many creative, artsy & business folks that you can benefit from and be a benefit to. Ask for help. Build your team & create from a place of freedom. Remember.. it ain’t just about you.  It’s about how you can serve people & raise them up. And remember to help or repay those who have helped you reach your goals for free.

 

UG Digital Mag: Finally, what final comments do you have to your fans?

 

Mya: Thank you, thank you, thank you for the opportunity to serve you at Mya’s (vegan) Chi’kin & Waffles. I’m sure y’all are so ti’ed of these daggone sides & appetizers. But we are currently developing what I believe will be our most popular main course.  So for now, lay back, recline, sip some wine and enjoy these taste testers on Planet 9.  The grind is for realz!  Appreciate your patience.  

[MUSIC] Ida Divine: Divine Intervention

There’s something about music of the nineties that we just can’t seem to let go of. Whether it was the sound, the way it made you feel, or the amount of time, effort, and overall work that you knew the artist was putting into it, it's something that forever stays in the minds of so many music fans today. It’s why when artists like Ida Divine come around, they instantly do well. 

 

While Ida Divine is well aware of the time period she’s in, and her music is very well within this time frame, there’s no denying that her music offers a bit of nostalgia when it comes to what we were accustomed to in the nineties. Her music definitely invokes that spirit, and that overall feeling of happiness. Once you realize she’s working with Herb Middleton himself, it all becomes rather clear. Middleton, as many will remember, was a part of the huge circle that included Puff Daddy, Faith Evans, Mary J. Blige, and so many others. He was instrumental in building the musical landscape of Evan’s self-titled debut, and Blige’s My Life. Obviously, his worked continued on with a host of other artists throughout the years, and now he’s back in the market for building that artistry from the ground up again.

 

With Ida Divine, the union couldn’t be any better. Their styles matched together has proven to be a golden combination. One listen to Divine’s “I Rise to the Top”, and you’ll understand just was I mean. Her path has been written, and the stars are definitely aligning perfectly for her. 

 

In our feature, we talk about the album for sure, but we also talk a lot about her humble beginnings, and just what she has in store for the world. She’s worked hard to get to this point, and the doors are now opening wide for her. Her union with Herb Middleton is something that has been properly serving to both of them. She was at a point where she needed that special somebody to get her to the next point in her career, and the same applies for Middleton. He was in search of that special somebody to take his company to the next level. From that, came Divine Intervention!

 

 

UG Digital: Thank you so much for your time. We’ve been working so long to put this together. It’s exciting to connect with you because I love your album. I love the movement you’re making, and I haven’t seen it in a long time from an artist. There’s something about the stuff that Herb puts together. 

 

Ida Devine: It’s very nostalgic

 

UG Digital: There’s a quality in your music that is not heard anymore. Kudos for that...

 

Ida Divine: Thank you for appreciating it, and thank you for your musical ear. If you have a music ear, you know what sounds good, and what connects you to the music you grew up with. That’s the main thing I aim to do with my music, just to give people something that’ve heard, but in a new package. 

 

UG Digital: So talk about your start in music?

 

Ida Divine: I’m originally from Staten Island, from the same projects where Wu-Tang came from. I watched them before they got on, and they would always be in these cyphers. They would always be freestyling in a circle. Funny as it sounds, I started to feel like I could be in Wu-Tang (laughing). I started writing raps and poetry. My mom is Jamaican, so she played a lot of roots reggae, dancehall, Sade, and american music as well. Everything combined, it played a key factor in what my music is now. That’s when I started thinking I could be a musician. I was 13 at that time. 

 

UG Digital: As cheesy as it sounds, I’ve always recognized and idolized the people coming from that area, and places like the Bronx, and Brooklyn, and just NYC as a whole. I also look at those from Jersey. I think the fact that you're from Staten Island speaks to your music and the quality. You think of Lauryn, who comes from Jersey, and it’s the same thing. You remind me of her in many ways. 

 

Ida Divine: That’s such a great thing because she’s one of my idols. NYC is an inspiration for musicians from anywhere. If you’re from anywhere else pursuing music, and move to NYC, you’ll be inspired. It’s not the easiest place to live, but the intensity feeds into the music. I've lived in the South for a little, which was much easier, and I created great music. I was raised in NYC though, so I carry that survival type of mentality. 

 

UG Digital: That mentality, and that spirit of hustle that so many people in NYC have, how has it helped you in jumpstarting your career? You mention how much easier it was for you in the South. How has that spirit helped you to continue to build in NYC? I imagine that it has to be difficult in getting people to pick up on it?

 

Ida Divine: One of the tactics I use, sadly, is being a woman (laughing). You have to use it if you want to get any further. When you see a female artist, you look at them physically, then you listen. That’s just human nature. In Charlotte, trap music was getting really big. I would write a rhyme, and I would freestyle over a trap beat, but sing it. I noticed it was getting a lot of attention. It was strange because they didn’t know what to do with me. I would go to these open mics and be the only girl there rap-singing. From there, I gradually went into singing and then got management. It started with hip-hop though. I just got in where I could fit in. 

 

UG Digital: I know I said you remind me a lot of Lauryn, and when you look at her beginnings and where she started, there was never any hiding the fact that she was beautiful. People saw it, but I don’t believe they ever knew the fire she had to offer until she really put it out there. You fast-forward to now, and she has been running nearly 20 years off one cd. I feel like you’re going to mimic a lot of that. 

 

Ida Divine: When I look at her, I look at where she comes from. She comes from a good household, and obviously came from the suburbs, but I believe it plays into her message. It doesn’t matter where you come from. If you have a message, you need to share it. 

 

UG Digital: A lot of people go through the same struggles regardless of where they’re from. A lot of people in the suburbs sometimes have things a little worse because they may not really be affording that lifestyle and they’re working harder to maintain. 

 

Ida Divine: That is something that people would never know. You look at them and think they have everything, and then they’re shrouded away from the inner city. Someone like her probably craved that inner city culture. I’m glad she’s here and doing her thing. She did the Nina Simone remixes. It’s great.

 

UG Digital: So for you as an artist, knowing the stress behind promoting your product, I don’t think anyone would get into this unless they knew they had something. What for you made you feel it was a sure thing. 

 

Ida Divine: You never know if it’s a sure thing, but you get little signs that tell you that you’re on the right track. The first one I got was early. I have two boys, and we were watching Fantasia on American Idol. My oldest was like mom, you can do that. From there, I got other little signs. I started to open for a lot of artists coming through Charlotte, like Dead Prez, and Raekwon. Those type of things really give you confidence. Over time, it becomes more of a sure thing. 

 

UG Digital: What was the reaction, obviously you being in the south, and then somebody like Raekwon comes through that's from where you come from?

 

Ida Divine: I think it was more like what is she doing here. Keep doing it. I always got positivity. I opened for Lady Saw, and she was great. She travels by herself, and she had her DJ with her. She was just like keep going. If they want you to take your shoes off, take them off and give them to them. I’ve been getting great feedback from these legends when I meet them. They tell me to keep going. 

 

UG Digital: I think you’re doing it. You’re so seasoned, and you know what you’re doing. You’ve clearly worked hard at putting your package together. In this day and time, where do you feel like you fit into it all? Given the nostalgic feel to what you offer, and the fact you’re working with Herb...that’s all good, but you have a lot of people who are going to look at it’s old school. 

 

Ida Divine: I do have a vintage sound, which is attributed to the production I choose. He has a very classic sound, like classic 90s R&B. That’s fine, and I love that. I also do a lot of other things, and you’ll hear it through the production. For instance, I have a track that is like techno-hip-hop. I think that I fit in where I want, but I remain true to my sound which is soulful. Also, I can see a true school kinda 90s genre or nostalgic vibe coming back. Like boom bap is coming back. 

 

UG Digital: I think it definitely is. In terms of your artistry, what is your goal?

 

Ida Divine: I want to have a Rachelle Ferrell type of following. She can sing whenever or wherever she wants, and she is good. If I’m not on TV or radio, that’s cool, but if i have a room full of people wilting for me to come to their city, I’m cool with that. 

 

UG Digital: You’re well on your way to building that. There’s a song you did that used the same sample as Kanye and Jay-Z. 

 

Ida Divine: That song used Otis, and the song was Groove is in the Heart from Dee-Lite. 

 

UG Digital: I love that song. I thought you were killing it. 

 

Ida Divine: I like to mash up music, and do multiple covers at a time. It’s fun for me. 

 

UG Digital: That’s what’s allowing you to connect with listeners. We want to hear music. Some of what’s out today is so manufactured, and you get sick of it after a while. 

 

Ida Divine: The same drum patterns, and same voice recognition. I get it. That’s what soul music is about. It’s authentic because it comes from the soul. 

 

UG Digital: In terms of you being with Herb, he’s one of the biggest names in there industry, and I think in the same respect we second guess ourselves, so I don’t think he realizes how big he is. 

 

Ida Divine: Herb is so humble. You can’t tell him who he is. He’s like “oh no, I worked with Usher once, he was cool”. 

 

UG Digital: I’m like, does he realize he was behind Faith and Mary?

 

Ida Divine: He did. There’s someone that said he was the diva maker (laughing)

 

UG Digital: He and I connected at the time we did the Faith Evans issue. In reaching out to the individuals involved and he jumped at the opportunity. 

 

Ida Divine: That’s great, and I just wanted to tell you before you go any further, thank you for that! Faith is one of my favorite artists in the entire universe, and she’s from Jersey. She had that hip-hop and R&B soul. I don’t think she gets the recognition she deserves. I couldn’t get enough of her. Thank you for doing that. 

 

UG Digital: She was the first artist that I stepped out there and put together a full issue for. It’s ironic because when her cd dropped, I remember where I was the day it dropped, and as connected as I was to music, I don’t think I could appreciate it for what it was at the time. Like a year later, I worked at an amusement park which was like an hour from home, and it sits on an island. I had this lonely sense where I felt like I was alone, and her album carried me through that period. What amazed me about doing this issue is when I reached out to her team, they were excited and participated. I don’t see other magazines doing that. As a journalist, there’s always been the saying that you want to always remain objective, and fewer journalists put their true emotions into their work, but I want to show through my work that I truly am a fan, obviously without being crazy with it (laughing). 

 

Ida Divine: It’s kind alike Unsung. It has become so popular and huge because there is a hunger for seeing how the music came about. 

 

UG Digital: You connecting with Herb, did you know his track record? How did you come together?

 

Ida Divine: In Charlotte, I was managed by two females, which was a big part in why I was media trained. They did all kinds of things with me. They had a woman who did PR. She did her own events as well. She said she knew I was going back to NYC, and she connected me to Herb. I was getting away from rap, but he was looking for a female lyricist. I sent him various things, and he wanted to do a project. Once I googled him, I was like “oh shit”. I said from that point, I would make sure I was dedicating time to creating, and allowing myself to listen. I know he knows what he’s talking about. He lives out of state. I had to travel to get this album done, and I’m so happy at how it turned out. 

 

UG Digital: It shows your love, and how badly you wanted it. 

 

Ida Divine: I had to. I also work in the healthcare field, and I work third shift. 

 

UG Digital: It’s funny that when I called you one day, I had that sense immediately that you were in healthcare. 

 

Ida Divine: Yes indeed. When that shift changes, you become instantly tired. Sometimes, if I knew I was recording afterwards though, I would gear myself up at about 4am, and put every bit of energy into it. I’m glad we can all hear the intensity. 

 

UG Digital: Where are you as an artist in the next five years?

 

Ida Divine: Next year, I’ll be going to Birmingham, and doing some work in the UK and London. My music has been over there for a while. I’ll do a small run over there, and build it up. I’ll possibly get into some Broadway as well. I’ve been doing some auditions. 

 

UG Digital: I think it’s amazing. Going to the UK, things pick up so strongly in terms of music that the sky will definitely be the limit. You’ll be at an unbelievable level. 

 

Ida Divine: They constantly check for Soul Music artists. They look for them. A lot of artists go there and get the recognition they want. Then when they come back here, it’s reciprocated. I see that happening. I’ll dedicate a good chunk of time to learn their market and connect with the fans, DJs, and promoters there. 

 

UG Digital: In terms of final comments, what do you want to get out there to your fanbase? 

 

I want them to purchase I Rise to the Top. I’ll be in Philly in March at Warmdaddy’s, and at BB King’s in February. I’ll be back down south as well. 

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Walking Dead Actress, @SonequaMG, Cast As Lead In Next Star Trek Series

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Star Trek Discovery - CBS

Star Trek Discovery - CBS

Sonequa Martin-Green has been cast as the series lead in Star Trek Discovery. Set 10 years prior to Captain Kirk's voyage on the Enterprise, 'Discovery' seeks to reinvigorate the Star Trek franchise  on television and launch CBS' streaming services next summer. Producers acknowledged looking for a woman of color. They were inspired, at least partly, by Nichelle Nichols from the iconic original series who played lieutenant Uhora, and the first African-American astronaut Mae Jemison.

Astronaut Mae Jemison - NASA

Astronaut Mae Jemison - NASA

We still don't know much about the premise of the new series, but CBS seems to be reaching out to a much larger and diverse audience with Discovery's recent casting. Michelle Yeoh, from 'Crouching Tiger Hidden Dragon' fame and more, has also been cast as a captain in the series. Discovery will additionally feature the first openly gay main character. Check out UGD and Deviant Theory for more info as it comes in.

Lieutenant Uhura from Star Trek The Original Series - Paramount/CBS

Lieutenant Uhura from Star Trek The Original Series - Paramount/CBS

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It Came, I Saw, But Did It Conquer? A Non-Spoiler Look At Rogue One

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Rogue One: A Star Wars Story - Lucasfilm/Disney

Rogue One: A Star Wars Story - Lucasfilm/Disney

This isn't a proper review, nor is it intended to spoil any major plot points of the film. If all you've seen is the previews, you're safe.  That said, hell yes this film hit all the marks it was supposed to and most certainly conquered! You are doing yourself a diservice waiting to see this. Many of the plot points will leak out in time and you could spoil yourself from a pretty fantastic experience.

Rogue One managed to pay homage to its old fans and captivate new ones in just a few hours of film time. Unlike The Force Awakens, which had to both meet expectations of original trilogy fans and also rebuild trust after the prequels, Rogue One is free to be its own film. It did great work with that freedom, somehow being both an effective Disney film and a Star Wars story. More on that later in a spoiler review...

It's clear Disney's gamble on standalone Star Wars films have paid off. They'll be running to the bank on this one for sure, but most importantly they'll be producing solid Star Wars movies for some time to come. I'm sure you've got your own opinion and some ideas on things you loved about the movie. Feel free to share below, but no spoilers! Check me out at Deviant Theory for more nerding out, spoilers and a chance to share your feedback.

[LEGENDARY] Nu Shooz

I'm honored to have had the opportunity to connect withValerie Day and John Smith of the group Nu Shooz! I believe they are perfect for this series. To say they're legendary does begin to speak to the impact they've made in music. For more nearly four decades, they have entertained the world with their authentic brand of soul and R&B and inspired many along the way. Starting in 1979, they've created some of the most timeless music that has crossed multiple genres and built a career that that has practically made them untouchable in the industry. While some may not immediately recognize the level of influence they've had, their history proves otherwise. Their smash single "I Can't Wait" was release 30 years ago, and to this day is still a fan favorite. The song was recently used in seasonal/holiday promotions for Target Stores, which undoubtedly opened the group to a brand new audience. Today's music fans can now see exactly what we loved so much about Nu Shooz when they first introduced us to their music. It was imperative for us to make them a part of our Legendary series. We're greatly honored they agreed. In our feature, they take us on a journey of what was going on for them at the time, and how they managed to inspire so many people with I Can't Wait. We also learn more about the new musical gems they are arranging as we speak. We're proud to present to you our latest legends: Nu Shooz!

 

Thank you so much for allowing me the opportunity to speak with you two. I can say that I’ve followed you both for much of my life. I was nine years old when I Can’t Wait was released, so it was something that stood out for me in my childhood. My entire family is musically driven, and there's a few who have gone professional in music and entertainment, so music has always been our thing. I can remember being excited at the overall spirit and energy that the song provided. What made me really go ahead and reach out was the Target commercial. My son has been bitten by music at an early age, and he immediately took to the commercial. Initially, he would dance whenever it came on, but then I later realized that he downloaded your song through Apple Music to his phone. Surely, it made me remember how the song resonated with me, and I wanted to connect to talk with you about that type of impact you’ve made not just in music, but urban culture. It’s amazing that it’s been 30 years and the commercial has opened you up to an entirely new audience now. 

 

Valerie: Yes, it’s true. How old is your son?

 

UG Digital: He’s nine…

 

Valerie: Nine, what a great age. 

 

UG Digital: yes, and it's ironic that he’s nine and just hearing it, and I was nine when I was first introduced. 

 

Valerie: That’s awesome. 

 

UG Digital: It’s definitely something he loves. When you think back to that period, did you have an idea that it would not only be big at that time, but become iconic in the sense that 30 years later, it would resurface?

 

John: Absolutely not. You know, you can never know if a song will be a hit or not. It’s not just a good song, but does the song hit the singer? When you release it, is there an opening in the business? The business was very different then. There was federal grand jury investigation into Payola around the time that "I Can’t Wait" came out. All the payola money, all the mafia money was locked up, and it suspended the underground radio promotions. The independent promotion business was shut down for six weeks. We got through, but you just never know. I do know that out of the songs we recorded that fall, that was the best one. That one sounded the most like a record. 

 

UG Digital: I think it touched so many people, and one of the biggest things here with Legendary is we like to reach out to people who have been inspirational in their careers, and here, I look at the fact that you crossed many genres. It touched people even in urban culture and hip-hop. Many people sampled this song, including Vanessa Williams, and Naughty by Nature; who are celebrating their 25th anniversary this year. You also have Doug E. Fresh, and Brian McKnight. A lot of people have taken from your creativity which is great. What was your thought and vision when you were putting it together. 

 

John: There were a bunch of guys in the band writing new wave stuff, and I just wanted to write the funkiest thing I could (laughing). We started as a soul band, doing a lot of tower of power and Earth, Wind & Fire and stuff. Then, gradually there was this mission drift as they call it. Everyone in the band was writing, and it was like that blue-haired, new wave stuff. "I Can’t Wait" was an attempt to take the band back in the direction I wanted it to go, and it worked. 

 

Valerie: At that time, we were playing 3-5 nights a week, and the nights we weren’t playing, we were rehearsing and trying to get new material into the band. John was writing like crazy, and trying to get new material in every week so we wouldn’t have to play the same tired stuff every week. We play 4 hours a night in most days. There were no openers in the clubs we played.

 

UG Digital: But that speaks volumes as to just how powerful and influential you were. 

 

John: It was a great music scene here in the early eighties. Within ten blocks of each other, there were all these clubs, and some would book you in for every Wednesday. There were clubs you could put your gear in and stay for four or five nights. It was a great time. There’s nothing like that now, as far as I can tell. It was an amazing scene. Seattle got all the press later in the nineties with the grunge era, but Portland was an amazing hidden gem.  

 

UG Digital: In terms of the music scene, I know so much has changed in the last thirty years, and not much is the same. What are your thoughts on the shifts of the industry, and who do you feel about being out there today?

 

Valerie: There’s positives and negatives to everything in life, right? The positive thing about this particular time period is we are hearing from people we never would have heard from back in the old days. They had to write a letter to us to communicate. We got all this fan mail back in the eighties and tried to reply to every single letter. Now, you can interact with people via social media, and that is a wonderful thing. You can develop a relationship with your audience that was not possible before. It’s fabulous. It comes in handy when you’re making a new record, like we are right now. We’re making a new record called Bagtown, and when we put pieces out there in the world and get positive feedback, it really spurs the song. We would make it anyway, even if no one cared or listened, because sometimes you just have to do things as an artist, but getting the instant feedback that they love it and want more, that helps a lot. 

 

UG Digital: So how did the Target commercial come about?

 

Valerie: You know, I don’t know how Target came across the song or who pitched it to them, but we got a call from the publishing company we work with for our catalog, and they said Target was interested. We said sure, and when they put it with Icona Pop recording it, and with Questlove producing, we knew it was a home run. We loved that they did such a good job with it, and It just looked amazing. 

 

UG Digital: I thought it was amazing. I enjoyed the fact that they had multiple spots, so one was maybe 20-30 seconds, and then they also had one that was perhaps a minute or more. I think it was good because it opened you up to a broader audience. There’s kids listening, and much like my son, they love the energy. 

 

Valerie: All these years later, I am so grateful that the song that hit it out of the ballpark was one that was fun, and positive to sing. What if your biggest hit is one that is a downer (laughing). You'd have to be down every time you sing it. I’m grateful that the song that hit it out of the ballpark is one that I love to sing. 

 

UG Digital: When I think of you two in terms of artistry, I think legendary, which is why I reached out. When you think of that term, what does it mean to you, and what does it mean to even be considered that?

 

Valerie: First of all, if you saw what we looked like in the morning, you’s think we were so not legendary. 

 

John: Legendary bed heads (laughing)

 

Valerie: I think it’s amazing that somehow the music has lasted this long that people think of us in that way. It’s hard for us to think of ourselves in that way because we’ve been hanging out on the planet for this long and are grateful for the opportunity. What do you think John?

 

John: I think that Nu Shooz is a thing, and it is because we recognized early on that we were unique in our sound. We had a sound, and the sound came from basically knowing that we were incapable of sounding like anything but us, and we got behind it. I think there is definitely a kind of Nu Shooz approach to music. I’m glad that this has lasted over time. 

 

UG Digital: I believe that it was your authenticity, and that resonates with people. Authenticity allows you to last. It stands out with audiences and music fans. I really wanted people to know how much you’ve inspired urban culture. When I first mentioned to someone that I would be connecting with you, they initially wondered why because it wasn’t traditional hip-hop or R&B, but I said to them that learning your history, they would understand. You kept me motivated and happy, even through music, at such a young age. It’s wonderful being able to sit with you and get a sense of what was going on at that point of your careers. That commercial gives people the opportunity to know you in this time frame. It also helps that you’re still working on new music. 

 

Valerie: That’s the other thing I believe is great about this time period. If I were a young musician now, oh my god. There are so many ways that you can research the people you believe are legends. All the video, and audio available. When we were working in the eighties, the only music we could find was on one radio show in Portland every Friday night on this little radio station…

 

John: …at 2 in the morning…

 

Valerie: They would play the latest funk and soul music. We would comb every song for inspiration. John would sometimes go to LA where he was from…he’s from Cleveland originally…

 

John: My mom was there

 

Valerie: He would visit his mom, and tape the radio station down there. The internet just was not happening yet (laughing). I think for people today, they don’t realize the amazing amount of music they have at their disposal. I taught voice for twenty years, and one of the things I always told my students was you learn from other people. That’s how we even learn to speak another language. We copy, and imitate. Then you let it go through who you are so that it becomes your authentic voice. Be yourself is basically what the message was, and it worked. 

 

UG Digital: If there was one thing you could say to your fans, new and old, what would it be?

 

Valerie: Thank you! Thank you for keeping the music alive so we could get to this period, and even make new music. Without the people listening, we would not be anywhere. 

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[Sports] New NFL Partnership With MEAC & SWAC Geared at Strengthening Pathways for HBCU Students...

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 The NFL has launched an enhanced partnership with MEAC and SWAC aimed at increasing career opportunities for students attending Historically Black Colleges and Universities (HBCUs). The first annual NFL Careers in Football Forum will be held Friday, December 16th 1pm EST at The Omni Hotel, 100 CNN Center NW, Atlanta GA 30303

 

The NFL Careers In Football Forum is a part of the NFL’s broader partnership with the MEAC and SWAC to increase opportunities for ethnic minorities interested in pursuing careers in professional football administration. 
The career conference, one of The Air Force Reserve Celebration Bowl's ancillary events, brings together students interested in sports management and entry-level athletic department administrators from MEAC and SWAC colleges and universities to explore potential careers in professional football administration and to network with industry leaders.

The forum includes lectures and panel discussions with NFL leadership and club executives, resume and skill-building workshops, a behind-the-scenes look into football operations at The Celebration Bowl offering students unique opportunities to work with the event operations team on game day.

The below panelists are scheduled to participate:

Troy Vincent, NFL Executive Vice President of Football Operations 


Rich McKay, Atlanta Falcons President 


Kevin Warren, Minnesota Vikings Chief Operating Officer 


Sashi Brown, Cleveland Browns Executive Vice President of Football Operations 


Ted Crews, Kansas City Chiefs Vice President of Communications 


Tony Wyllie, Washington Redskins Senior Vice President of Communications

Continuing the tradition of honoring NFL Legends at Super Bowl, the NFL will recognize Hall Of Fame players who attended HBCUs in a special way at Super Bowl

List of Pro Football Hall of Fame-HBCU players

Grambling State
Willie Brown, Defensive Back
Buck Buchanan, Defensive Tackle
Willie Davis, Defensive End
Charlie Joiner, Receiver

Morgan State
Roosevelt Brown, Offensive Line
Len Ford, Defensive End
LeRoy Kelly, Running Back
Willie Lanier, Linebacker

Jackson State
Lem Barney, Defensive Back
Walter Payton, Running Back
Jackie Slater, Offensive Tackle

South Carolina State
Harry Carson, Linebacker
Deacon Jones, Defensive End
Marion Motley, Running Back

Mississippi Valley State
Jerry Rice, Receiver
Deacon Jones, Linebacker

Southern University
Mel Blount, Defensive Back
Aeneas Williams, Defensive Back

Tennessee State
Richard Dent, Defensive End
Claude Humphrey, Defensive End

Alabama A&M
John Stallworth, Receiver

Bethune-Cookman
Larry Little, Offensive Guard

Bishop
Emmitt Thomas, Defensive Back

Florida A&M
Bob Hayes, Receiver

Fort Valley State
Rayfield Wright, Defensive Back

Maryland State/UMES
Art Shell, Offensive Guard

North Carolina A&T
Elvin Bethea, Linebacker

Prairie View A&M
Ken Houston, Defensive Back

Savannah State
Shannon Sharpe, Tight End

Texas Southern
Michael Strahan, Defensive End

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[MILESTONES] Lil' Mo: 15 years of Based on a True Story

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Fifteen years ago, the music world was blessed with the debut release from R&B singer Lil' Mo. She had already started building a name for herself, having worked with the likes of Missy Elliott and Timbaland. She contributed a bouncy tune titled "5 Minutes" alongside Missy Elliott for the motion picture soundtrack "Why Do Fools Fall in Love", and that would serve as her initial mark in music. While some felt the song underperformed, It stillresonated a great deal with fans, and that ultimately sparked preparations for Based on a True Story. 

 

Mo would go on to contribute to a number of collaborations with a variety of artists, including Ol' Dirty Bastard, Missy Elliott, and Ja Rule, leading up to the 2001 release of her full length debut. The lead single for "Based on a True Story" was "Ta Da", a tune Mo labeled as a woman's claim to independence. The album ultimately took off with the second single, "Superwoman Pt. II", which featured a then-up and coming rapper named Fabolous. The song undoubtedly helped in pushing him to mainstream success, while also solidifying Mo's place in the game. 

 

The success of "Based on a True Story" doesn't end there. Another single would be released later in the year, titled "Gangsta (Love 4 The Streets)". While only three singles were release from the LP, there were a number of tracks that did well with fans and ultimately made this album a classic for our generation. As we take a look at some of the album's many standouts, we want to extend love and congratulate Mo on 15-years of "Based on a True Story"! In addition to revisiting the standouts, we'll also peruse through some of those tracks that didn't make the cut. 

 

Tracklisting:

  1. Intro
  2. My Story
  3. Supa Star
  4. Superwoman Pt. II f/Fabolous
  5. Player Not the Game f/Carl Thomas
  6. How Many Times
  7. 2moro
  8. Friends (Those Girls)
  9. Gangsta
  10. Saturday
  11. She Could Neva B Me
  12. Time After Time
  13. Outro
  14. I Ain’t Gotta (Bonus Track)
  15. Ta Da (Bonus Track)

 

Intro: The “Intro” was perfect in the sense that it not only gave you a sense of what Mo could do with her voice, but she immediately let you into her world of spirituality, as she covered a bit of ‘I Love the Lord”. 

 

My Story: I found this track to be pretty awesome to say the least, along with the album's Outro. I always wished the two could have just been combined and ultimately been longer. I was definitely feeling it from the start, but Mo really pulled me in with the breakdown near the end: "I'm giving you me, every part of me, this is my story, I hope that you see, the life I'm living, my heart I'm giving, my favor to you"... I still find myself playing that track a lot, even today. 

 

Supa Star: 

 

2moro: This was absolutely my jam, as it was for a number of fans. Mo is great with ballads and slow jams, and she naturally gives every bit of all she has in belting out the right notes. She had me right at the start with "all day, you complain, it's a wonder I'm still the same, you got me on a ball and chain, can't escape, get away, it's the same ol' thang, same shit just a different day"... In the song, she's bad all she can take of that relationship, and she's on her way out the door. It's a subject that many have been in, men and women, and that alone may the song easily relatable. 

 

Time After Time: I'm usually not big on remakes of huge classics, but I felt like Mo did a great job with taking in Cyndi Lauper's Time After Time. Musically, it wasn't much different than the original tune, yet, Mo managed to put a good spin on it and make it her own. 

 

Gangsta (Love 4 The Streets): “Gangsta” was that track that not many expected from Lil’ Mo. For as versatile as she had become, some found it to be too far left. Nevertheless, it struck bit with her core fanbase, and did well as a single. 

 

Ta Da: Released in 2000 as a lead single for “Based on a True Story”, Ta Da was an instant success with Mo’s audience. Written by Montell Jordan, it was one of many songs that allowed Mo to flex her strong vocal abilities. 

 

Saturday: On Saturday, Mo sings of being left by her man for another moment, although she was led to believe their relationship would be. Yet another fan-favorite.

 

 

Songs we wish made the cut!

 

 

More Than You Know: Mo’ sang her heart out on this track. I was quite surprised it didn't make the final cut because she really took us there with her riffs and runs. 

 

Starstruck: Starstruck was an example where Mo’ was clearly having a good time and taking it to a place a humor. Featuring Missy Elliott, Mo’ went after that boy that ridiculed and picked on her. Starstruck was that track that made humor of it all and essentially said “look at me now”. 

 

If U Wanna Dance: A video was released for If U Wanna Dance in 1999, and while the track is definitely upbeat and sure to get you moving, it didn’t strike it big with fans in the eyes of label execs, and was subsequently removed from “Based on a True Sorry”. Nevertheless, it was definitely one of our favorites. 

 

Club 2G: Another certified hit that takes Mo to the club with guest appearances from rapper Naam & Missy Elliott. 

 

5 Minutes: from the time I heard "5 Minutes" on the soundtrack of "Why Do Fools Fall in Love", it was definitely a favorite. I always assumed it would make it onto the album, and as much as I would have loved to see it there, it actually makes a bit of sense not being there, considering it was already a few years old and had already been released. Still a hot jam this very day though. A video was also released for ‘5 Minutes” back in 1998. 

We would love to know what you thought of the LP, and what your favorites were. Send your comments to info@ugdigitalmag, and we’ll add them into the next issue’s mil section! You can also feel free to tweet them to us at @ugdigitalmag

[FEATURES][NEXT-UP] Kindu Hughley

Born and raised in Cleveland, Ohio Kindu Hughley is no stranger to the music industry. At an age when most kids were out hanging with their friends, he was spending time crafting is flow. Kindu had dreams of success in music, and he would do all he could to make that happen. 

 

Joining the Inner City Misfitz at the age of 15, the cheers and accolades would come fast. In what seemed to be an instance, he and his group mates were performing at nearly every club in the city of Cleveland, and opening for such acts as Lil’ Kim and Jr. Mafia, Devin the Dude, and II Tru, another local group of rappers hailing from Cleveland who were signed to Bone Thugs N Harmony’s Mo Thugs Records. Their popularity soared throughout the city with the release of their debut album, “Life of a Misfit”, which quickly sold close to 3,000. 

 

Following the success of their debut, the group members ultimately parted ways, and Kindu took more of a solo route. In 2001, he was featured on a compilation from local label Wild Life Productionz. Soon after, life began to steer Kindu in a different direction musically, and he opted to take time away to enroll in college courses related to Entrepreneurship. Fast forward more than a decade later, and you find Kindu back where he was destined to be. Hughley spent the greater part of 2015 working on various projects, and now, with 2016 here, he’s ready to show the world just what he has in store. It’s time for the world to get familiar with Kindu. He has a plan of taking the Cleveland hip-hop scene to the next level. His brand is centered around unity, which is something the local hip-hop scene has been lacking for some time. 

 

Connect with Kindu Hughley via:

 

www.kinduhughley.com

 

Facebook: Kindu Hughley

Soundcloud: https://soundcloud.com/du10001

Reverberation: https://www.reverbnation.com/kindu

Twitter: @KinduHughley

[FEATURES] Slate: The Experience

It always amazes me when I see young artists who are on their grind. For as hard as you see some younger artists working, it's still not necessarily the norm. Connecting with Slate, we knew it would be an opportunity to spotlight his upcoming performance showcase, but it turned into a greater cause. Anytime we get the chance, it's important yes we recognize the hard work that artists are putting into their careers, their passion, and so forth. Slate is working tirelessly and diligently at building his career; so hard that it's hard to believe he's still technically a minor. In just a few short years, he's built a name in music that is sure to stand the test of time, given the amount of work he's out in. I mention his showcase again, primarily because while most artists would wait for someone to organize such an opportunity for them, he took the time and organized it himself. Just listening to him speak, you realize immediately just how articulate and well-spoken he is. He's definitely wise beyond his years, and you'll see that in our exclusive. He gives us the rundown on his upcoming showcase, his upcoming EP, and the big announcement he plans to make later this month! We're excited to present to you: SLATE!

 

UG Digital Mag: Greetings to you. I appreciate you for your time today. I know you’ve worked really hard for a few years to get established. Begin by talking about how you ended up in Atlanta, given you’re from New York. 

 

Slate: There’s not really much story behind it. I came home from school one day and my mom said we were moving (laughing). I didn’t really want to. If it were up to me, I would still be in New York, but she made the decision. 

 

UG Digital Mag: I think it turned out to be a good thing though. There’s so much happening in Atlanta which has proven to be good for your career. It’s a good thing, and you’ve been blessed to showcase your talent. How has that transition been, given the fact you initially did not want to go?

 

Slate: As an artist, it hasn’t been that bad. I wasn’t really known as a rapper. In New York, I had just started rapping. I was known as an actor. As an artist, it wasn’t that much of a transition. It was more like I was just trying something new. Although I had been rapping, I just wasn’t doing it for that long. Being here, everything was new to me. The weather is weird, the slang is weird. It's like everyone has accents. I had to learn the same things in school over again. Eighth grade math here is seventh grade math in New York. The same thing applied for science. It was difficult to adjust, but now I’ve been here a long time so it’s much better. 

 

UG Digital Mag: You say you were known as an actor. Had you acted in a number of things? What types of things had you done?

 

Slate: I was a child actor, starting at age seven. I’ve been in plays, commercials, tv shows, voiceovers, and print ads. I’ve done multiple Chuck E Cheese spots. I was on the Electric Company. I’ve done a lot as an actor. That was more what I was known as. At first, I was going to continue with that. 

 

UG Digital Mag: I think it’s great though. What’s the one thing you feel that you represent as an artist, considering you’ve made the transition to music?

 

Slate: I guess it’s the honesty. I mean, people always ask me what I rap about. I feel like it’s a weird question because I don’t rap about just one thing. I don’t pigeonhole myself that way. I rap about life, whether it’s mine, or that of those around me. I feel like I represent honesty and transparency. I make sure my music comes from the heart, no matter what I’m talking about. 

 

UG Digital Mag: Now you have a showcase coming up. As opposed to it being something you are going out for, you’re actually putting this on yourself. Talk about that.

 

Slate: This is my first show that I’m doing myself. It’s called the Even Experience, and It’s coming April 30. It’s a performance showcase. I’ve been working hard this past two years on my upcoming project. Aside from that, I have a major announcement coming up. I wanted a way to present those announcements along with my new music. When I did my first mixtape two years ago, I had a listening party while celebrating my birthday. I killed two birds with one stone then. This year, I really wanted to put on my first showcase. I’ve grown as my artist, and rather than have a listening session, I wanted people to come out and vibe with me, and see me perform. That’s exactly what it is. It’s going to be something to speak about. 

 

UG Digital Mag: What’s the outcome of the showcase for the other artists involved? Aren’t there other artists involved?

 

Slate: Yes. There are other artists that me and my management will seek out that will come to showcase their talent, leading up to my performing. It’s a way for me to do a couple of things, like, I’ve performed a lot, but I’ve never had a full set. I’ve done one, two, and three songs. I wanted to get the experience of perfuming a full set. I’ve made the transition, and an announcement is coming up. I feel like that will be the biggest thing of the event. 

 

UG Digital Mag: It’s definitely good to see you do this on your own. You don’t see that with a lot of artist, especially the younger ones. Many of them are not as involved in their careers as you are in yours. Why was it important to be able to do this for yourself?

 

Slate: Just in taking control of my career, musically, I’ve always been in control. I wanted to have the experience of putting on my own show, and say that people came out to see me. I wanted the feeling of knowing they came out because they wanted to see me and what I was showcasing. Rather than waiting for the opportunity to come down the line, I wanted to take the bull by the horns. I want it to be something that grows and is successful so that I can have another Even Experience. I want to grow as an artist and give fans the chance to grow with me. 

 

UG Digital Mag: It’s clear that as an artist, you’ve learned a lot about how to present yourself. Looking at your predecessors, what are the biggest things you learned from watching them?

 

Slate: Mainly, the hard work side of things when it comes to perseverance and grinding. A lot of people think that talent alone will get you to where you want to be. Talent is great, and you definitely need it, but that's not all it takes. There’s always a great rapper who never makes it, or a great basketball player who never makes it. The difference between them and a Steph Curry, or Kobe Bryant, is the work they put in. 

 

UG Digital Mag: You recently released your latest project, I’m Sorry, Soon. Where did the the title come from?

 

Slate: Basically, all 2015, I talked about the EP coming soon. Needless to say, I’m still working on it. Rather than rush it, I wanted to give the fans something to hold them over. The title is just saying, I’m sorry it’s not here yet, but it’s coming soon. 

 

UG Digital Mag: Who were people you were able to work with in putting it together?

 

Slate: It’s been close knit. I worked with one engineer for both projects. When it comes to collaborations, it’s been in-house. It hasn’t been too much outside interference. 

 

UG Digital Mag: What’s coming up next aside from the EP? Is there even a date yet?

 

Slate: No date yet. I have a goal, but every time I speak it, it doesn’t happen. But it’s definitely coming soon. We’re almost there when it comes to the finish line, but I’m not rushing it. It’s definitely coming soon. My single for the EP will drop at the Even Experience. That’s what the focus is. We’re trying to make sure there are as many people as possible to vibe with me and support me. April 30th! After that, it’s just going to be post-production. From there, when I’m ready and content, the people will have it. 

 

UG Digital Mag: I would love for people to continue checking you out. Where can they find you online?

 

Slate: My social media for Twitter, Facebook, Youtube, and Soundcloud, it @LyricalSlate. Youtube as a lot of performances, and SoundCloud has both of my projects. My Instagram is @CantHateSlate

 

UG Digital Mag: Any final comments at all?

 

Slate: I just want to thank you for this opportunity, and I’m stressing the Even Experience! April 30th at the Karma Bistro, in the SkyBox. 1179 South Hairston Road, in Stone Mountain. Doors open at 4:30, and it goes from 5pm - 7pm. Single is coming April 30th, and EP is coming soon!

[HEALTH] Brenden Ortiz: Health Matters

This month in Health Matters, we had an amazing opportunity and blessing to connect with a young man who has been able to inspire the world with his life story. Even as young as he is, he struggled through the worst of it all, losing his entire immediate family, and being diagnosed with HIV. Through his struggles, he's been able to inspire so many along the way, and ultimately build a brand that has lent much to him discovering the true meaning of his life and the importance of him speaking his truth. As an Author, Producer, Publisher, and Radio Host, he has become a strong advocate for HIV Awareness, safe sex, and being smart enough to educate yourself on all of the above. His story is nothing short of amazing, and we've got it right here, with Health Matters!

 

UG Digital: I really appreciate you for your time. Surely, we’ve been wanting to connect for close to a year now. You have such a great story, and it’s something people need to hear. There’s so much happening in terms of safe sex, and the full gamete, so it’s amazing to see how you’ve shifted it all into something positive. Thank you for taking the time. 

 

Brenden Ortiz: No problem…

 

UG Digital: Now, I personally think your story is inspiring on multiple levels. A diagnosis such as yours is an end for so many people. So many get that diagnosis, and they take it to the extreme. I think of people I know who have been diagnosed with HIV, and how they went to the extreme with not taking care of themselves. Things blew way more out of control than how they may have been if the knowledge was there. Talk about your story and how you ultimately were diagnosed?

 

Brenden Ortiz: Basically, I actually had what I considered a regular childhood. I hung out with friends, went to school, and things of that nature. Around 15 or 16, my mother was diagnosed with cervical cancer. Within that year, she died. I had been trying to find my sexuality, and really figure out if I was heterosexual, bi-sexual, or homosexual. At the end of the day, I told my mom before she passed, and she basically said to go with my heart and always be a boy. That was her main quote: always be a boy. She didn’t want me to be flamboyant, but she just wanted me to be me. Who I slept with was my choice. I lived a promiscuous lifestyle once she passed away, and during that time, I met this dude. He and I built a relationship where I felt comfortable enough to explore threesomes and unprotected sex. He had the virus before we actually got into a relationship. I contracted the virus from him, and was diagnosed in 2010. I’m speaking of HIV. I chose to express my story because going through everything from losing my mother to cervical cancer to my father committing suicide when i was 19, I was left alone. I had my grandparents, but my immediate family was gone. My brother and sister had passed away as well. My brother died in a motorcycle accident, and my sister passed in a car accident when I was 14. My immediate family was gone, and I was lost. 

 

UG Digital: That’s a lot to lose your entire family within 5 years. 

 

Brenden Ortiz: Exactly. It continued from there when I lost my grandparents. As of now, I only have my maternal grandmother, and I have some of my father’s side of the family. After being diagnosed, I went to an HIV specialist, who referred me to a therapist. Through therapy, she was telling me to write down how I felt. My high school teacher would tell me the same thing. I wrote a lot, and that’s how my book, “The Pretty Boy with the House in Virginia: The Resurrection” came about. 

 

UG Digital: You speak about the fact that you were promiscuous, and I think a lot of people would relate that to you losing so much at one time, but what do you think led you to that point of promiscuity, and what ultimately pulled you away?

 

Brenden Ortiz: It was yearning for love that I was losing. The love I wanted from my parents; I confused it with lust. Being lustful, and out in the streets, and ultimately coming to the realization after being diagnosed with a sex addiction, the lifestyle somewhat subsided the feeling of love that I was looking for. Now, in my lifestyle, I’ve been married, which didn’t last because of my partner’s infidelities. I now know how to love correctly, and I know what love is. At this point in life, that’s what I’m looking for. If it happens, it happens. Love is love. At 26, I feel like I would like to build a family. Thats what I’ve learned through it all. 

 

UG Digital: You also speak on seeing a therapist. Therapy can be so good when used in the right way. Writing things down, as you said, helps so much as well. How do you feel therapy helped you overall?

 

Brenden Ortiz: I felt like it was ironically therapeutic (laughing). It helped me personally, and professionally. I’m able to take direct criticism without lashing out or being defensive. I learned a lot about myself. I haven’t been in therapy for the past year and a half, but I will be going back.

 

UG Digital: That’s good. So many times, it helps to be able to see things from the perspective of someone who is neutral in it all. Talk about how you’ve been able to turn your diagnosis into a positive to help others?

 

Brenden Ortiz: The book has been one of the main outlets for people to see the emotional rollercoaster I’ve been on. I also do public speaking in high schools where I educate on the statistics. High School students are the predominant demographic being hit with HIV. They are exploring their bodies and the bodies of others. They’re not educated fully on the virus and how it is transmitted. In the health books, they don’t educate enough on HIV. It’s like a three-page spread. 

 

UG Digital: I’m glad you say that. With high school students, how do you tailor your message to be something that they are interested in hearing, and at the same time assure it’s more than what the health books offer?

 

Brenden Ortiz: Basically, I go in and let the students know that I’m HIV positive. A lot of kids would say I don’t look like I have AIDS, and that’s one of the major things. They don’t know the difference between HIV and AIDS. There’s a difference. HIV is simply a virus, but it’s simply incurable. I try not to be closed minded. You have to be open minded with students. They want to be educated and they want to know. They’re curious to know what’s going on in the world. I express to them that I’ve been HIV positive for six years. I’m not saying they need to let the world know their status, but they need to know for themselves. I stress the importance of condoms and contraceptives. In the end, they do what they want to do when they leave the classroom. They’re teenagers, and their hormones are raging. My message is to not be like me, don’t be promiscuous, and learn from my experiences. Often, I give books away. It’s about the message and not about money. They will continue to spread the word. I speak like I’m one of them. I was 19 when I wrote the book, and I know they can relate. In my second book, one of my quotes is that “we tend to stop helping ourselves by helping others, and in return, we backslide and become weak to the very thing that gave us strength”. With me being so stern about awareness, I lost myself. I got really sick because I wasn’t taking my meds at one point, and was depressed to the point of wanting to commit suicide. I feel like in delivering my message, I can’t forget why I give this message because I’ll lose myself. 

 

UG Digital: I think it’s amazing. When you’ve gone into these schools, have there been moments when you know you’ve really reached someone, or someone comes and relates by letting you know they too are positive with HIV or dealing with passing loved ones? What has let you know you were really affecting someone?

 

Brenden Ortiz: I remember about three years ago at a career day, this one child was dealing with her mom going through cancer treatments. Unfortunately, her mother passed away, but she knew that through writing, and speaking with someone, she could get through it. My mom’s tenth anniversary just passed, and it’s still hard for me, so I know its going to be hard for her. It’s still new to her. I try to be there, speak to her, and if she needs to hang out I still connect. People have definitely come up and let me know they have dealt with cancer, and suicide. 

 

UG Digital: How did you ultimately get into publishing?

 

Brenden Ortiz: Once I was in college, and majored in creative writing, my professors would comment that my writing was very vivid. Through writing in my journal and reading, I could see my vision and the clarity. One day, I was on social media and a young lady was looking for a few authors. It was five of us, and it also included Neffeteria Pugh. We connected, and after reading my manuscript, she knew it would help people. I signed a two year contract, and once that was done, I decided to self-publish. I wanted my book to continue to sell, and I wanted the message to continue spreading. My book now has reached the UK, and I’ve been on tour several times. 

 

UG Digital: Again, it’s really amazing. What other opportunities have come from spreading your message?

 

Brenden Ortiz: I started a campaign called What Does HIV Look Like? We have five people who spread their stories through monologue. We had it released last August (2015), and we’re going to film it and sell it as a DVD so that the message spreads across the country. I launched a lip stick line in honor of my mother. The proceeds go to cervical cancer awareness. It goes to the Rosa Lives On Foundation which funds groups where we do inspirational speaking and groups where we help those dealing with cervical cancer. I just signed with 88.7 FM in Brooklyn for a radio show. I’m sticking to my brand of HIV awareness and STDs. We’ll talk about what people are scared to talk about on air. In person, we don’t talk about sex, HIV, and homosexuality. Everyone talks about it now, but we need a show where the public can interact. We’re bringing awareness. We’ll be doing the HIV awareness walk in May. 

 

UG Digital: I’m happy at the headway you’ve made with this all. I’ve seen over this past year how much you’ve been able to do. I wish there were more people who’s stepped up and were all about awareness, so it’s great to have you doing this. Where can people learn more about what you have?

 

Brenden Ortiz: They can find me on instagram at @BrendenOrtiz, on Periscope every saturday at 1pm at @theonlybrendenortiz, they can check out my video campaign on Youtube, that’s What Does HIV Look Like?, they can check out BrendenOrtiz the web channel, and order The Pretty Boy with the House in Virginia: The Resurrection on Amazon, Barnes and Nobles, and Shopbrendenortiz.bigcartel.com, 

 

UG Digital: Will it be on iTunes?

 

Brenden Ortiz: We’re working on iTunes. It needs to be formatted for apple. I’m also working on an audio book that will come out in July with the second book.

 

UG Digital: I definitely commend you for all you’ve done. What final thoughts are there? 

 

Brenden Ortiz: Just remember that whatever you do and put your passion into, do not lose yourself within that. 

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[REVIEWS] SWV: Still

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It's funny how musicians and artists can seemingly vanish for a period of time, and make their way back to music. SWV was one of the biggest and most successful girl bands of the nineties. They maintained a steady stream of hits throughout three albums before disbanding amidst growing troubles within their circle. Mind you, that was 1998 when they released "Release Some Tension". Following their split, Coko moved forward with success in her solo career. She would do a considerable amount in the Gospel circuit before making her way back to SWV. 

 

I can recall some time back around 2005 that there were talks of the group reuniting. We interviewed the ladies around that time, and although they were quite excited about their new prospects, we still didn't see their official reunion until 2012 with the release of "I Missed Us". Released via Mass Appeal and E1, the album didn't do well. Whether It was lack of promotion or otherwise, it just didn't resonate with fans. They soon would embark on an opportunity of having their own reality show aimed at rebuilding their careers as a group. Depending on who you ask, that show may or may not have consistently shown them in the best light, and for some, it left a lot of questions of whether they were truly serious and if they could maintain as a unit. It surely left a lot of skepticism in the minds of music lovers. No one knew what to expect with a new release from the ladies. 

 

“Still” is likely one of the most important albums of SWV’s career. While it was a chance to continue doing what they love, it also served as an opportunity to finally get it right. Releasing an album, and promoting that album to great success takes a great deal of work, arguably more work than what most artists are willing to do. Fact is, many artists from the nineties and prior who return and attempt to rekindle their past success struggle because they aren’t necessarily able, or willing, to do what it takes in today’s climate to make it work. Whether they like it or not, they’re now competing with today’s artists, and that is much the case for SWV. 

 

“Still” represents what some would consider their final shot and putting together a lasting project together. Releasing again through Mass Appeal, the ladies make an indelible mark this time around. What makes Coko, Lelee, & Taj stand out on this new LP is the fact that throughout, they are being themselves. While they may be going for the same success and accolades as their peers, they work on “Still” as though the others don’t exist. They kept with their original style, thus delivering solid hits that fans can groove to for years to come. Each plays their respective lanes perfectly, and for the first time in a long time, they sound like the true unit they were in the beginning. Their sisterhood shines bright as they trade verses one the album’s ten tracks. Favorites on the album for many include the album’s title track, MCE (Man Crush Everyday), Love Song, Ain’t No Man, and Leaving You Alone. 

 

SWV make a strong impact with Still. From the sounds of this album, the ladies will definitely be here for some time to come. 

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[MEET THE MANAGER][LEGENDARY] Steve Lobel

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I can’t begin to say how excited we were to secure Steve Lobel for a feature within Urban Grandstand. As someone who dreamed as a child of working in the entertainment industry, he’s someone I sure followed along the way. When many others were literally playing games, Steve was running things, making things happen not only for himself, but for so many others. Coming from Cleveland, I watched, almost first hand, as he helped create some of the biggest opportunities for Bone Thugs N Harmony as a group, as well as each member in their solo efforts. He’s worked with a wide variety of other artists in addition to them, but his history began well before that. Brought into the fold of entertainment by the legendary Jam Master Jay, the same love, respect, and admiration he shows for helping artists build their brands and careers was extended to him by one of the greatest. Actually growing up with Jam and Run DMC, he saw first hand from some of the best to ever do it just what it took to survive in this industry. Now, having been in this business for nearly three decades, he’s working to sharpen his brand even more, and not only continue offering greater opportunities, but show the younger generation just what the business of music is all about. The magic that he has brought to this industry is unparalleled. This article is a way for him to showcase his world, and it’s an opportunity for us to honor a man who anyone interested in any part of the music business should know.  It’s our chance to salute the incomparable Steve Lobel!

 

UG Digital Mag: This is an amazing opportunity connecting with someone like yourself. You’ve done so much here in this industry that we can’t help but learn from you. It’s a great opportunity to emphasize the things you’ve done for those who have followed, and it helps to continue to introduce you to those who have in a sense been under a rock. You go back a number of years, and the positivity from many artists comes from them having worked with you. What does it do for you to know that you have left that type of impact, when you’re still building?

 

Steve Lobel: To be honest with you, if people don’t who I am, it’s OK. I do have a resume in stripes, and that’s what I try to tell the younger generation. Hard work pays off, and you have to build a resume. You have to put that work in to become who you want to be. I’m just blessed. I’m a man of my word, and I’ve worked hard. I’ve done a lot and it’s a gift and a curse. I’m blessed, but humbled to work with so many different people from different eras, genres, and states so to speak, from Bone Thugs N Harmony in Cleveland, to Run DMC in New York, to Nipsey Hussle in Los Angeles, to Sean Kingston in Miami. Three Six Mafia in Tennessee, Fat Joe in the Bronx, so on and so forth. 

 

UG Digital Mag: I’ve been one who has followed you all this time. I love the industry, have family who are in it, and it’s amazing, not to mention inspiring, for me to see what you’ve done. Being in Cleveland, I’ve followed Bone Thugs for example, and part of me gaining that stronger appreciation for you is the way you’ve worked with them and treated them. I’ve seen the people they’ve worked with otherwise, and I think you’ve been the strongest force for them, and simply put, the one person who hasn’t screwed them over or taken them in the wrong direction, and that also goes for other artists you’ve worked with. People have a tremendous amount of respect for you?

 

Steve Lobel: You give respect and you get respect. If people disrespect me, I’ll disrespect them harder. It took some time. I am a caucasian guy in an urban Afro-american business. I’ve dealt with a lot of people who maybe have never dealt with someone like me, or grew up and hung around with someone like me. It was all about building a relationship organically, and getting to know one another and building trust. My relationships are decades long because I’m a man of my word and integrity. I can still talk to Fat Joe 25 years later, and I’m still working with most members of Bone Thugs all these years later. We kick it like father and son. When you say Bone Thugs, and I call this 216 number, it’s weird because I used to deal with 216 numbers all day long with the members of Bone Thugs and the Mo Thugs artists. A lot of people came around Bone, and I’ll tell y’all the truth one day of what really goes on, but it’s not easy to manage a group. You have so may different emotions, feelings, and personalities in a group. It wasn’t easy. I’ve kept it more than 100 with Bone. I’m still down with most of them for so many years, over and over, through the trials and tribulations. I know more about that situation than a lot of people, and like I said, I’ve been through ups and downs with them and I’m still here. I was a part of putting the Bone and Biggie song [Notorious Thugs] together, Ridin’ Dirty with Chamillionaire, so on and so forth. I’ve been booking them with my partner Jamie for many years and making money with them. I’ve brought so much to the table for them, so you’re right. Some people come in and out of their world, and I’m still here standing, loyal, and doing great business. Time will tell, and the truth always comes out, but I’m still here standing. 

 

UG Digital Mag: Two things I want to hit on. Jam Master Jay, and Run DMC. I know you fully credit them for your success. How did you connect with them in the beginning?

 

Steve Lobel: You know, Jam Master Jay put me in the game. I grew up with Run DMC and Jam Master Jay. I definitely give credit where it’s due, and I’m a loyal dude with integrity, so I always give props to them, and I say Russell Simmons is my mentor. I don’t want to sound repetitive in the things I do, but a real brand stays consistent and doesn’t switch up. People who do hear interviews are saying this guy really stays true to the game and who he is. I’m from Queens, New York, and I don’t forget where I come from. I started with them and the sky was the limit. Rest in Peace to my mentor and my man, Jam Master Jay. 

 

UG Digital Mag: You spoke on the idea of managing groups, and dealing with trials and tribulations. How have you managed that through the years, given it goes through ups and downs from day to day. Some artists are difficult, obviously.

 

Steve Lobel: Managing artists can be difficult, but at the end of the day, I love what I do. Everything in life is difficult and nothing’s easy. You have to deal with a lot of bullshit. I don’t know how I’ve done it so long. I’ve been through a lot and have been stressed out, so on and so forth. Sometimes I have no patience and I want to throw it in, but the passion and drive keeps me going. Nothing in life is easy so you have to deal with the good, bad, ups, and downs. You have to laugh and cry, and put God first. 

 

UG Digital Mag: Where are things with A2Z Entertainment? It’s been 15 years now. 

 

Steve Lobel: I named it A2Z Entertainment because I do everything from A to Z. I know every part of the music industry. A lot of young people don’t know about the whole part of the industry from publishing to royalties, ancillaries and splits. Not many new artists have a team, lawyer, agent, and manager. A lot of these artists haven’t done a show. We’re more of a production company label. I do a lot of consulting, and not as much management. I have my whole brand reworking on Instagram and Snapchat. A2Z has been around, and it’s an LLC. It’s management, production, film, and a bunch of stuff. 

 

UG Digital Mag: Have you considered documenting or chronicling your day to day in general?

 

Steve Lobel: Well, I’m writing a book called The Coach Lasts Longer Than the Player, I just joined snapchat, and it’s documenting certain things with that. I want to do a documentary on my life. Have I done reality shows? Yes! I was on Millionaire Matchmaker, I was on Road to Stardom with Missy Elliott in 2004 when reality television wasn’t as big, and I did another one called Managers & Celebrities. I’m pitching different shows. What’s fucked up is everybody feels like nobody cares about what goes on behind the scenes in the music industry, and I tend to disagree because there’s so much great positive stuff in showing what goes on to be in the music business and be great. So many TV companies say it’s boring and they just want to show the finished product. To me, I’d rather see the behind the scenes and the making of it. I shot some sizzles and I’m pitching some stuff and trying to sell some stuff. I've got a thing called Beats & Bullshit, meaning show ‘em the music business and all the bullshit that goes with it. People don’t see that. They don’t know how to set up this and that. Most people are followers and not leaders. It took for Empire to come on TV and everybody feels it’s the business, but that’s not the music business. That’s what they want to show you as the music business. I want to show you the raw and uncut. To be honest with you, if someone doesn’t want to be a leader with me, then I might have to shoot it myself and put it out somewhere online. Online is very powerful, and content is key. I have my own talk show, Live with Steve Lobel, where I sit with artists and interview them. I interview everyone from J. Cole to Bizzy Bone to DJ Mustard to Logic to Focus the producer. The list goes on. I feel like I want to be the next Johnny Carson or Howard Stern. I just want to be innovative and creative, but I’m playing around with snapchat, documenting certain things in my life, and going from there. 

 

UG Digital Mag: I love and appreciate the fact that we’ve connected. I agree with all you’re saying, and a lot of what you’re doing and planning, I’ve personally looked for that, from the lawyers, to contracts, to everything else, so you know the things that are coming and what can happen. For those new managers coming into this, what advice do you offer?

 

Steve Lobel: I mean look... everybody is everybody these days. Everybody is the manager, rapper, singer, dancer,  andvideo director, but we’re all the same. We all bleed, shit, and we’re all going to die one day, or you’re not human. So I don’t judge people. Only God can judge, but the advice I give is make sure you want to do this. Work hard. My 5 or 6 keys to success were communication, organization, follow-up, never taking no for an answer, and common sense, which is not common. That’s the advice I give. Make sure you want to do this, love doing this, and know it’s a business. You need to know certain things. 

 

UG Digital Mag: I love it. Again, I appreciate you, and I’m grateful for this opportunity.  

 

Steve Lobel: I just want to tell every body that less is more, quality over quantity, money comes and goes but history stays. I’ve been blessed, but it’s a gift and a curse. You have to take the good and the bad. Love what you do, and work hard. The hard work pays off. Nothing happens overnight. Rest in Peace to Eazy E, Rest in Peace to B.I.G., Rest in Peace to Big Pun, Rest in Peace to Tupac, Rest in Peace to Jam Master Jay, Heavy D, you know, I’ve had the opportunity to work with a lot of those people. Sky is the limit. 

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[ON THE SCREEN] MARIA HOWELL: MY BROTHER'S KEEPER

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It’s been a little over a year since we had the amazing opportunity of devoting an entire issue to the cast of Sons 2 The Grave. This a film that will ask, and ultimately answer the age-old question, Am I My Brother’s Keeper? Written and produced by Lynne Stoltz of Have Faith Productions, and packing an allstar cast that includes Emmy Award winning actor Greg Alan Williams, Darrin Dewitt Henson, Brad James, Demetria McKinney, Tip "T.I." Harris' oldest son Messiah Harris, Atlantic Records Recording Artist Trevor Jackson, and NAACP winner Justin Martin, this film is set to break tremendous ground upon it’s theatrical release. Since being shot in the Atlanta area, the powers that be have been working diligently at getting this film out around the world and locking in distribution, and working to build the appropriate buzz. 

 

In this feature, we had a second chance to sit down and talk with actress Maria Howell, who arguably has some of the most pivotal moments in this film, playing the role of concerned and protective mother Ruth Jennings to the film’s lead character, played by Trevor Jackson. Her authenticity, and her willingness to fight for what was right in her heart, despite what the world saw, is the very thing that has her winning the audiences over. Her character was one that many mothers in the world will easily relate to. Ruth, in an effort to make up for an absentee father, and still be able to offer her son a sense of security, made it her life's mission to protect him from the harms of the world. She knew all to well which way his life could go, and she was destined to take him in a different direction. Unfortunately, his environment takes control, and her struggle becomes to hard to manage, and you see it play out in the film. In this feature, we went a lot deeper into the mind of Ruth Jennings, and talked a lot about the mind of this amazing character. We learn why this role was so important other in the first place, and how it affected her long after the movie was filmed. 

 

You definitely don’t want to miss this conversation. 

 

 

U.G. Digital Mag: It’s always wonderful to talk to you, but it’s especially great to catch up with you today since it’s been over a year that we connected for Sons 2 The Grave. The movie is getting such awesome reviews. 

 

Maria Howell: That is good, because I still have not seen it yet. I’m looking forward to that, so it’s a good thing to hear. 

 

U.G. Digital Mag: That amazes me that you haven’t seen it yet. 

 

Maria Howell: Well, it’s because when they show it, I’m usually in another state. I’ve seen snippets though. 

 

U.G. Digital Mag: It’s amazing that it was recently featured with SXSW. 

 

 

Maria Howell: I’m glad for that. Making the movie in and of itself was a big emotional thing. You only see what you shoot, and you don’t get to see the other parts. I’m always excited to see how it all comes together. I’m technical in that respect of liking to see how it was edited, and to see what was the interpretation of the editor and the writer. That excites me, so I’ve talked to Sasha, and told her I’ve got to see it. 

 

U.G. Digital Mag: Sasha's doing so amazing with promotion, and it’s getting such good reviews. I’ve told her how eager I am to see it. I think it's going to do big things. 

 

Maria Howell: I’m looking forward to that as well. 

 

U.G. Digital Mag: So talk about the importance in the role of Ruth Jennings for you. She was so powerful in the way she worked with her son to keep him out of trouble, and away from harm. Why was it important for you to bring this role to life?

 

Maria Howell: I’m personally not a mother, biologically, but I have a lot of children who are in my life, and I know how protective I can be, so I can only imagine how I would be as a biological mother. What attracted me, first and foremost, is it was a more in-depth role as a mother. It was very intense in the fact that here was a woman who is career oriented, and she sacrificed. I can relate on a personal level, and it makes sense to want to get so much stuff done, and get it done right and efficiently, but at the same time having this strong faith inside. That, in and of itself, is a lot. It's a lot to operate your life based on faith, and continue to do your everyday thing. Having a son, and being so determined to guide him in the right direction and protect him from whatever elements in the world I can is daunting. There’s no guarantee that you can protect anyone, and it’s proven in the movie. Ultimately in the end, she was not able to protect her son. 

 

U.G. Digital Mag: A lot of times, parents have the best intentions, but in the end, the kids do what they want to do. 

 

Maria Howell: Yes, it’s like that you bring someone in this world. She was living by the faith that she believed in, and to have someone you’re guiding, but have that same level of letting that person be who they are meant to be…it may not always match with what you want them to be. That has to be a power struggle for a lot of parents. I feel it with my nieces and nephews. I don’t jump in it like their parents do, but I still have emotions about it. I have one nephew who I love to death, but he was hard-headed. Fortunately, enough seeds were planted, and he lived to see his manhood, and we’ve lived to see his manhood, and what a wonderful man and father he is. I can relate to Ruth on that level. This same nephew, I wanted to adopt and raise him as my own. I was willing to sacrifice my career for him because I loved him that much, and saw that he was in a situation where as a child, he had a lot of people around to support, but I wanted him to have stability. 

 

U.G. Digital Mag: It’s amazing when people have that type of love in their heart that they can take in someone else’s child who may be going through it. My mother was able to do that with a cousin of mine. 

 

Maria Howell: It's because you let yourself go. You live for your child, and you live for that other person. I feel like I had it. That’s why in this role, Trevor and I connected from day one. Literally, I still feel like he’s my son. It’s been over a year ago, but he’s just a sweetheart.

 

U.G. Digital Mag: I’ve heard such positivity about him in this role, and as a person in general. 

 

Maria Howell: He’s a good kid, and that has a lot to do with his mother and the way she raises him. The relationship, it was easy to get into that role, and I was very happy about it because I don’t have many roles like that. Usually, I get to be the cop, the doctor, the lawyer, or the school teacher, so this was good for me to tap into motherhood and that nurturing side. 

 

U.G. Digital Mag: What effect did this role have on you after it all was seemingly over?

 

Maria Howell: Wow, that’s a good question. Not to tell or give spoilers, but the very first day I shot was emotional for me. It affected me immediately in such a way to think of life and death. That was my first foray with the movie.  

 

U.G. Digital Mag: Well of course, part of it is my eagerness to see it. I’m definitely ready to see it. 

 

Maria Howell: I’m excited. I think the way it was shot, it’s going to be so sweet. I saw a clip and it looked beautiful. 

 

U.G. Digital Mag: Now what else has been going on? What’s really a blessing in my eyes is that you continuously work. So many actors are often looking for more work. 

 

Maria Howell: Oh you didn’t catch me crying yesterday then (laughing). There’s an occupational hazard in this industry that when you go two days without work, and although you need to be chilling and relaxing, you start panicking for the next thing. I suffered from that for years with singing. If I went two weeks without a gig, I was worried. You have to sit still and relax. The reason I stay busy is like I tell everyone. Diversify your portfolio. What I mean by that is I do voiceovers, I do narrations for audio books, I do commercials, TV and film, and then I sing. I have something to do everyday of the week if I allow myself to. There’s the visibility of that, and then when I’m not working, I’m out supporting somebody’s play. I love theater, but I tend to not do it because there’s a vacuum of time you have to devote. Then my gig comes up and I have to go sing. That’s the only reason, because it will always be a conflict with singing, unless I just take that time off. I haven’t done that in a long, long time. It seems like I work all the time, but there are times that I’m pulling the rest of this little afro out (laughing). 

 

U.G. Digital Mag: You probably need that time though. 

 

Maria Howell: I really do. Fortunately, I’m coaching and consulting on the side, and I can only fit it into certain gaps. That’s what I’ve wanted to do for a lot of years, is do some seminars. This gives me the downtime to plan it, to be able to organize myself, put it on paper, and pull the resources together to make it happen. 

 

U.G. Digital Mag: How has your music been going?

 

Maria Howell: It’s going great. I’m a jazzer. Between the west coast and east coast, I’m performing. I have a standing gig in L.A. that I do once a month. I’ll be adding some more performances to L.A., and then I also have the south-eastern region, where I have museums I go to every year. 

 

U.G. Digital Mag: You spoke of that last time being in North Carolina. 

 

Maria Howell: Right, North Carolina, South Carolina, Georgia, and Florida. I’ll be in Jacksonville in May, July I’ll be back in Charlotte, North Carolina, and we have planned dates. 

 

U.G. Digital Mag: I think it’s great. 

 

Maria Howell: I love it. It can be a dinner show, cabaret show at a club, or a show at a museum. I love that kind of performing. It keeps me alive. 

 

U.G. Digital Mag: It’s amazing, and you show so many other actors and actresses that the work it out there. You just have to go get it. 

 

Maria Howell: You have to figure out where you fit. I have a lot of years in it, so I’ve established relationships, and there’s always new stuff popping up, but I tell people all the time, you can do it. Figure out your starting point, and don’t try to compare yourself to someone else. Do what you can do, and grow from that point. Too often, people look at someone else saying they can’t do it like that. Maybe it’s not meant to do it like that. If I had done that I would have been disappointed a long time ago (laughing). I’m trying to be happy and do what I’m good at. 

 

U.G. Digital Mag: It’s also about maintaining relationships. 

 

Maria Howell: Yes, that is so key. Networking is not just passing a card to someone. Maybe that’s where it starts, but you need to build the relationship and build trust. Sometimes, it takes time. 

 

U.G. Digital Mag: What are you most proud of with your journey?

 

Maria Howell: That I’m still doing it. I know you’re asking about a specific project. 

 

U.G. Digital Mag: Not really. I mean even in terms of overall growth. 

 

Maria Howell: That’s a given…well, you know what, let me back that up. Everybody does not grow. I take that for granted. I have grown leaps and bounds. The growth for me from where I see it is that I have grown to be more comfortable in my own skin. I’m able to say yes, and more importantly say no to things I don’t want to force myself into. The outside indication is when I get to a show, and people say I used to come and hear you 25 years ago. First I think, Oh god, how old am I (laughing)? Second thing I’m thinking is thank you so much, because this one lady said I was good, but she has seen my growth and I have come into my own. That’s someone who’s been watching me over 20 years. For her to say it, it’s got to have some truth to it. I’m most proud of being comfortable in my own skin. Even though I’m still growing, I’m more comfortable, I’m more relaxed and more solid in saying this is me. This is who I am. 

 

U.G. Digital Mag: That has a lot to do with why you get the roles you do. You started in The Color Purple obviously, and it was a small role, but look at how you’ve grown, and the quality of the roles you play now. You’re someone like Ruth Jennings, who will relate to so many people. 

 

Maria Howell: …and also has something to say that really matters. There’s a scene in Sons 2 The Grave where she is talking to a crowd of people, and I like that scene a lot. It’s pretty cool for me. When I was a kid, I always wanted to have something to say in life, something to impart on people that was positive. I really felt that in that particular scene. God is really amazing. It's great when you can think of things and they later come to fruition. Most times, I know things are good when I’m in it. 

 

U.G. Digital Mag: That’s the best feeling in the world, to dream up something, and later in life, you see it happen. 

 

Maria Howell: I think the key to that is being true to yourself. Just because everyone thinks I work all the time, it’s not like that. I get turned down sometimes, and I say no to things. 

 

U.G. Digital Mag: That’s the good thing with you though. 

 

Maria Howell: I ain’t got time to be turning things down, but I do turn some things down if it does not fit my fabric. 

 

U.G. Digital Mag: That’s one of the biggest things I’ve learned in myself. As much as I wanted UGD to flourish, and me wanting to talk to so many people, I still have to say no sometimes. I had an overall standard for the magazine that I was going for, and I see how often the media is portrayed, and how we often portray ourselves as black media. I think we often want the respect, but don't present ourselves in the manner to get that respect, or we don't hold ourselves in that same light we want to be seen in. 

 

Maria Howell: There’s a cliche that said if you don't stand for something, you’ll fall for anything. That’s true, and you’re doing the same thing. You have a desire in your gut and you intuition and integrity. That’s your code. That’s your standard. I applaud people who at least have one. 

 

U.G. Digital Mag: It’s difficult sometimes though. Sometimes, I’ve turned someone down, and then think about it later. 

 

Maria Howell: You have to turn them down sometimes though. Something you said makes me go back to Ruth Jennings. She stood for what she believed in whether it was right, wrong, indifferent, or whatever. She stood for that, and people respected her on her job. Her son respected her. People in the community respected her because they knew she was solid and consistent. That resonated with me in my life. 

 

U.G. Digital Mag: That makes me want to see the film even more. 

 

Maria Howell: She was a solid person in that movie. Her son had that to look up to. He had that as his gauge, and she had something to say. People respected her. That was another big part of that role for me. 

 

U.G. Digital Mag: In terms of final thoughts and words of encouragement, what would you like to get out there?

 

Maria Howell: First and foremost, I want to give kudos and shout outs to the creative people behind the scenes. There’s no way we can do what we do if we don’t have the writers providing good material. There’s so many different parts of the puzzle, and I appreciate all the different pieces. I make sure when I’m on the set, I thank that camera man. I thank the writers, and other actors. It’s all a team effort and we're telling a story. It’s all art so I like, from an actor’s standpoint, to tell those creative people thank you.  I thank the people who come and support, because life is short, and we’ve lost so many people in the past six months that it’s like oh my god, please don’t tell me about someone else. This is a way in life for me personally to have something as hope; something as inspiration. I’m a little idealistic, so any way I can make it through and have something to take me out of that everyday reality, it’s thought-provoking. That’s what art is supposed to be. I thank all the people involved and the viewers, because it’s not simple and easy. Some of us are in it to be stars, but a lot of us are not. We’re just in here trying to do what we love. That’s a thought that’s on my mind these days. Art! Just let’s make it happen, let’s move it forward, and let’s get better and better. I encourage all people who have stories to tell to write. Don’t wait for anyone to write for you. Write! Move forward and keep it moving.

 

To stay up to date with the film, visit their social media at:

Twitter: @Sons2TheGrave

Facebook: https://www.facebook.com/Sons-2-The-Grave-The-Movie-736692043080737/

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[FEATURES][ARCHIVES] Yung Berg: Delivery Time [February, 2011]

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Yung Berg has been away for a bit of time, and fans have definitely been wondering where he had landed. Granted, it was nowhere near an eternity [laughing], but three years is definitely a long time to be absent in music these days. It’s been that long since his debut album hit the streets. Most will remember he started as a part of DMX’s Bloodline Records. For Berg, the time away wasn’t all for nothing. He’s definitely been putting in his work, building an arsenal of hits that he’s now ready to drop to the world. Many doubted his return, but for him, it was inevitable. In our exclusive, Delivery Time, Yung Berg lets us in on what he’s been doing during his perceived time off, his connection to Disturbing Tha Peace, the writing he’s doing for so many other artists, and a whole lot more.

 

U.G. Digital Mag: I have to say that it’s really good to speak to you man and you’re prepping to release your new material. I think a lot of fans have been eagerly waiting for you to drop something new. So I appreciate you taking the time out…what’s been going on with you man, since your last album? Three years is a long time, so to speak. What happens in a lengthy time away like that?

 

Yung Berg: Well, in between my albums, I got involved in production. People didn’t know I produced for my own album. I was able to work with Dirty Money, Cassie, Diamond, Rico Love, and spread my talents so they know I make hit records. My involvement with “Sexy Can I”, I played a part. I want to get the background. I was able, thanks to Sony, I was able to walk away with a release, and not owe anything. It was the best thing to happen tome. I was able to make my own moves.

 

U.G. Digital Mag: You have a well-documented journey into the game man. Obviously, you were signed to DMX’s label at one point, and then you later worked with DTP for a bit. Take me back to the time, and how you got with them?

 

Yung Berg: Shawnna is like a sister to me. She’s been the most influential to me. She had success, and she came and performed at my school when she was with infamous syndicate. It’s not easy for females, so I admired her. She titled my first album. I was around her, soaking up time and influences, she was like you like a 2pac. I never seen nobody work like you. Do a song called look what you mad me. Show you a product of the culture. And things that go on. This is all you. I appreciate everything she did for me. I produced on her album “Block Music”.

 

U.G. Digital Mag: Any writing for other artists?

 

Yung Berg: I just got a good knack for good hooks. When younger I ain’t know what I was doing. I knew, but did not know the capacity. “Sexy Can I”, “Tha Bizness”. I wrote all the hooks for every feature, except with Lloyd. With Eve, we shared the same management. I produced on Eve-olution

 

U.G. Digital Mag: What happened with DTP?

 

Yung Berg: I did not want to cut into that situation. She gave me an opportunity to learn and be on the road. That was priceless. I appreciate the love from Ludacris and Chaka Zulu. I just wanted to chill.

 

U.G. Digital Mag: Your debut did very well in the industry. How much of that success were you really expecting in the beginning?

 

Yung Berg: I don’t know. I don’t wanna be cocky or arrogant, but I always knew beyond the music, I wanted someone to understand me. I knew I had charisma with women, and if I could be seen on TV, I could connect with women. A lot of people come out, they been waiting for certain attention. I just been waiting to be embraced. For women to say they love it, it’s realistic. I take my hat of to them for saluting me and saying regardless of anything going down with you,

 

U.G. Digital Mag: So talk about your new material and what you’ve got brewing?

 

Yung Berg: The album will never be done til’ it comes out. I’ll never be done recording. Ray J, Sean Kingston, so many different people. I wanted to limit the album to me. I see the comments. People don’t know I was writing a lot of that material. Since auto tune came around, I’ve been able to sing my own parts. It can be more about me, people can accept me, what I bring to the table, and what I do behind the scenes.

 

U.G. Digital Mag: What else will be coming?

 

Yung Berg: The new mixtape will be dropping. It’s hosted by DJ holiday, Ill Will, and Rock Star. Souljah boy, Roscoe Dash, Hot Dolla, Ya Boy, YG, man it’s just a star-studded mixtape. We got a video done by the name of “72 Hours”. A ballad, like outer space. People did not expect me to come with that. It’s dropping a week after Valentine’s Day.

 

U.G. Digital Mag: Why a mixtape?

 

Yung Berg: It’s a way for me to get my music out. I create at a rapid pace. I’m releasing it so it doesn’t get stale, and it’s a direct attachment to me as a person. You’ll know exactly how I was feeling. It won’t be a delay on the emotion.

 

U.G. Digital Mag: What else is going on with you that you want people to know?

 

Yung Berg: I’m working on Jim Jones’ project, Lil’ Scrappy, Diamond’s project, the Dirty Money project, and so many other things I’m working on. The main focus is my family, Brown and Kenney, young fly movement. Sex and the city is a big deal. I will be out on 106 and park in a week or so. I see you. “Sexy Can I” part 2. I love everybody for supporting me. My #1 goal in life is to stay down. Don’t let nobody say you can’t do shit. Humble greatness.

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[FEATURES][ARCHIVES] Swazy Baby: Strengthening the Legacy [September, 2010]

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Urban Connectionz Online: I see they’ve got you working late tonight. I don’t see too many artists interviewing this late in the afternoon….I appreciate you though…

 

Swazy Baby: You’re welcome

 

Urban Connectionz Online: So obviously, everybody knows the history of Slip n Slide. Home to some of the biggest money makers in the industry at one time, including Trick daddy, Trina, Rick Ross, and the list surely goes on. Talk to me about the legacy that you are looking to build with the label?

 

Swazy Baby: Really, you can say I’m the future of Slip n Slide, as of right now. I’m the main priority. It’s been a lot of talk about CEO and what not, but as far as with me and my music, I guess I plan on being around a minute. I’m just giving quality good music. I guess that’s about it.

 

Urban Connectionz Online: How did you land with Slip n Slide in the first place?

 

Swazy Baby: It was through my manager, and Bigga Rankin. He was hostin a rep your city competition. It was like 45 minutes from Cordele, GA, and I heard about it through a friend. I went down there to represent, did my song, and I won. They told me it was another one coming up, and I won that one. We had a conversation, and he was like you got good music, and I wanna show you to Slip n Slide. Then there was the Next Big Superstar competition, and they wanted me to perform. I went down there, and I guess they had been telling folks about me. They had already heard the music, and I performed. I received a standing ovation. Ted even stopped me and had me spit my verse over. They went crazy. A couple months later, they had my contract ready.

 

Urban Connectionz Online: I would say that the climate of hip hop, and music in general, has changed so much since the beginning of Slip n Slide. Hell, it’s changed drastically in the last year or so. What is different for you as an artist today? With so many artists making their way in, and only sticking around for one album, even if it’s not their choice, what gives you that certain level of confidence that you can last as a prominent artist and generate the type of sales that you can live comfortably from?

 

Swazy Baby: Man, the truth is, I feel like it’s a lot of good artists out there, but, for one, I got one of the biggest independent labels behind me. Ain’t no need for me to get out my comfort zone. I always felt like I could make it. No pressure or nothing. As long as I can work comfortable, I’m good. I record at home, and do it how I want. Making music is no problem for me. If that’s all I got to do, perform, and meet people, it’s all good. Everybody feel like I’m cool. I ain’t hard to get along with.

 

 

Urban Connectionz Online: What do you feel like you have learned from those that you are following? And we’re not just talking about Slip n Slide, but throughout the entire game? As I checked out your bio, influences like Jay-Z and Nas are listed….

 

Swazy Baby: To be honest with you, I’m not a big fan of Nas and Jay-Z. I really came up on people like Wu Tang, Mystikal, and Lil’ Wayne. I think Lil’ Wayne and probably Jeezy. With Lil Wayne, calling himself the greatest rapper, and other people saying it too, with lyrical, crazy punchlines, I kinda grabbed that. Jeezy with the real nigga movement, I grabbed that and put two and two together. I throw my edge in my music. I sing too. I can add some stuff in a different way. But that’d probably be it.

 

Urban Connectionz Online: So talk to me about your album that you’ve been working on?

 

Swazy Baby: Everything I make, I try to make it like album music. I’m putting out mixtapes but they got full songs on em. Basically full albums. That’s my thing that I do to let people see my potential, whether its street, or being creative

 

Urban Connectionz Online: How much pressure do you feel, as a new artist, to do well with your music? Is there any pressure for you with this at all?

 

Swazy Baby: Right now, I’m as comfortable as I could be. I don’t feel any pressure at all. I do what I’m supposed to do. Within that first month, I made like 60 songs.

 

Urban Connectionz Online: What type of future do you see for yourself in entertainment? I’m sure you’ve seen that these days, there has to be a back of plan, even when you are the brightest star. Artists like Jay Z and Puffy have been big advocates of that idea obviously, as they both have their hands in anything you can think of. Are there dreams or ideas of ever getting behind the suit and tie in the offices? How long do you see yourself doing albums?

 

Swazy Baby: To be honest, movies maybe, but I see myself being here for a minute, being one of the talked about artists. Sometimes I think though, like when I reach my peak, I’ll leave it at that. I do have a family. I like being a regular person. Once it ain’t no more ink in the pen, I’ll give it up. I can see myself, I don’t know, saving some money for later on.

 

Urban Connectionz Online: What, if anything, did you really want to get out there with this interview? Anything I haven’t touched on?

 

Swazy Baby: I want people to know the truth. That’s the most important thing to know with anything. You gone be good and alright. Everything gets brought to the light. Anybody trying to get on, stay true, and don’t forget the ones who helped you.

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